Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
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Ajioka Chiaki (1952- ). Aspects of twentieth-century crafts: The New Craft and Mingei movements
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Akimova Darina. Ja vs. drugoj : fenomen pokolenia semidesatnikov v kontekste ukrainskogo iskusstva vtoroj poloviny XX veka
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Akovlenko Katerina. The establishment and sevelopment of the Paris commune squat in Kyiv
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Akovlenko Katerina. Why there are great women artists in Ukrainian art?
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Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Baatz Wolfgang. Studying the artistic process
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Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood
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Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
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Barrett Sylvana. An integrated approach for the study of painting techniques
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Barsinova Oksana Germanivna. Specifika kartinnogo myslenia hydoznikov ukrainskoj Novoj volny v kontekste iskysstva 1980-x godov
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Baumer Ursula. Die Bindemittel der Schule von Barbizon
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Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
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Bernar-Koval'cuk Nadia. The strategies of visual representation of “Homo Sovieticus” (on the material of the Kharkiv School of Photography)
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Biruiov Urij (1952- ). Poiski novogo ukrainskogo nacional'nogo stila v arhitekture L'vova nacala XX veka (1900-1914)
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Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Blonka-Drzażdżewska Aleksandra. Andrzej Wróblewski - collective imagination
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Blonka-Drzażdżewska Aleksandra. Andrzej Wróblewski - wyobraźnia zbiorowa
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Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
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Boitelle Rene (1962- ). A new look at old definitions: examining notions of finish in Barbizon School Landscapes
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Bomford David. Foreword
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Bordt Nele. Observations on Rudolf Swoboda’s painting technique
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Borowik Aneta. Modernity in the arhitecture of the Polish People's Republic
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Borowik Aneta. Nowoczesność w architekturze Polskiej Rzeczypospolitej Ludowej
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Boust Clotilde. To acquire a good name
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Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
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Brandys Iwona. Scenograf Wincenty Drabik w dziele tworzenia polskiej sceny narodowej. Przyczynek do badań nad sylwetką artysty i reinterpretacją jego stylu
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Brandys Iwona. Scenographer Wincenty Drabik in creating the Theatre in Poland. Contribution to research on the artist and on interpretation of his style
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Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
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Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Brookes Anna. De/re-constructing Turner for research projects at Tate
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Brown Marilyn R. Barbizon and myths of bohemianism
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Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
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Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza
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Bucklow Spike. Impossible recipes
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Burgio Lucia. To acquire a good name
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Burmester Andreas. Comment ils inventaient ces verts chatoyants? - Blau Gelb Grun und die Landschaftsmalerei von Barbizon
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
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Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
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Casanova Conseicao. Study of Portugese 18th-century manuscript
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Caspers Charlotte. De/re-constructing Turner for research projects at Tate
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Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Cegusova Zoa Anatoliivna. Imaginative and plastic transformations in professional decorative art of Ukraine in the age of globalization
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Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków
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Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie
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Chodyński Antoni Romuald (1945- ). Tools techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution
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Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Chui Sue Ann. Preface
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Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
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Clark John (1946- ). Okakura Tenshin and aesthetic nationalism
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Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
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Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
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Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
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Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
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Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Conant Ellen P. Japanese painting from Edo to Meiji: rhetoric and reality
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Costaras Nicola. These pitchy pigments from their very nature never harden: a nineteenth-century perspective on premature cracking in oil paintings
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Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Czyż Anna Sylwia (1974- ). Independence motifs in decoration of the oldest so-called Polish Cathedrals
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Czyż Anna Sylwia (1974- ). Motywy niepodległościowe w dekoracji najstarszych tzw. Polish Catedrals
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Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Darrah Josephine A. Connections and coincidences: three pigments
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De Angelis Roberta. Tracing the history of wall paintings through visual documents
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Delouche Denise (1933- ). Entre pittoresque et realisme: le paysan des provinces francais vu par les peintres 1800-1863
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Denisuk Ol'ga Uriivna. Kobieta w twórczości Hryhorija Kruka : wspaniałe w tym co banalne
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Denk Claudia. Comment ils inventaient ces verts chatoyants? - Blau Gelb Grun und die Landschaftsmalerei von Barbizon
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Desperak Olga. Józef Piłsudski Independence Defence Centre in Częstochowa as a living monument of the 10th anniversary of the restoration of Poland's sovereignty and an initiative to modernise the residents' sports life
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Desperak Olga. Modernizacja życia sportowego częstochowian - budowa Ogniska Obrony Niepodległości im. Marszałka Józefa Piłsudskiego w Częstochowie jako pomnika 10. rocznicy odzyskania przez Polskę niepodległości
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Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Doherty Tiarna. Oudry's painted menagerie
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Doleżyńska-Sewerniak Ewa (1977- )
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Doleżyńska-Sewerniak Ewa (1977- ). Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research
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Doleżyńska-Sewerniak Ewa (1977- ). The painting workshop of Szymon Czechowicz (1689-1775) - selected issues
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Doleżyńska-Sewerniak Ewa (1977- ). Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych
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Doleżyńska-Sewerniak Ewa (1977- ). Warsztat Szymona Czechowicza (1689–1775) – wybrane zagadnienia
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Drost Wolfgang (1930- ). The double-bottomed idyll: contemporary literary views on Barbizon landscape-painting. Thore-Burger - The Goncourts - Flaubert
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Dubois Helene. Master's own hand?
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