Antoniak Blanka. Stained glass painting on paper - the conservation and restoration of the cartoon for the stained glass window entitled The Virgin and St John Evangelist by Stefan Witold Matejko
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Antoniak Blanka. Witraż na papierze - konserwacja i restauracja kartonu do witrażu Matka Boża z Janem Ewangelistą Stefana Witolda Matejki
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Arenas Alatorre Jesus. Material study of the Codex Colombino
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Baglioni P. Maya mural paintings in Calakmul
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Bailey Gregory H. Designing nature
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Bakay-Perjes Judit. Women's shoes from the cistercian church in Vac
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Basile Giuseppe (1942-2013). Burri project
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Bednarczyk Daniel. Conservation and restoration aspects of a set of paintings: The Adoration of the Holy Name of Jesus The Virgin and Child and Dominican Saints from the church of SS Peter and Paul in Jaworowo
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Bednarczyk Daniel. Zagadnienia konserwatorskie i restauratorskie zespołu malowideł: Adoracja Imienia Jezus Matka Boska z Dzieciątkiem oraz Święci dominikanie z kościoła pw. św. św. Apostołów Piotra i Pawła w Jaworowie
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Bellucci Roberto. Underdrawing in paintings
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Beothy-Kozocsa Ildikó. Data on the bindings of King Matthias's codices
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Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
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Berrie Barbara Hepburn. Vibrant surface
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Bodor Istvan jun. Deterioration examination and restoration of an unusual marble statue
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Bommel Maarten R. van. After the fact
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Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
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Brud Magdalena. Opracowanie metody przeniesienia fragmentu malowidła ze stropu pałacu w Łagowie ze skorygowaniem deformacji jego powierzchni
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Brud Magdalena. The development of a painting transfer method with adjustments to surface deformations to transfer a painting from the ceiling of a palace in Łagów
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Bruder Katalin T. (1942-2013). Re-restoration of two roman helmets
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Brunetti Brunetto Giovanni
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Brunetti Brunetto Giovanni. Colours of indigenous memory
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Buti David. Colours of indigenous memory
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Bóna Istvan (1930-2001). Restoration of a renaissance frescoe cycle at the Museum of Fine Arts
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Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Carrasco Vargas R. Maya mural paintings in Calakmul
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Cartechini Laura. Multi-criterial studies of the masterpieces The Last Judgement attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
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Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Casadio Francesca. Vibrant surface
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Castro Rita. Colour in medieval Portuguese manuscripts
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Chelazzi David. Maya mural paintings in Calakmul
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Chelazzi David. Unveiling the artistic technique of the Florentine Codex
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Chiantore Oscar. Outdoor painted surfaces in contemporary art
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Christensen Marie. Bulging in wax-resin impregnated canvas paintings
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Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's Madonna of the Goldfinch
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Clarricoates Rhiannon
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Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
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Cordeiro Baqueiro M. Maya mural paintings in Calakmul
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Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
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Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Crook Jo (1963- ). John Hoyland
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Czarnecka Agnieszka. Problematyka konserwacji malowanych chorągwi jedwabnych na przykładzie chorągwi nagrobnej Katarzyny Żarczyńskiej z klasztoru oo. Franciszkanów w Krakowie
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Czarnecka Agnieszka. The conservation of painted silk banners - the case of the sepulchral banner of Katarzyna Żarczyńska from the Franciscan Monastery in Kraków
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Daffara Claudia. Modern painted palimpsests
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Dahm K. Vibrant surface
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Daveri Alessia. Burri project
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De Cesare G. Burri project
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De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Doherty Brenda. Modern painted palimpsests
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Domenici Davide (1968- ). Colours of indigenous memory
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Duzs Krisztina. Restoration of a Haban type glass jug
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Ernst Richard R. Science and art - my two passions
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Falcón Tatiana. Material study of the Codex Colombino
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Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
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Filtenborg Troels (1951- ). As time passed by came sunset
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Fontana Raffaella. Modern painted palimpsests
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Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology
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Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
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Frosinini Cecilia. Underdrawing in paintings
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Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Fukunaga Kaori. Designing nature
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Gallegos Damasia. Argentinean murals
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Giorgi R. Unveiling the artistic technique of the Florentine Codex
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Giżycka Barbara. Konserwacja obrazu Pożar miasta w nocy ze zbiorów Zamku Królewskiego na Wawelu oraz uwarunkowania dotyczące jego oprawy
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Giżycka Barbara. The conservation treatment of a painting entitled The city on fire at night from the collection of the Wawel Royal Castle and the specificity of its framing
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Glanville Helen. Mens agitat molem
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Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
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Grzyb Anna. Konserwacja dwóch woskowo-tekstylnych figurek z XIX w. z klasztoru ss. Benedyktynek w Staniątkach
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Grzyb Anna. The conservation of two 19th-century wax and textile figures from the Monastery of Benedictine Nuns in Staniątki
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Głaz Joanna. The application of interdisciplinary research methods with the aim of confirming the common provenance of sculptures attributed to the Passion group from the church of the Exaltation of the Holy Cross in Szymocin
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Głaz Joanna. Zastosowanie interdyscyplinarnych metod badawczych w celu potwierdzenia wspólnej proweniencji rzeźb przypisywanych do grupy pasyjnej z kościoła pw. Podwyższenia Krzyża Świętego w Szymocinie
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Główczak Regina (1989- ). Opracowanie metody przywrócenia pozytywowej postaci malowidła odbitego na odwrociu płatów na przykładzie malowideł z Pałacu Spiskiego przy Rynku Głównym 34 w Krakowie
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Główczak Regina (1989- ). The development of the method for restoring the positive image of the painting imprinted on the verso of sheets - the case of paintings from the Spiski Palace at Rynek Główny 34 in Kraków
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Hale Charlotte (1959- ). Designing nature
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Halota Angelika. Conservation reconstruction and rearrangement of the plaster cast of the tombstone of Filip Kallimach from the National Museum in Kraków within the context of the internal metal reinforcement structure of the object
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Halota Angelika. Konserwacja rekonstrukcja i dekompozycja gipsowego odlewu płyty nagrobnej Filipa Kallimacha z Muzeum Narodowego w Krakowie w kontekście problematyki metalowej konstrukcji wewnętrznej wzmacniającej obiekt
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Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Harsanyi Eszter. Condition report of the tomb of a nobleman (TT65) in Thebes
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Hebda Katarzyna. An attempt to reconstruct the painted layer of the choir loft parapet from the Church of the Visitation of the Blessed Virgin Mary in Tłuczań
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Hebda Katarzyna. Próba rekonstrukcji warstwy malarskiej parapetu chóru muzycznego z kościoła pw. Nawiedzenia Najświętszej Marii Panny na Nowsiu w Tłuczani
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Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
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Hernandez Eumelia. Material study of the Codex Colombino
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Higgs Sally. Paintings affected by mould at the Palace of Westminster
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Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Hoós Mariann. Restoration of a renaissance frescoe cycle at the Museum of Fine Arts
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Iazurlo Paola. Burri project
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