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Albano Albert. Art in transition
(1)
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Allen Robert. Naphthalene (1992)
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Baldini Umberto (1921-2006). Theory of restoration and methodological unity
(1)
Ballard Mary W. Climate and conservation (1994)
(1)
Ballard Mary W. Hanging out: strength elongation and relative humidity: some physical properties of textile fibres (1996)
(1)
Bell Clive (1881-1964). Art
(1)
Bellinger Louisa. Basic habits of textile fibres (1963)
(1)
Bengtsson Sven (1932- ). Preservation of the Wasa sails (1975)
(1)
Berducou Marie. Introduction to archaeological conservation
(1)
Berenson Bernard (1865-1959). Aesthetics and history in the visual arts
(1)
Berenson Bernard (1865-1959). Italian painters of the Renaissance
(1)
Berenson Bernard (1865-1959). Rudiments of connoisseurship
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997)
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina varnish and glazes
(1)
Brandi Cesare (1906-1988). Theory of restoration I
(1)
Brandi Cesare (1906-1988). Theory of restoration II
(1)
Brandi Cesare (1906-1988). Theory of restoration III
(1)
Bringel Anne-Rose. A conservation/restoration technique (2000)
(1)
Brooks Mary M
(1)
Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005)
(1)
Brooks Mary M. To clean or not to clean: the value of soils and creases (1996)
(1)
Brown Elizabeth. Practical aspects of consultation with communities (2005)
(1)
Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999)
(1)
Brutillot Andre. Reflections on slit stitching in tapestries (2002)
(1)
Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000)
(1)
Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992)
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Clark Kenneth (1903-1983). Looking at pictures
(1)
Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994)
(1)
Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003)
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Conti Susanna. Loss in textiles: technological and color problems (2004)
(1)
Cooke Bill (historia sztuki). Creasing an ancient textiles (1988)
(1)
Coremans Paul B. Scientific research and the restoration of paintings
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993)
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Dal-Pra Patricia. In situ maintenance and storage: the unique case of textiles (2000)
(1)
Daly Hartin Debra. Local stain removal from Oceanie la mer by Henri Matisse: the development of a reducing bleach technique using a suction disk ultrasonic mister and airbrush (2009)
(1)
Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001)
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003)
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Eastop Dinah
(1)
Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998)
(1)
Eastop Dinah. To clean or not to clean: the value of soils and creases (1996)
(1)
Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles different treatments (1997)
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Estham Inger (1928-2016). Eighty years of Pietas (1988)
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Fields John. Surfactant investigations into alternatives for synperonic N® (2001)
(1)
Fikioris Margaret A. Charting the future: conservation principles of Henry Francis du Pont (1986)
(1)
Finch Karen (1921-2018). Note on the damaging effect of flameproofing on a tapestry hanging (1969)
(1)
Finch Karen (1921-2018). Textiles as documents of history and those who care for them (2000)
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988)
(1)
Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum Bern (1957/58)
(1)
Flury-Lemberg Mechthild (1929- ). Introduction to Textile conservation and research (1988)
(1)
Fogelmarck Stig (1916-2006). John Bottiger: keeper of textiles (1988)
(1)
France-Lanord Albert (1915-1993). Knowing how to question the
(1)
French Ann. Textile or art? The conservation display and storage of modern textile art (2004)
(1)
Friedlander Max J. (1867-1958). On art and connoisseurship
(1)
Friedlander Max J. (1867-1958). On restoration
(1)
Geijer Agnes (1898-1989). Brief reply from Dr. Geijer Stockholm 12 June 1961 (1961)
(1)
Geijer Agnes (1898-1989). Dangerous methods for the conservation of textiles (1961)
(1)
Geijer Agnes (1898-1989). Preservation of textile objects (1963)
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Gill Kathryn. Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997)
(1)
Gill Kathryn. Two contrasting minimally interventive upholstery treatments: different roles different treatments (1997)
(1)
Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003)
(1)
Gombrich Ernst Hans (1909-2001). Fron light into paint
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Hajdas Irena. Dating of artwork by radiocarbon
(1)
Haldane Elizabeth-Anne. Avendale for reformation: conservation of a 17th century covenanting banner (2003)
(1)
Hartog Frances. Surfactant investigations into alternatives for synperonic N® (2001)
(1)
Hayward Maria. Naphthalene (1992)
(1)
Heald Susan. Practical aspects of consultation with communities (2005)
(1)
Hefford Wendy. The restoration of the tapestries (1971)
(1)
Rok wydania
2020 - 2024
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2010 - 2019
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1990 - 1999
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Kraj wydania
Stany Zjednoczone
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angielski
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Architektura
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1945-
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Gatunek
Źródła historyczne
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3 wyniki Filtruj
Brak okładki
Książka
W koszyku
(Readings in Conservation ; [vol. 3])
Autor
Melucco Vaccaro Alessandra (1940- ). Stanley-Price Nicholas (1947- ). Talley Mansfield Kirby (1941- ). Albano Albert. Art in transition Baldini Umberto (1921-2006). Theory of restoration and methodological unity Bell Clive (1881-1964). Art Berducou Marie. Introduction to archaeological conservation Berenson Bernard (1865-1959). Aesthetics and history in the visual arts Berenson Bernard (1865-1959). Italian painters of the Renaissance Berenson Bernard (1865-1959). Rudiments of connoisseurship Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina, varnish, and glazes Brandi Cesare (1906-1988). Theory of restoration, I Brandi Cesare (1906-1988). Theory of restoration, II Brandi Cesare (1906-1988). Theory of restoration, III Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments Clark Kenneth (1903-1983). Looking at pictures Coremans Paul B. Scientific research and the restoration of paintings France-Lanord Albert (1915-1993). Knowing how to "question" the Friedländer Max J. (1867-1958). On art and connoisseurship Friedländer Max J. (1867-1958). On restoration Gombrich Ernst Hans (1909-2001). Fron light into paint Keck Sheldon. Further materials for a history of conservation Marijnissen Roger H. (1923- ). Degradation, conservation, and restoration of works of art: historical overview Mora Laura (1923-2015). Problems of presentation Mora Paolo (1921-1998). Problems of presentation Morra Umberto. Conversations with Berenson Morris William (1834-1896). Manifesto of the Society for the Protection of Ancient Buildings Panofsky Erwin (1892-1968). The history of art as a humanistic discipline Philippot Albert. The problem of the integation of lacunae in the restoration of paintings Philippot Paul (1925- ). Historic preservation: phiosophy, criteria, guidelines, I Philippot Paul (1925- ). Problems of presentation Philippot Paul (1925- ). Restoration from the perspective of the humanities Philippot Paul (1925- ). The idea of patina and dhe cleaning of paintings Philippot Paul (1925- ). The problem of the integation of lacunae in the restoration of paintings Pope-Hennessy John Wyndham (1913-1994). Connoisseurship Richardson John (1924-2019). Crimes against the Cubists Riegl Alois (1858-1905). The modern cult of monuments: its essence and its development Rossi Pinelli Orietta (1943- ). the surgery of memory: ancient sculpture and historical restorations Ruskin John (1819-1900). Fundamental laws of sculpture Ruskin John (1819-1900). On Turnerian mystery: secondly, willful Ruskin John (1819-1900). The lamp of memory, I Ruskin John (1819-1900). The lamp of memory, II Ruskin John (1819-1900). The nature of Gothic Torraca Giorgio. The scientist's role inhitoric preservation with particular reference to stone conservation Urbani Giovanni (1923-2018). The science and art of conservation of cultural property Viollet-le-Duc Eugène Emmanuel (1814-1879). Restoration Weil Phoebe Dent. A review of the history and practice of patination Wetering Ernst van de (1938- ). The autonomy of restoration: ethical considerations in relation to artistic concepts Wetering Ernst van de (1938- ). The surface of objects and museumstyle Wölfflin Heinrich (1864-1945). Principles of art history Yourcenar Marguerite (1903-1987). That mighty sculptor, Time
Indeks R0: BMNK
Biogramy aut. tekstów źródłowych s. 472-482.
Bibliogr. s. 451-471. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23169 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
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Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
Książka
W koszyku
(Readings in Conservation ; 4)
Autor
Brooks Mary M. Eastop Dinah. Allen Robert. Naphthalene (1992) Ballard Mary W. Climate and conservation (1994) Ballard Mary W. Hanging out: strength, elongation, and relative humidity: some physical properties of textile fibres (1996) Bellinger Louisa. Basic habits of textile fibres (1963) Bengtsson Sven (1932- ). Preservation of the "Wasa" sails (1975) Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Bringel Anne-Rose. A conservation/restoration technique (2000) Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Brooks Mary M. To clean or not to clean: the value of soils and creases (1996) Brown Elizabeth. Practical aspects of consultation with communities (2005) Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999) Brutillot André. Reflections on slit stitching in tapestries (2002) Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000) Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992) Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994) Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003) Conti Susanna. Loss in textiles: technological and color problems (2004) Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993) Cooke Bill (historia sztuki). Creasing an ancient textiles (1988) Dal-Prà Patricia. In situ maintenance and storage: the unique case of textiles (2000) Daly Hartin Debra. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001) Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003) Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998) Eastop Dinah. To clean or not to clean: the value of soils and creases (1996) Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Estham Inger (1928-2016). Eighty years of Pietas (1988) Fields John. Surfactant investigations into alternatives for synperonic N® (2001) Fikioris Margaret A. Charting the future: conservation principles of Henry Francis du Pont (1986) Finch Karen (1921-2018). Note on the damaging effect of flameproofing on a tapestry hanging (1969) Finch Karen (1921-2018). Textiles as documents of history and those who care for them (2000) Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988) Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum, Bern (1957/58) Flury-Lemberg Mechthild (1929- ). Introduction to "Textile conservation and research" (1988) Fogelmarck Stig (1916-2006). John Böttiger: keeper of textiles (1988) French Ann. Textile or art? The conservation, display and storage of modern textile art (2004) Geijer Agnes (1898-1989). Brief reply from Dr. Geijer, Stockholm, 12 June 1961 (1961) Geijer Agnes (1898-1989). Dangerous methods for the conservation of textiles (1961) Geijer Agnes (1898-1989). Preservation of textile objects (1963) Gill Kathryn. Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Gill Kathryn. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003) Haldane Elizabeth-Anne. Avendale for reformation: conservation of a 17th century covenanting banner (2003) Hartog Frances. Surfactant investigations into alternatives for synperonic N® (2001) Hayward Maria. Naphthalene (1992) Heald Susan. Practical aspects of consultation with communities (2005) Hefford Wendy. The restoration of the tapestries (1971) Herrmann Hannelore. Looking back at thirty years of textile conservation and restoration in the Federal Republic of Germany (1989) Hillyer Lynda. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Hinkel Ada. A sleeveless doublet circa 1585 from the Germanisches Nationalmuseum, Nuremberg (2002) Hofenk de Graaff Judith H. Some recent developments in the cleaning of ancient textiles (1982) Jędrzejewska Hanna (1906-2002). Problems in the conservation of textiles: needle versus adhesive (1981) Jędrzejewska Hanna (1906-2002). Problems of ethics in the conservation of textiles (1980) Johansen Katia (1948- ). Perfumed garments, their preservation and presentation: "...the good smell of old clothes" (1999) Johnson Jessica S. Practical aspects of consultation with communities (2005) Kajitani Nobuko. A contact/pressure mounting system (1986) Kajitani Nobuko. Care of fabrics in the Museum (1977) Kaminitz Marian A. Practical aspects of consultation with communities (2005) Kirkpatrick Bridie. Clear as mud: how cultural significance determines preservation choices (2003) Kite Marion. Conservator safety: Mercury in felt hats (2003) Kite Marion. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Kovács Tibor (1940-2013). A thousand-year-old relic in a new setting Krippendorf Agnes. "Information is defense": conservation in Auschwitz (2002) Landi Sheila. Three examples of textile conservation in the Victoria and Albert Museum (1966) Leene Jentina E. Restoration and preservation of ancient textiles, and natural science (1963) Leene Jentina E. The "Delft" methods for the conservation of textiles: response to Dr. Agnès Geijer, Stockholm (1961) Leene Jentina E. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Lennard Frances. The conservation of the United Tin Plate Workers' Society Banner of 1821 (1989) Lister Alison. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles (1997) Lodewijks Johan. The history of conservation and restoration of flags and banners in the Netherlands (1980) Lugtigheid Renée. A tale of two tapestries: considerations of restoration, de-restoration, and re-restoration (1995) Maheux Anne F. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Marko Ksynia. Two case histories: a seventeenth-century Antwerp tapestry and an eighteenth-century English Soho tapestry (1989) Martin Graham (1952- ). Conservator safety: Mercury in felt hats (2003) Martin Graham (1952- ). State of the art: non-invasive interrogation of textiles in museum collections (2008) Masschelein-Kleiner Liliane. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) McClean Lynn. Avendale for reformation: conservation of a 17th century covenanting banner (2003) McHugh Kelly. Practical aspects of consultation with communities (2005) Meert Geert. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Morgan Helen. Lining a banana fibre belt: a cool vacuum table technique (1993) Niekamp Bettina. Alterations, historical restorations, restoration and conservation interventions (2008) O'Connor Sonia A. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Odegaard Nancy (1955- ). Addressing the problem: the team approach (2005) Orlofsky Patsy. The role of connoisseurship in determining the textile conservator's treatment options (1993) Peacock Elizabeth E. Drying archaeological textiles (1992) Phipps Elena. A contact/pressure mounting system (1986) Pool Marilen. Addressing the problem: the team approach (2005) Raster Barbara. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Rice James W. Principles of textile conservation science, no. I: general chemical and physical structural features of the natural textile fibres (1962) Rice James W. Principles of textile conservation science, no. V: the characterisctics of soils and stains encountered on historic textiles (1964) Rice James W. Principles of textile conservation science, no. VI: the wonders of water in wetcleaning (1966) Rice James W. Principles of textile conservation science, no. VIII: Drycleaning of fine and fragile textiles (1967) Richardson Emma. State of the art: non-invasive interrogation of textiles in museum collections (2008) Ringgaard Maj. An investigation of the effects of borohydride treatments of oxidized cellulose textiles (2002) Rinuy Anne. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Robinson John M. Uppark restored: the conservation of the contents (1996) Rowell Christopher. Uppark restored: the conservation of the contents (1996) Ruggles Anne. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Sadongei Alyce (1959- ). Addressing the problem: the team approach (2005) Semečkin P. A. "Workshop for the repair of antique needlework": on the history of the decorative arts section of the Central State Restoration Workshops, 1919-1934 (2000/2001) Seth-Smith Alexandra. 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