Form of Work
Książki
(2)
Status
available
(1)
unavailable
(1)
Branch
Magazyn
(2)
Author
Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Clarricoates Rhiannon
(1)
Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Dowding Helen
(1)
Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Gent Alexandra
(1)
Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
(1)
Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Keith Larry. Colour change and restoration
(1)
Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Lee Judith. Colour change and modern paints; an overview
(1)
Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Ormsby Bronwyn. Colour change and modern paints; an overview
(1)
Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
(1)
Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
(1)
Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Sheldon Libby. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
(1)
Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
(1)
Spring Marika. Fading darkening browning blanching: a review of our current understanding of colour change and its consequences in old master paintings
(1)
Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Townsend Joyce H. Microfading: a useful tool for paintings conservators?
(1)
Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
(1)
Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Wadum Jorgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Year
2010 - 2019
(2)
Country
Austria
(1)
United Kingdom
(1)
Language
English
(1)
German
(1)
Subject
Barwy
(1)
Dorotheum (Wiedeń)
(1)
Malarstwo (szt.plast.)
(1)
Malarstwo europejskie
(1)
Subject: time
1401-
(1)
1501-
(1)
1601-
(1)
1701-
(1)
Genre/Form
Materiały konferencyjne
(1)
2 results Filter
No cover
Book
In basket
Autor: Dorotheum. Auktion (2015 ; Wien)
Tytuł: Alte Meister : Dienstag, 21. April 2015, Beginn circa 18.30 Uhr im Anschluss an Teil I., [...] Palais Dorotheum [...] Tl. 2.
Wariant tytułu: Old master painting
Adres wydawniczy: Wien : Dorotheum, 2015.
Opis fizyczny: 192, [1] s. : il. kolor. ; 27 cm.
Uwaga: Bibliogr. przy niektórych notach katalogowych. Indeks.
Temat: Dorotheum (Wiedeń) - aukcje - 2015
Temat: Malarstwo europejskie - aukcje - 15-18 w
Hasło dodatkowe: Dorotheum
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 20815/2 (1 egz.)
Book
In basket
Tytuł: Colour change in paintings / edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent.
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group, 2016.
Opis fizyczny: IX, 130 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Uwaga: Bibliogr. przy ref.
Temat: Barwy - a malarstwo (szt.plast.) - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Buti, David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings.
Hasło dodatkowe: Clarricoates, Rhiannon.
Hasło dodatkowe: Cuellar, Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Dowding, Helen.
Hasło dodatkowe: Eikema Hommes, Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Ferrer, Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Filtenborg, Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings.
Hasło dodatkowe: Gent, Alexandra.
Hasło dodatkowe: Gschwind, Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Haswell, Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hendriks, Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
Hasło dodatkowe: Hoekstra, Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hoffmeister, Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Hull, Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Keith, Larry. Colour change and restoration
Hasło dodatkowe: Khandekar, Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Lee, Judith. Colour change and modern paints; an overview
Hasło dodatkowe: Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Meloni, Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Mohan, Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Ormsby, Bronwyn. Colour change and modern paints; an overview
Hasło dodatkowe: Padfield, Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
Hasło dodatkowe: Pottasch, Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Rae, Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Raskar, Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Schneider Enriquez, Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Sheldon, Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Speleers, Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Spring, Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings
Hasło dodatkowe: Stenger, Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Syversen, Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Townsend, Joyce H. Microfading: a useful tool for paintings conservators?
Hasło dodatkowe: Verhave, Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Vila, Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings.
Hasło dodatkowe: Wadum, Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings.
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
ISBN: 978-1-909492-43-1
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31511 (1 egz.)
The item has been added to the basket. If you don't know what the basket is for, click here for details.
Do not show it again