Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Bryson Norman (1949- ). Semiotics and art history
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Coombes Annie E. (1956- ). Inventing the postcolonial
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Crow Thomas E. (1948- )
(1)
Curtis Penelope (1961- ). From the inside looking out
(1)
Damisch Hubert (1928-2017). Semiotics and iconography
(1)
Davis Whitney (1958- ). Winckelmann divided
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Derrida Jacques (1930-2004). Restitutions of the truth in pointing (pointure)
(1)
Duncan Carol (1936- ). Art museum as ritual
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Eisenman Stephen F. (1956- )
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Flacke Monika (1953- ). Wilhelm R. Valentiner's Reshaping museums in the spirit of the New Age (1919) and its reception
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Foucault Michel (1926-1984). What is an author?
(1)
Garcia Canclini Nestor (1939- ). Remaking passports
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Gombrich Ernst Hans (1909-2001). Style
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Hegel Georg Wilhelm Friedrich (1770-1831). Philosophy of fine art
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Heidegger Martin (1889-1976). Origin of the work of art
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Huyssen Andreas (1942- ). Mapping the postmodern
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Iversen Margaret (1949- ). Retrieving Warburg's tradition
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Jones Amelia (1961- ). Postfeminism feminist pleasures and embodied theories of art
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Kant Immanuel (1724-1804). Critique of judgement
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Kant Immanuel (1724-1804). What is enlightenment?
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Kelly Mary (1941- ). No essential femininity
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Kirshenblatt-Gimblett Barbara (1942- ). Historical space and critical museologies
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Klonk Charlotte (1965- ). Myth and reality of the White Cube
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Krauss Rosalind E. (1941- ). Sculpture in the expanded field
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Lorente Jesus Pedro (1963- ). From the White Cube to a critical museography
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Lukacher Brian (1955- )
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Marin Louis (1931-1992). Toward a theory of reading in the visual arts
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Markowska Anna (1962- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Melville Stephen W. (1949- ). Temptation of new perspectives
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Mitchell Timothy (1955- ). Orientalism and the exhibitionary order
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Murawska-Muthesius Katarzyna (1955- )
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Murawska-Muthesius Katarzyna (1955- ). Masterpieces and the critical museum
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Nochlin Linda (1931-2017)
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Onians John (1942- ). Neuromuseology
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Oriskova Maria (1952- ). Museums that listen and care?
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Owens Craig (1950-1990). Allegorical impulse
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Panofsky Erwin (1892-1968). Et in Arcadia ego
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Patel Alpesh Kantilal. Towards embodied agonistic museum viewing practices in contemporary Manchester England
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Piotrowski Piotr (1952-2015)
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Piotrowski Piotr (1952-2015). Making the national museum critical
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Pohl Frances K. (1952- )
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Preziosi Donald (1941- )
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Preziosi Donald (1941- ). Art history
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Preziosi Donald (1941- ). Art of art history
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Riegl Alois (1858-1905). Leading characteristics of the late Roman Kunstwollen
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Salomon Nanette. Art historical canon
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Schapiro Meyer (1904-1996). Still life as a personal object - a note on Heidegger and van Gogh
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Schapiro Meyer (1904-1996). Style
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smith Paul (1956- ). No essential femininity
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Stec Anna (1987- ). Anish Kapoor Memory
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Summers David (1941- ). Form nineteenth-century metaphysics and the problem of art historical description
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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Tickner Lisa (1944- ). Sexuality and/in representation
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Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
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Turowski Andrzej (1941- ). Contemporary museum is a laboratory of knowledge
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Wallach Alan (1942- ). Very brief history of the art museum in the United States (focusing mainly but not exclusively on the nineteenth century)
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Walsh Victoria (1966- ). Context and practice of post-critical museology
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Warburg Aby M. (1866-1929). Images from the region of the Pueblo Indians of North America
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Winckelmann Johann Joachim (1717-1768). Reflections on the imitation of Greek works in painting and sculpture
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Wind Edgar (1900-1971). Warburg's concept of Kulturwissenschaft and its meaning for aesthetics
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Wolfflin Heinrich (1864-1945). Principles of art history
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Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
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Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
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Zawada Michał (1985- ). Imaging iconoclasm
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Ziółkowska Magdalena (1981- ). Jerzy Ludwiński's testing of the dysfunction of the museum
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Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
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Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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