SOWA OPAC : Katalog Biblioteki Muzeum Narodowego w Krakowie

Ukryj filtry

Sortowanie

Źródło opisu

Biblioteka Muzeum Narodowego

(2)

Forma i typ

Książki

(2)

Dostępność

dostępne

(2)

Placówka

Magazyn

(2)

Autor

Adkins Helen (1960- )

(1)

Afroz Nazes. 1968 in India the Naxalites: The Thunder that Withered

(1)

Baden Sebastian (1980- ). Urban Guerrilla aesthetic after 1968: art between protest revolution and terrorism

(1)

Baehr Ulrich (1938- ). Svastika and soviet star as art?

(1)

Baker Malcolm (1945- ). Considering replication. Social functions and sculptural practices

(1)

Pokaż więcej ...

Baker Malcolm (1945- ). Mise-en-scene. Displaying and curating the bust

(1)

Baker Malcolm (1945- ). Thorvaldsen and three - dimensional portraiture

(1)

Baker Malcolm (1945- ). Thorvaldsen the portrait bust and Europe

(1)

Bang Peter Fibiger. The selfie. Portraits in the digital present and future

(1)

Beitin Andreas (1968- )

(1)

Beitin Andreas (1968- ). Art is politics

(1)

Beitin Andreas (1968- ). I lived my entire life to prepare for May 68

(1)

Beitin Andreas (1968- ). It was a matter of equal voices

(1)

Bencard Ernst Jonas (1961- ). Why are there portrait busts at Thorvaldsens Museum?

(1)

Berrios Maria (1978- ). Now history happens here: Del Tercer Mundo

(1)

Boggild Johannsen Birgitte (1948- )

(1)

Boggild Johannsen Kristine. Thorvaldsen and three - dimensional portraiture

(1)

Bottcher Anke Paula (1971- ). Graffiti both sides on tracing paper

(1)

Brock Bazon (1936- ). Voices from the grave or the resurrection of the 68ers from the spirit of the present

(1)

Brodder Line

(1)

Brodder Line. From marble to human being

(1)

Broeng Gitte (1973- ). A realm of possibility. The portraits of Trine Sondergaard

(1)

Brouwer Wendy

(1)

Busk-Jepsen Karen Benedicte. A token of friendship and esteem

(1)

Busk-Jepsen Karen Benedicte. On Thorvaldsen's women sculptor colleagues

(1)

Cailloux Bernd (1945- ). The commercial flash: the history of the leisure society

(1)

Cameron Dan (1956- ). Is the personal really political?

(1)

Conradt Gerd (1941- ). Dark days in a colorful costume

(1)

Dammbeck Lutz (1948- ). 37 + 31 = 68

(1)

Danbolt Mathias (1983- ). In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah

(1)

Davis Whitney (1958- ). Beheaded

(1)

Dresen Wolfgang (1942- ). 1968: violent relationships and resistance

(1)

Duspohl Andreas (1967- ). 1968: Media transformation and the culture of protest

(1)

Ehlers Jeannette (1973- ). Ancestors. Forever connected in time and space

(1)

Elliot Fiona (1951- )

(1)

Esbjorn Line. Encounters with portrait busts

(1)

Esbjorn Line. From marble to human being

(1)

Esbjorn Line. New paths to portrait

(1)

Esbjorn Line. Thorvaldsen and three - dimensional portraiture

(1)

Fejfer Jane

(1)

Fejfer Jane. Faces in 3D. Thorvaldsen and ancient Romans in dialogue

(1)

Fejfer Jane. Thorvaldsen and three - dimensional portraiture

(1)

Fendt Astrid (1951- ). 'My below Thorwaldsen' - or the busts of crown prince Ludwig

(1)

Fendt Astrid (1951- ). Alter ego. Diomedes Włodzimierz Potocki and the portrait historie in antiquity and the neoclassical period

(1)

Fendt Astrid (1951- ). Conventions in portraiture. The choice between classical and contemporary costume

(1)

Fendt Astrid (1951- ). The art of making ideal portraiture. The Victoria Caldoni cas

(1)

Ficher Tilman P. (1937- ). Maundy Thursday 1968

(1)

Fox Jonathan

(1)

Frei Norbert (1955- ). Protests in the West Unrest in the East

(1)

Fritzsch Constanze. The battered body - Belgrade 1968

(1)

Fritzsch Constanze. Where do you stand with your art friend?

(1)

Frohne Ursula. The United States in Vietnam and the critique from art

(1)

Garrett Paul Russell

(1)

Gerhardt-Schubert Ezra (1951- ). 1968 and the student movement

(1)

Gerz Jochen (1940- ). One of the most artistic works in history

(1)

Gillen Eckhart (1947- )

(1)

Gillen Eckhart (1947- ). Art is politics

(1)

Gillen Eckhart (1947- ). I came to my painting along a different path

(1)

Gillen Eckhart (1947- ). I lived my entire life to prepare for May 68

(1)

Gillen Eckhart (1947- ). Performative enlightenment: false consciousness

(1)

Gliwitzky Christian. Size matters

(1)

Gregersen Anne. Contemporary developments and artistic collaboration at Thorvaldsens Museum

(1)

Grimaldi Fulvio (1934- ). A lifelong Sixty-Eighter

(1)

Gutierrez Galindo Blanca. Mexico 1968

(1)

Hacker Dieter (1942- ). I came to my painting along a different path

(1)

Harlev Lise (1973- ). Cold hard and monochrome

(1)

Hartung Klaus (1940- ). 1968 and the end of painting

(1)

Heiberg Plovdrup Sofie. Consuming faces. Looking at the other/self

(1)

Heidelberger Michael (1947- ). Vietnam protests in the United States 1969-70

(1)

Heil Axel (1965- ). Games without frontiers for individualists in Munich Paris Amsterdam and Cuba

(1)

Helle Merete Pryds (1965- ). Portraits in words

(1)

Herholdt Silver Dorte

(1)

Hershman-Leeson Lynn (1941- ). It was a matter of equal voices

(1)

Herz Rudolf (1954- ). Materials for the project Revolutionare Ungeduld

(1)

Hoffmann Justin (1955- ). Gustav Metzger at the movement for destruction in art

(1)

Jooss Birgit (1965- ). Between poetry and the pigsty: on the student protests at the Kunstakademie and the Kunstverein in Munich

(1)

Katti Christian (1966- ). The United States in Vietnam and the critique from art

(1)

Kofoed Kira. Idealized and equalized humanity. On Thorvaldsen's bust of Thomas Maitland

(1)

Kohl Jeanette. Before a bust

(1)

Kohler Otto (1935- ). Musings of a Pre-68er who still has no desire at 83 to become a Post-68er

(1)

Kolb Ulrike (1942- ). Communal living and Kinderland

(1)

Lebel Jean-Jacques (1936- ). I lived my entire life to prepare for May 68

(1)

Link Jurgen (1940- ). 1968 Post-1968 and the borders of flexible normalism

(1)

Loser Claus (1962- ). The stolen rebellion - films and filmmakers in the GDR from 1961 to 1968

(1)

Ludwig Volker (1937- ). GRIPS Theather in and after 1969

(1)

Macsotay Bunt Tomas. The thingness of the herm. The chimney-top herm of Henry Philip Hope

(1)

Martin Julie (1938- ). New paths to the future

(1)

Michel Detlef (1944- ). The Reichskabarett in West Berlin

(1)

Mille Daria. On the move between studio and lab in the 1960s: technology and art in the USSR

(1)

Molinaro Geraldine

(1)

Moller Jes Fabricius (1966- ). Identity and portraiture. The problem of the individual around 1800

(1)

Mrgan Lejla. Antiquity actualized. Caroline and Wilhelm von Humboldt

(1)

Mrgan Lejla. The ancient ideal as a protection against affect. Caroline and Wilhelm von Humboldt's reception of their portrait busts

(1)

Mrgan Lejla. The portrait as proxy

(1)

Mrgan Lejla. Thorvaldsen and three - dimensional portraiture

(1)

Myssok Johannes. The Thorvaldsen Napoleon

(1)

Parker Grant. Nelson Mandela behind bars

(1)

Pfanner Michael (1955- ). How long does an artist need for a portrait in marble?

(1)

Pfisterer Ulrich (1968- ). Thorvaldsen and three - dimensional portraiture

(1)

Pfisterer Ulrich (1968- ). Workshop cult and workshop knowledge. Production and portraits in Thorvaldsen's Studio

(1)

Pokaż mniej ...

Rok wydania

2020 - 2024

(1)

2010 - 2019

(1)

Kraj wydania

Dania

(1)

Niemcy

(1)

Język

angielski

(2)

Temat

Film

(1)

Fotografia

(1)

Instalacja (szt.plast.)

(1)

Konflikt społeczny

(1)

Ludwig Forum für Internationale Kunst (Akwizgran)

(1)

Pokaż więcej ...

Performance

(1)

Portrety

(1)

Rewolucja

(1)

Ruchy społeczne

(1)

Rzeźba duńska

(1)

Społeczeństwo

(1)

Sztuka

(1)

Thorvaldsen, Bertel (1770-1844)

(1)

Thorvaldsens Museum

(1)

Pokaż mniej ...

Temat: czas

1901-

(2)

1701-

(1)

1801-

(1)

Gatunek

Katalogi wystaw

(2)

2 wyniki Filtruj

Książka

W koszyku

Flashes of the future : the art of the 68ers or The power of the powerless / Andreas Beitin, Eckhart J. Gillen (eds.) ; [translation: Helen Adkins, Fiona Elliot, Lisa Rosenblatt, Jonathan Fox, Geraldine Molinaro]. - Bonn : Bundeszentrale für Politische Bildung, 2019. - 600 s. : il. (w tym kolor.) ; 27 cm.

(Zeitbilder)

Autor

Beitin Andreas (1968- ). Gillen Eckhart (1947- ). Adkins Helen (1960- ). Elliot Fiona (1951- ). Fox Jonathan. Molinaro Geraldine. Rosenblatt Lisa. Afroz Nazes. 1968 in India, the Naxalites: The Thunder that Withered Baden Sebastian (1980- ). Urban Guerrilla aesthetic after 1968: art between protest, revolution, and terrorism Baehr Ulrich (1938- ). Svastika and soviet star as art? Beitin Andreas (1968- ). "Art is politics" Beitin Andreas (1968- ). "I lived my entire life to prepare for May 68" Beitin Andreas (1968- ). "It was a matter of equal voices..." Berríos María (1978- ). "Now history happens here": Del Tercer Mundo Böttcher Anke Paula (1971- ). Graffiti, both sides on tracing paper Brock Bazon (1936- ). Voices from the grave, or the resurrection of the 68ers from the spirit of the present Cailloux Bernd (1945- ). The commercial flash: the history of the leisure society Cameron Dan (1956- ). Is the personal really political? Conradt Gerd (1941- ). Dark days in a colorful costume Dammbeck Lutz (1948- ). 37 + 31 = 68 Dreßen Wolfgang (1942- ). "1968": violent relationships and resistance Düspohl Andreas (1967- ). 1968: Media transformation and the culture of protest Ficher Tilman P. (1937- ). Maundy Thursday 1968 Frei Norbert (1955- ). Protests in the West, Unrest in the East Fritzsch Constanze. The battered body - Belgrade 1968 Fritzsch Constanze. "Where do you stand with your art, friend?" Frohne Ursula. The United States in Vietnam and the critique from art Gerhardt-Schubert Ezra (1951- ). 1968 and the student movement Gerz Jochen (1940- ). One of the most artistic works in history Gillen Eckhart (1947- ). "Art is politics" Gillen Eckhart (1947- ). "I came to my painting along a different path" Gillen Eckhart (1947- ). "I lived my entire life to prepare for May 68" Gillen Eckhart (1947- ). Performative enlightenment: false consciousness Grimaldi Fulvio (1934- ). A lifelong Sixty-Eighter Gutiérrez Galindo Blanca. Mexico 1968 Hacker Dieter (1942- ). "I came to my painting along a different path" Hartung Klaus (1940- ). 1968 and the end of painting Heidelberger Michael (1947- ). Vietnam protests in the United States, 1969-70 Heil Axel (1965- ). Games without frontiers for individualists in Munich, Paris, Amsterdam, and Cuba Hershman-Leeson Lynn (1941- ). "It was a matter of equal voices..." Herz Rudolf (1954- ). Materials for the project Revolutionäre Ungeduld Hoffmann Justin (1955- ). Gustav Metzger at the movement for destruction in art Jooss Birgit (1965- ). Between poetry and the pigsty: on the student protests at the Kunstakademie and the Kunstverein in Munich Katti Christian (1966- ). The United States in Vietnam and the critique from art Kolb Ulrike (1942- ). Communal living and Kinderland Köhler Otto (1935- ). Musings of a Pre-68er who still has no desire, at 83, to become a Post-68er Lebel Jean-Jacques (1936- ). "I lived my entire life to prepare for May 68" Link Jürgen (1940- ). 1968, Post-1968, and the borders of flexible normalism Löser Claus (1962- ). The stolen rebellion - films and filmmakers in the GDR from 1961 to 1968 Ludwig Volker (1937- ). GRIPS Theather in and after 1969 Martin Julie (1938- ). New paths to the future Michel Detlef (1944- ). The Reichskabarett in West Berlin Mille Daria. On the move between studio and lab in the 1960s: technology and art in the USSR Rehberg Karl-Siegbert (1943- ). "1968" in the Provinces? Rosner Bernd (1953- ). Considering the 68ers and the German leaning toward a "Final solution mindset" Ruppert Wolfgang (1946- ). Self-education Rutschky Michael (1943-2018). Stopping and starting Sander Helke (1937- ). Feminism - experiments Sandfort Bernhard (1936- ). About my producer Gallery Sauer Johann (1948- ). Theater and 68? Schmidt Ute (1943- ). A political coming-of-age in the Munich SDS in the 1960s Šumylovyč Bohdan. Czechoslovakia and Ukraine: popular art and language policy opposition in early 1968 to the russification in Central Europe Smolik Noemi. 1968 in Prague - the other protest movement, or who's listening to who? Strohmeyer Klaus (1947- ). Utopia on offer between rubble and bulk waste Strohmeyer Marianne (1949- ). The "Third battle of Tannenberg" Subirats Eduardo (1947- ). Variations on 1968 Sukrow Oliver (1985- ). "Designing freedom" - the computer: "Liberty Machine" or means of control in the global context of the 68ers? Syring Marie-Luise (1944- ). Revolutionary art is made in the streets Thiel Paul (1937- ). The 68ers in the GDR and Marxist-Leninist System Theory Weber Laura (1985- ). Real life in art : Jean Tinguely and Niki de Saint Phalle Weibel Peter (1944- ). "Art is politics" Werner Thomas (1944- ). Fragments Wilhelm Karin (1947- ). ...when water cannons were (still) welcome Wunderlich Sonja (1987- ). The body as a tool for self-empowerment

Temat

Ludwig Forum für Internationale Kunst (Akwizgran) Film Fotografia Instalacja (szt.plast.) Konflikt społeczny Performance Rewolucja Ruchy społeczne Społeczeństwo Sztuka

Gatunek

Katalogi wystaw.

Indeks R0: BMNK

Katalog wystawy: Ludwig Forum for International Art, Aachen, 20 kwietnia - 19 sierpnia 2018 r.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: III 24262, III 24263 (2 egz.)

Książka

W koszyku

Face to face : Thorvaldsen and portraiture / Jane Fejfer and Kristine Bøggild Johannsen (eds.) ; photo editor: Line Brædder ; [Translators: Danish-English: Dorte Herholdt Silver, German-English: Wendy Brouwer, Merete Pryds Helle's contribution: Paul Russell Garrett, Trine Søndergaard and Gitte Broeng's contribution: Jane Rowley]. - [Copenhagen] : Thorvaldsens Museum, cop. 2020. - 303 s. : il. (gł. kolor.) ; 32 cm.

Autor

Bøggild Johannsen Birgitte (1948- ). Brædder Line. Brouwer Wendy. Fejfer Jane. Garrett Paul Russell. Herholdt Silver Dorte. Rowley Jane. Søndergaard Trine (1972- ). Baker Malcolm (1945- ). Considering replication. Social functions and sculptural practices Baker Malcolm (1945- ). Mise-en-scène. Displaying and curating the bust Baker Malcolm (1945- ). Thorvaldsen and three - dimensional portraiture Baker Malcolm (1945- ). Thorvaldsen, the portrait bust and Europe Bang Peter Fibiger. The selfie. Portraits in the digital present and future Bencard Ernst Jonas (1961- ). Why are there portrait busts at Thorvaldsens Museum? Bøggild Johannsen Kristine. Thorvaldsen and three - dimensional portraiture Brædder Line. From marble to human being Broeng Gitte (1973- ). A realm of possibility. The portraits of Trine Søndergaard Busk-Jepsen Karen Benedicte. A token of friendship and esteem Busk-Jepsen Karen Benedicte. On Thorvaldsen's women sculptor colleagues Danbolt Mathias (1983- ). In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah Davis Whitney (1958- ). Beheaded Ehlers Jeannette (1973- ). Ancestors. Forever connected in time and space Esbjørn Line. Encounters with portrait busts Esbjørn Line. From marble to human being Esbjørn Line. New paths to portrait Esbjørn Line. Thorvaldsen and three - dimensional portraiture Fejfer Jane. Faces in 3D. Thorvaldsen and ancient Romans in dialogue Fejfer Jane. Thorvaldsen and three - dimensional portraiture Fendt Astrid (1951- ). Alter ego. Diomedes, Włodzimierz Potocki and the portrait historié in antiquity and the neoclassical period Fendt Astrid (1951- ). Conventions in portraiture. The choice between classical and contemporary costume Fendt Astrid (1951- ). 'My below Thorwaldsen' - or the busts of crown prince Ludwig Fendt Astrid (1951- ). The art of making ideal portraiture. The Victoria Caldoni cas Gliwitzky Christian. Size matters Gregersen Anne. Contemporary developments and artistic collaboration at Thorvaldsens Museum Harlev Lise (1973- ). Cold, hard and monochrome Heiberg Plovdrup Sofie. Consuming faces. Looking at the other/self Helle Merete Pryds (1965- ). Portraits in words Kofoed Kira. Idealized and equalized humanity. On Thorvaldsen's bust of Thomas Maitland Kohl Jeanette. Before a bust Macsotay Bunt Tomas. The thingness of the herm. The chimney-top herm of Henry Philip Hope Møller Jes Fabricius (1966- ). Identity and portraiture. The problem of the individual around 1800 Mrgan Lejla. Antiquity actualized. Caroline and Wilhelm von Humboldt Mrgan Lejla. The ancient ideal as a protection against affect. Caroline and Wilhelm von Humboldt's reception of their portrait busts Mrgan Lejla. The portrait as proxy Mrgan Lejla. Thorvaldsen and three - dimensional portraiture Myssok Johannes. The Thorvaldsen Napoleon Parker Grant. Nelson Mandela behind bars Pfanner Michael (1955- ). How long does an artist need for a portrait in marble? Pfisterer Ulrich (1968- ). Thorvaldsen and three - dimensional portraiture Pfisterer Ulrich (1968- ). Workshop cult and workshop knowledge. Production and portraits in Thorvaldsen's Studio Rasmussen Sara Marie. Encounters with portrait busts Recke Nikolaj. Ancestors. Forever connected in time and space Schindler Tabea (1982- ). Mythicizing Thorvaldsen, depicting a superstar. Some thoughts on his self-portrait statue Schneider Rolf Michael. Faces in 3D. Thorvaldsen and ancient Romans in dialogue Schneider Rolf Michael. Thorvaldsen and three - dimensional portraiture Schram Vejlby Anna (1979- ). On beauty Skjøthaug Laila. Open borders in Thorvaldsen's workshop Skovmøller Amalie. In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah Skovmøller Amalie. The portrait as proxy Skovmøller Amalie. Thorvaldsen and three - dimensional portraiture Skovmøller Amalie. White marble. Industry, identity and representation Sørensen Tim Flohr. Forgetting Bertel Thorvaldsen to recall Marianna Florenzi Sullivan M. G. The workshop as laboratory Yonan Michael Elia (1970- ). Facial expressions and first impressions Yuan Elaine J. (1974- ). The selfie. Portraits in the digital present and future Zacher Sørensen Mette-Marie. The future of the 3D portrait. Algorithms made tangible

Temat

Thorvaldsen, Bertel (1770-1844) Thorvaldsens Museum Portrety Rzeźba duńska

Gatunek

Katalogi wystaw.

Indeks R0: BMNK

Publikacja związana z wystawą: Thorvaldsens Museum, 8 marca - 18 października 2020 r.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: III 25297, III 25298 (2 egz.)