Bencard Ernst Jonas (1961- ). Why are there portrait busts at Thorvaldsens Museum?
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Boggild Johannsen Birgitte (1948- )
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Boggild Johannsen Kristine. Thorvaldsen and three - dimensional portraiture
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Bolińska Marta. Letters in the attic
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Bolińska Marta. Listy na strychu
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Brodder Line. From marble to human being
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Broeng Gitte (1973- ). A realm of possibility. The portraits of Trine Sondergaard
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Busk-Jepsen Karen Benedicte. A token of friendship and esteem
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Busk-Jepsen Karen Benedicte. On Thorvaldsen's women sculptor colleagues
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Danbolt Mathias (1983- ). In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah
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Davis Whitney (1958- ). Beheaded
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Dziedzic Leszek (1958- ). Grunwald mosaics in Kielce
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Dziedzic Leszek (1958- ). Mozaiki grunwaldzkie w Kielcach
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Ehlers Jeannette (1973- ). Ancestors. Forever connected in time and space
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Esbjorn Line. Encounters with portrait busts
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Esbjorn Line. From marble to human being
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Esbjorn Line. New paths to portrait
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Esbjorn Line. Thorvaldsen and three - dimensional portraiture
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Fejfer Jane. Faces in 3D. Thorvaldsen and ancient Romans in dialogue
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Fejfer Jane. Thorvaldsen and three - dimensional portraiture
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Fendt Astrid (1951- ). 'My below Thorwaldsen' - or the busts of crown prince Ludwig
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Fendt Astrid (1951- ). Alter ego. Diomedes Włodzimierz Potocki and the portrait historie in antiquity and the neoclassical period
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Fendt Astrid (1951- ). Conventions in portraiture. The choice between classical and contemporary costume
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Fendt Astrid (1951- ). The art of making ideal portraiture. The Victoria Caldoni cas
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Gliwitzky Christian. Size matters
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Gombin Krzysztof (1974- ). Kielce period in the works of Kazimierz Wiszniewski
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Gombin Krzysztof (1974- ). Kielecki okres w twórczości Kazimierza Wiszniewskiego
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Gorzelak Małgorzata. Wojciech Gerson Władysław Stadnicki: jubilee retabulum for the bishop
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Gorzelak Małgorzata. Wojciech Gerson Władysław Stadnicki: jubileuszowe retabulum dla księdza biskupa
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Gregersen Anne. Contemporary developments and artistic collaboration at Thorvaldsens Museum
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Harlev Lise (1973- ). Cold hard and monochrome
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Heiberg Plovdrup Sofie. Consuming faces. Looking at the other/self
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Helle Merete Pryds (1965- ). Portraits in words
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Herholdt Silver Dorte
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Jeżewska Elżbieta (1949- ). About the artists commemorated with the Kielce honorary plinth dated back to 1854 and founded by Tomasz Zieliński
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Jeżewska Elżbieta (1949- ). O artystach upamiętnionych na kieleckim honorowym postumencie z 1854 roku fundacji Tomasza Zielińskiego
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Karkocha Małgorzata. Kościół parafialny w Rembieszycach jako przykład fundacji szlacheckiej
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Karkocha Małgorzata. The parish church in Rembieszyce as an example of a noble fundation
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Kofoed Kira. Idealized and equalized humanity. On Thorvaldsen's bust of Thomas Maitland
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Kohl Jeanette. Before a bust
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Korpała Małgorzata. New sacral interior design from the first half of the 20th century in the former Kielce Voivodeship
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Korpała Małgorzata. Nowe aranżacje wnętrz sakralnych z pierwszej połowy XX wieku na terenie dawnego województwa kieleckiego
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Kostuch Bożena. Wincenty Potacki (1904-2001) nestor ćmielowskich projektantów
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Kostuch Bożena. Wincenty Potacki (1904-2001) the senior of the Ćmielów designers
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Macsotay Bunt Tomas. The thingness of the herm. The chimney-top herm of Henry Philip Hope
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Moller Jes Fabricius (1966- ). Identity and portraiture. The problem of the individual around 1800
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Mrgan Lejla. Antiquity actualized. Caroline and Wilhelm von Humboldt
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Mrgan Lejla. The ancient ideal as a protection against affect. Caroline and Wilhelm von Humboldt's reception of their portrait busts
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Mrgan Lejla. The portrait as proxy
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Mrgan Lejla. Thorvaldsen and three - dimensional portraiture
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Myssok Johannes. The Thorvaldsen Napoleon
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Niechaj Małgorzata. Neo-Gothic furnishings of the Gothic church in Szaniec
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Niechaj Małgorzata. Neogotyckie wyposażenie gotyckiego kościoła w Szańcu
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Parker Grant. Nelson Mandela behind bars
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Pfanner Michael (1955- ). How long does an artist need for a portrait in marble?
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Pfisterer Ulrich (1968- ). Thorvaldsen and three - dimensional portraiture
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Pfisterer Ulrich (1968- ). Workshop cult and workshop knowledge. Production and portraits in Thorvaldsen's Studio
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Pszczółkowski Michał (1981- ). Architektura szkolna lat międzywojennych na terenie województwa kieleckiego
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Pszczółkowski Michał (1981- ). School architecture of the inter-war period in the Kielce Province
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Rasmussen Sara Marie. Encounters with portrait busts
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Recke Nikolaj. Ancestors. Forever connected in time and space
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Rosiński Piotr (1954- )
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Rumin Marian. Na ścieżkach wystawiennictwa artystycznego w Kielcach (Pro domo sua - kieleckie Biuro Wystaw Artystycznych jako miejsce wystaw nieustających)
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Rumin Marian. On the paths of artistic exhibitions in Kielce (Pro domo sua - Kielce Art Exhibitions Bureau as a place of unfailing exhibitions)
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Sabat Bożena. About Ludwika Groppler the heroine of a portrait by Rafał Hadziewicz
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Sabat Bożena. O Ludwice Groppler bohaterce portretu Rafała Hadziewicza
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Schindler Tabea (1982- ). Mythicizing Thorvaldsen depicting a superstar. Some thoughts on his self-portrait statue
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Schneider Rolf Michael. Faces in 3D. Thorvaldsen and ancient Romans in dialogue
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Schneider Rolf Michael. Thorvaldsen and three - dimensional portraiture
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Schram Vejlby Anna (1979- ). On beauty
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Skjothaug Laila. Open borders in Thorvaldsen's workshop
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Skovmoller Amalie. In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah
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Skovmoller Amalie. The portrait as proxy
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Skovmoller Amalie. Thorvaldsen and three - dimensional portraiture
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Skovmoller Amalie. White marble. Industry identity and representation
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Sondergaard Trine (1972- )
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Sorensen Tim Flohr. Forgetting Bertel Thorvaldsen to recall Marianna Florenzi
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Stępień Urszula (muzealnictwo). Monuments of the 19th and 20th centuries from the collection of father Jan Wiśniewski in the Diocesan Museum in Sandomierz
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Stępień Urszula (muzealnictwo). Zabytki z XIX i XX wieku pochodzące z kolekcji księdza Jana Wiśniewskiego w Muzeum Diecezjalnym w Sandomierzu
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Suchojad Henryk (1947- )
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Sullivan M. G. The workshop as laboratory
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Szpunar Kamil. Dembinski Palace in Rusinowo in the light of the inventories of 1777 and 1801 as an example of a noble residence at the turn of the 18th and 19th centuries
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Szpunar Kamil. Pałac Dembińskich w Rusinowie w świetle inwentarzy z 1777 i 1801 roku jako przykład rezydencji szlacheckiej przełomu XVIII i XIX wieku
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Yonan Michael Elia (1970- ). Facial expressions and first impressions
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Yuan Elaine J. (1974- ). The selfie. Portraits in the digital present and future
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Zacharko-Łagowska Stanisława (1958- ). Paweł Pierściński - beyond the landscape
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Zacharko-Łagowska Stanisława (1958- ). Paweł Pierściński - poza krajobrazem
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Zacher Sorensen Mette-Marie. The future of the 3D portrait. Algorithms made tangible
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