Bang Peter Fibiger. The selfie. Portraits in the digital present and future
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Bencard Ernst Jonas (1961- ). Why are there portrait busts at Thorvaldsens Museum?
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Bieczyński Mateusz Maria (1983- ). Bunt
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Bieczyński Mateusz Maria (1983- ). Bunt (eng.)
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Boggild Johannsen Birgitte (1948- )
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Boggild Johannsen Kristine. Thorvaldsen and three - dimensional portraiture
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Brodder Line. From marble to human being
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Broeng Gitte (1973- ). A realm of possibility. The portraits of Trine Sondergaard
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Busk-Jepsen Karen Benedicte. A token of friendship and esteem
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Busk-Jepsen Karen Benedicte. On Thorvaldsen's women sculptor colleagues
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Chen Chiyu (1956- ). Construction and painting in New China
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Czechońska Magdalena. Chinese art scene in 1979-2000 from the perspective of performance art
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Danbolt Mathias (1983- ). In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah
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Davis Whitney (1958- ). Beheaded
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Ehlers Jeannette (1973- ). Ancestors. Forever connected in time and space
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Esbjorn Line. Encounters with portrait busts
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Esbjorn Line. From marble to human being
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Esbjorn Line. New paths to portrait
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Esbjorn Line. Thorvaldsen and three - dimensional portraiture
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Fang Xiaofeng. Aesthetic attitude of Chinese of classical gardens
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Fejfer Jane. Faces in 3D. Thorvaldsen and ancient Romans in dialogue
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Fejfer Jane. Thorvaldsen and three - dimensional portraiture
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Fendt Astrid (1951- ). 'My below Thorwaldsen' - or the busts of crown prince Ludwig
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Fendt Astrid (1951- ). Alter ego. Diomedes Włodzimierz Potocki and the portrait historie in antiquity and the neoclassical period
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Fendt Astrid (1951- ). Conventions in portraiture. The choice between classical and contemporary costume
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Fendt Astrid (1951- ). The art of making ideal portraiture. The Victoria Caldoni cas
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Furmanik-Kowalska Magdalena. Threads between past and future: Lin Tianmiao's installations
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Geron Małgorzata. Krakow Formist Group (1917-1923)
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Gliwitzky Christian. Size matters
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Grabski Józef (1950- ). Polish renaissance art and the art of the renaissance in Poland
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Gregersen Anne. Contemporary developments and artistic collaboration at Thorvaldsens Museum
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Gryglewicz Tomasz (1949-2022). Chinese inspiration in Jerzy Panek's prints
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Głuchowska Lidia (1973- ). One hundred years of avant-garde and cross-border homage to Bunt and Jung Idysz
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Głuchowska Lidia (1973- ). Sto lat awangardy i transgraniczny hołd dla Buntu i Jung Idysz
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Harlev Lise (1973- ). Cold hard and monochrome
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Heiberg Plovdrup Sofie. Consuming faces. Looking at the other/self
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Helle Merete Pryds (1965- ). Portraits in words
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Herholdt Silver Dorte
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Hu Guanghua. Investigation of art exchanges between China and Poland in the 1950s
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Hussakowska-Szyszko Maria (1947- ). Nicely painted perfectly done well sold
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Jankowska Małgorzata (1971- ). Alike but different: common themes in Chinese and Polish art in the New Millenium
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Juszkiewicz Piotr (1959- ). Utopias and expressions
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Kajdański Edward (1925-2020). Between science and art: drawings of Michael Boym to his works on China
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Kofoed Kira. Idealized and equalized humanity. On Thorvaldsen's bust of Thomas Maitland
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Kohl Jeanette. Before a bust
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Kopania Izabela (1979- ). Far from Canton: the Chinese vogue in eighteen-century Poland and its long journey there
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Kucharzewska Joanna (1973- ). Capsule of apartment?
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Kulpińska Katarzyna (1973- ). International language of woodcut art - Chinese and Polish avant-garde in the 1920s and 1930s
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Kunkel Robert (1949- ). An outline of the medieval architecture in Poland
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Kurak Maciej (1972- )
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Kurak Maciej (1972- ). Bunt. New expression
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Kurak Maciej (1972- ). Bunt. Nowe ekspresje
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Kurak Maciej (1972- ). New expression
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Kurak Maciej (1972- ). Nowe ekspresje
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Li Chao (1962- ; historia sztuki). Dissemination of Polish fine arts in China in the 1950s
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Lin Su-Hsing. Archeology national identity and book design in Republican China
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Liszewska Weronika. Safeguarding of Asian and European heritage in regard to the conservation standards
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Luba Iwona. Propaganda of Polish art abroad in 1918-1939
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Macsotay Bunt Tomas. The thingness of the herm. The chimney-top herm of Henry Philip Hope
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Malinowski Jerzy (1950- ). Foreword
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Markowska Anna (1962- ). Modernism in Krakow after the Post-Stalin Thaw
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Moller Jes Fabricius (1966- ). Identity and portraiture. The problem of the individual around 1800
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Mrgan Lejla. Antiquity actualized. Caroline and Wilhelm von Humboldt
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Mrgan Lejla. The ancient ideal as a protection against affect. Caroline and Wilhelm von Humboldt's reception of their portrait busts
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Mrgan Lejla. The portrait as proxy
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Mrgan Lejla. Thorvaldsen and three - dimensional portraiture
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Myssok Johannes. The Thorvaldsen Napoleon
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Osiński Zbigniew (1939-2018). Jerzy Grotowski in China
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Ostrowski Jan K. (1947- ). Forgotten baroque borderland
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Pan Yaochang (1947- ). The posters of Mao Era: a perspective of art and society
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Parker Grant. Nelson Mandela behind bars
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Pawlik Karolina (filologia). Shanghai poinsettia and nostalgia counterfeits
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Pfanner Michael (1955- ). How long does an artist need for a portrait in marble?
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Pfisterer Ulrich (1968- ). Thorvaldsen and three - dimensional portraiture
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Pfisterer Ulrich (1968- ). Workshop cult and workshop knowledge. Production and portraits in Thorvaldsen's Studio
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Poprzęcka Maria (1942- ). Polish painting between historicism and modernism
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Rasmussen Sara Marie. Encounters with portrait busts
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Recke Nikolaj. Ancestors. Forever connected in time and space
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Sadowski Łukasz Mikołaj (1973- ). Harbin
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Schindler Tabea (1982- ). Mythicizing Thorvaldsen depicting a superstar. Some thoughts on his self-portrait statue
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Schneider Rolf Michael. Faces in 3D. Thorvaldsen and ancient Romans in dialogue
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Schneider Rolf Michael. Thorvaldsen and three - dimensional portraiture
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Schram Vejlby Anna (1979- ). On beauty
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Skjothaug Laila. Open borders in Thorvaldsen's workshop
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Skovmoller Amalie. In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah
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Skovmoller Amalie. The portrait as proxy
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Skovmoller Amalie. Thorvaldsen and three - dimensional portraiture
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Skovmoller Amalie. White marble. Industry identity and representation
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Sondergaard Trine (1972- )
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