Bandura Agnieszka. Politics of replacing in New Romanticism
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Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
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Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
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Bueno Doral Tamara. The inclusion of vulnerable groups in university museums
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Candeloro Jean-Pierre. Close your eyes and open your mind
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Crowdus Miranda L. Redefining the music-object: dissonances in the material representation / display of the synagogue
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Cuenca Jaime (1983- ). Transformations in museums from the audience's perception
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Cuenca-Amigo Macarena. Transformations in museums from the audience's perception
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Derda Hans-Jurgen (1955- ). Interfaith dialogue: a concept of a museum of religions at the Braunschweigisches Landesmuseum (Brunswick State Museum)
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Dick Jutta (1953- ). Dynamics of a room
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Epstein-Mil Ron (1953- ). Synagogues in Switzerland - a special case?
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Gallardo López David. The 3.0 showcase
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Gambasidze Givi. Museum - place of peace - The David Baazov Museum of history of the Jews of Georgia and Georgian-Jewish relations
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Gantner Eszter B. Synagogues as space of conflicts: the formal synagogue in Esztergom Hungary
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Gesche-Koning Nicole. Accesible museums: vision or reality?
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Gonzalez Hernando Irene. The inclusion of vulnerable groups in university museums
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Grellert Marc. Synagogues in Germany
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Grubel Monika. LVR - Cultural Centre Rodingen Village Synagogue
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Haas Hans-Christof. The Sukkah of Rabbi Mendel Rosenbaum in Zell am Main / Lower Franconia: tradition - research - presentation
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Hajmovic Boris (1955- ). Museum of Jewish History in Russia: its goals and its activities
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Hinz Hans-Martin (1947- ). Museums in a globalized world
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Idoate Perez Silbia. The 3.0 showcase
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Irimia Alexandra. Museums of the void
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Keil Martha. Who needs the Judentempel? - the former synagogue of St. Polten (Lower Austria) and its cultural location
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Kienlin Alexander von (1967- )
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Kienlin Alexander von (1967- ). Ancient synagogues as historical source
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Knufinke Ulrich. Synagogues in museum synagogues as museums synagogues and museums - introductory reflections on an ambivalent subject
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Kravcov Sergej R. The Jewish Museum in L’viv: genius loci and realpolitik
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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López Fernandez Cao Marian (1964- ). The museum as a potential space
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Majewska Martyna Ewa. New York City's art museums and activism
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Markowska Anna (1962- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Martin Maria Victoria Martin Cilleros. The museums as a space for individual and collective expression
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Masuy Stephanie. Museum at home
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Morici Luca. Close your eyes and open your mind
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Navajas Seco Rosaura. The inclusion of vulnerable groups in university museums
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Navarro Cantón Patricia. The 3.0 showcase
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Notario Sanchez Alvaro (1991- ). From the public museum to the virtual museum
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Offe Sabine (1945- ). Synagogues as trace
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Orgad Zvi (1969- ). Synagogue on display: the case of the Unterlimpurg prayer room
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Pazos-López Angel. Research strategies in inclusive museology with the Museo del Prado collections
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Pazos-López Angel. To open up art museums to a more social approach
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Peral Jimenez Carolina. Museums and violence against women
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Perez Santos Eloisa. Best practises in visitors studies
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Pucciarelli Marta. Close your eyes and open your mind
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Rico Juan Carlos. Final reflections on the laboratory for museographical research and experimentation
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Ristow Sebastian. The medieval synagogue of Cologne: archaeology and exhibition concept in the new museum “MiQua”
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Rodov Il'a (1968- ). Synagogue as museum: ritual and expositio
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Rudolf Gabi. The Arnstein Synagogue: a visual fragment of (almost) invisible Jewish history in Lower Franconia
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Sanchez Sanchez Miguel Elias (1963- ). The museums as a space for individual and collective expression
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Schonhagen Benigna (1952- ). The example of Augsburg
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Schorsch Ismar (1935- ). You can’t be holy alone
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Semedo Alice. Border pedagogy and empowerment education in museums
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Simhony Naomi. Synagogue exhibitions in National Museums in the State of Israel
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Stec Anna (1987- ). Anish Kapoor Memory
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
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Twiehaus Christiane (1976- ). The medieval synagogue of Cologne: archaeology and exhibition concept in the new museum “MiQua”
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Wachter Konstantin. Berlin: authenticity of former synagogue sites - heritage in the void
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Walias Rivera Luis. Seducing audiences
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Weber Annette. Synagogues and museums and their perception in German public culture before and after World War II
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Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
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Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
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Zawada Michał (1985- ). Imaging iconoclasm
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Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
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Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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