Bartków Agnieszka. Stanisław Szukalski i Szczep Szukalszczyków herbu „Rogate Serce -prace w kolekcji Muzeum Górnośląskiego w Bytomiu
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Baselitz Georg (1938- ). Paper through artists' eyes. Conversation with Georg Baselitz
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Berger Friederike. The art of clothing oneself must be popularized: the artistic reform dress as an ideal an aesthetic and consumer culture
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Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
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Bodnar Szilvia (1955- ). Albrecht Durer. Italian innovations North of the Alps
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Bodnar Szilvia (1955- ). In the magic circle of the arts and sciences. The Prague court of Rudolf II
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Bodnar Szilvia (1955- ). The beginnings. Drawings and prints between the fourteenth and early sixteenth centuries
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Bodor Kata (1978- ). Departures. Seceding from academic conventions withdrawing from mainstream society
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Bodor Kata (1978- ). Francisco Goya. Modernised traditions
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Bodor Kata (1978- ). Pablo Picasso. The lord of lines
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Bodor Kata (1978- ). The last spledour of art academies
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Bodor Kata (1978- ). The myth of the here and now
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Bodor Kata (1978- ). William Hogarth and the art of moralising with humor
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Bois Yve-Alain (1952- ). 3 De Stijl models
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Bois Yve-Alain (1952- ). Pablo Picasso: the cadaques experiment
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Bois Yve-Alain (1952- ). Piet Mondrian: toward the abolition of form
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Brandstatter Christian (1943- ). The Wiener Werkstatte and the fashion reform
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Bódi Kinga (1981- ). Antoni Tapies. The human and the material
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Bódi Kinga (1981- ). Joseph Beuys and the great German post-war generation
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Bódi Kinga (1981- ). Paper through artists' eyes. Conversation with Dóra Maurer
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Bódi Kinga (1981- ). Paper through artists' eyes. Conversation with Georg Baselitz
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Bódi Kinga (1981- ). Rational thinking abstract forms constructive images
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Bódi Kinga (1981- ). The dynamism of the line
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Bódi Kinga (1981- ). Venice in teh 18th century. The flourishing export of art
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Chlenova Masha. Early Russian abstraction as such
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Coen Ester. Giacomo Balla: the most luminous abstraction
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Cox Christoph (1965- ). Music noise and abstraction
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Damisch Hubert (1928-2017). On the movie
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DeLue Rachael Ziady. Against the circle
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DeLue Rachael Ziady. With color
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Dickerman Leah (1964- )
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Dickerman Leah (1964- ). Abstraction in 1936: cubism and abstract art at the Museum of Modern Art
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Dickerman Leah (1964- ). Inventing abstraction
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Dickerman Leah (1964- ). Vasily Kandinsky without words
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Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated
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Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
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Ewers-Schultz Ines. Antineutral clothing for men: the artistic reform of men's wear
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Ewers-Schultz Ines. The dress as a work of art beauty as a weapon and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900
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Ewers-Schultz Ines. The essential thing is the individual adaptation to the wearer: Anna Muthesius's Das Eigenkleid der Frau
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Ewers-Schultz Ines. The highest intelligence in the freest body!: modern dance as a symbiosis of body and costume
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Farida Nike. Et in Arcadia ego. Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
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First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's archaeological workshop
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Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900
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Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and new style in women's clothing around 1900
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Foldi Eszter. A genre born out of a technique. The revival of artistic printmaking
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Foldi Eszter. Colour lithography at the turn of th century
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Foldi Eszter. József Rippal-Rónai. Thinking in drawing
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Foldi Eszter. The experience of nature
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Foster Hal (1955- ). Sense and non-sense
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Franko Mark. Danced abstraction: Mary Wigman
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Franko Mark. Danced abstraction: Rudolf von Laban
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Gale Matthew. Vorticism: planetary abstracion
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Galison Peter (1955- ). Concrete abstraction
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Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network
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Godolle Matyas (1976- )
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Gonda Zsuzsa. Henri de Toulouse-Lautrec. Master of lithography
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Gough Maria (1961- ). Abstract environment
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Gough Maria (1961- ). Language of revolution
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Gough Maria (1961- ). Spatial object
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Głowacki Wojciech M. (1993- ). Polyglot of a paintbrush? Critical reception of Nero's Torches in France
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Hahn Juliane. Skirt and rib: bodies in the gaze
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Hauptman Jodi (1964- ). Leopold Survage's paper cinema
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Hauptman Jodi (1964- ). Parole in liberta
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Heiser Christiane (1970- ). A miracle how preciously the people here understand their work in silk: Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk
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Hessky Orsolya (1965- ). An era of changes (1770-1830)
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Hessky Orsolya (1965- ). Miklós Barabas. From Italy to Pest
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Hessky Orsolya (1965- ). The allure of Rome
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Holzhey Magdalena. Since not all women even if they have taste are able to invent suitable ornaments: women and their clothes between decoration and emancipation
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Holzhey Magdalena. The artistic elevation of women's dress: Krefeld 1900 and its consequences
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Hughes Gordon (1965- ). Abstraction chez Delaunay
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Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
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Joselit David. Painting stripped bare
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Kaes Anton (1945- ). Absolute film
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Karpati Zoltan. Artworks for everyday use. The ephemeral art of the Renaissance
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Karpati Zoltan. At the service of the church. The birth of Italian baroque
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Karpati Zoltan. Depicting the human body. In the shadow of Michelangelo
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Karpati Zoltan. Durer and Raimondi. Chronicle of fictive lawsuit
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Karpati Zoltan. Leonardo da Vinci in the City Hall of Florence. Art and politics
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Karpati Zoltan. Mythology reloaded. Profane love in Renaissance art
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Karpati Zoltan. Printing in light and dark. Chiaroscuro woodcuts
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Karpati Zoltan. Raphael. Art in collaboration
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Karpati Zoltan. Schema and correction. Creative copies in the Renaissance
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Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
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Kisielewska Helena. Dichotomy in the works of Stanisław Szukalski and members of the Tribe of the Horned Heart in selected examples from the collections of the Upper Silesian Museum in Bytom
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Kisielewska Helena. Dychotomiczność w twórczości Stanisława Szukalskiego i członków Szczepu Szukalszczyków na wybranych przykładach pochodzących ze zbiorów Muzeum Górnośląskiego w Bytomiu
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Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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