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Biblioteka Muzeum Narodowego
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Autor
Hermens Erma (1958- )
(2)
Albl Stefan (1984- )
(1)
Alexopoulou-Agoranou Athena. Study and documentation of an icon of Saint George by Angelos using infrared reflectography
(1)
Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
(1)
Anderson Lance
(1)
Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
(1)
Andrikopoulos Konstantinos S. Analysis of organic and inorganic materials and their application on icons by Angelos
(1)
Anglos D. Integrated approach to the study and preservation of painting using laser light technology
(1)
Anselmi C. Modern painted palimpsests
(1)
Antuskova Vaclava. Materials and techniques of Buddhist art close up
(1)
Arenas Alatorre Jesus. Material study of the Codex Colombino
(1)
Aresin Maria
(1)
Aresin Maria. Aussi legere que spirituelle: Guido Reni and printmaking
(1)
Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
(1)
Aurenhammer Hans H
(1)
Baatz Wolfgang. Studying the artistic process
(1)
Badura Monika. Analiza źródeł przyrodniczych. Materiały karpologiczne
(1)
Badura Monika. Analysis of natural sources. Carpologiccal materials
(1)
Baglioni P. Maya mural paintings in Calakmul
(1)
Bailey Gregory H. Designing nature
(1)
Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Bargellini Clara. Painting on copper in Spanish America
(1)
Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
(1)
Barrett Sylvana. An integrated approach for the study of painting techniques
(1)
Basile Giuseppe (1942-2013). Burri project
(1)
Baumer Ursula
(1)
Baumer Ursula. Die Bindemittel der Schule von Barbizon
(1)
Becker Lilly
(1)
Bellucci Roberto. Underdrawing in paintings
(1)
Beltz Johannes (1967- ). Introduction
(1)
Beltz Johannes (1967- ). Understanding religion through art
(1)
Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
(1)
Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
(1)
Berrie Barbara Hepburn. Vibrant surface
(1)
Bhagwati Annette. Introduction
(1)
Bielińska-Majewska Beata. Kafle
(1)
Bielińska-Majewska Beata. Tiles
(1)
Bienias Dorota. Analiza źródeł przyrodniczych. Materiały antrakologiczne
(1)
Bienias Dorota. Analysis of natural sources. Anthracological materials
(1)
Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Bohn Babette (1950- )
(1)
Bohn Babette (1950- ). Early writers drawing types and collecting: reflections on the drawings of Guido Reni
(1)
Boitelle Rene (1962- ). A new look at old definitions: examining notions of finish in Barbizon School Landscapes
(1)
Bommel Maarten R. van. After the fact
(1)
Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
(1)
Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
(1)
Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
(1)
Bourbopoulou Hrusa
(1)
Bourbopoulou Hrusa. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
(1)
Boust Clotilde. To acquire a good name
(1)
Bowron Edgar Peters (1943- ). Brief history of European oil paintings on copper 1560-1775
(1)
Brady Aoife
(1)
Brady Aoife. Painting for posterity: Guido Reni's materials and technique
(1)
Branopoulou Lena
(1)
Branopoulou Lena. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
(1)
Brookes Anna. De/re-constructing Turner for research projects at Tate
(1)
Brown Marilyn R. Barbizon and myths of bohemianism
(1)
Brunetti Brunetto Giovanni
(1)
Brunetti Brunetto Giovanni. Colours of indigenous memory
(1)
Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Brzozowski Radosław (1971- ). Difficulties in retracing of the photographic silver-gelatin emulsions
(1)
Brzozowski Radosław (1971- ). Trudności w odtwarzaniu emulsji żelatynowo-srebrowych
(1)
Bucklow Spike. Impossible recipes
(1)
Burgio Lucia. To acquire a good name
(1)
Burmester Andreas
(1)
Burmester Andreas. Comment ils inventaient ces verts chatoyants? - Blau Gelb Grun und die Landschaftsmalerei von Barbizon
(1)
Buti David. Colours of indigenous memory
(1)
Błędowski Piotr. Ceramika naczyniowa
(1)
Błędowski Piotr. Pottery ceramics
(1)
Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
(1)
Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
(1)
Carrasco Vargas R. Maya mural paintings in Calakmul
(1)
Cartechini Laura. Multi-criterial studies of the masterpieces The Last Judgement attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
(1)
Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
(1)
Casadio Francesca. Vibrant surface
(1)
Casanova Conseicao. Study of Portugese 18th-century manuscript
(1)
Caspers Charlotte. De/re-constructing Turner for research projects at Tate
(1)
Cassling Robin (1967- )
(1)
Castro Rita. Colour in medieval Portuguese manuscripts
(1)
Chelazzi David. Maya mural paintings in Calakmul
(1)
Chelazzi David. Unveiling the artistic technique of the Florentine Codex
(1)
Chiantore Oscar. Outdoor painted surfaces in contemporary art
(1)
Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
(1)
Christensen Marie. Bulging in wax-resin impregnated canvas paintings
(1)
Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's Madonna of the Goldfinch
(1)
Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
(1)
Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
(1)
Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
(1)
Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
(1)
Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
(1)
Clarricoates Rhiannon
(1)
Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
(1)
Conomos Dimitri E
(1)
Cordeiro Baqueiro M. Maya mural paintings in Calakmul
(1)
Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
(1)
Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
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Reni, Guido (1575-1642)
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Städel Museum (Frankfurt nad Menem)
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13 wyników Filtruj
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 18968/2 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Temat
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26406 (1 egz.)
Książka
W koszyku
Katalog wystawy: Städel Museum, Frankfurt n/Menem, 23 listaopda 2022-5 marca 2023.
Bibliogr. s. 313-325.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 26757 (1 egz.)
Książka
W koszyku
Autor
Indeks R0: BMNK
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 23529 (1 egz.)
Książka
W koszyku
Autor
Hermens Erma (1958- ). Townsend Joyce H. Lautenschlager Manfred. Virtues and vices in late medieval art productions Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes Bucklow Spike. Impossible recipes Ursescu Marta. Romanian handbooks on manuscript illumination in the 18th century Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century Kroustallis Stefanos. Art for war Miguel Catarina. Copper pigments in medieval times Claro Ana Luísa do Vale Fonseca. Copper pigments in medieval times Lopes João A. Copper pigments in medieval times Melo Maria João. Copper pigments in medieval times Nadolny Jilleen. Documentary sources for the use of moulds in the production of tin relief Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300 Neven Sylvie. Comparative analysis of painting recipes Stijnman Ad. Images of copper engravers and plate printers in their workshops 1545-1645 Wagner Lisa. Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge Dubois Hélène. Master's own hand? Phenix Alan. Oudry's painted menagerie Doherty Tiarna. Oudry's painted menagerie Schönemann Anna. Oudry's painted menagerie Rizzo Adriana. Oudry's painted menagerie Eyb-Green Sigrid. Studying the artistic process Baatz Wolfgang. Studying the artistic process Kitlitschka Werner (1938- ). Studying the artistic process Hermens Erma (1958- ). "En plein soleil" MacDonald Margaret F. (1944- ). "En plein soleil" Troalen Lore. "To acquire a good name" Reiche Ina. "To acquire a good name" Röhrs Stefan. "To acquire a good name" Pretzel Boris (1961- ). "To acquire a good name" Burgio Lucia. "To acquire a good name" Shah Bhavesh. "To acquire a good name" Peschard Stéphane. "To acquire a good name" Boust Clotilde. "To acquire a good name" Tate Jim. "To acquire a good name" Martin Graham (1952- ). "To acquire a good name" Voigt Friederike. "To acquire a good name" Kutzke Hartmut. À la recherche du pigment perdu Oltrogge Doris (1959- ). À la recherche du pigment perdu Mulholland Richard. Technique and process in the papers of David Smith Kyllonen-Kunnas Paivi. Challenging the material Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Niculescu Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Petroviciu Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Rosi Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Sassolini Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Fardi Theodora. Tracing the history of wall paintings through visual documents De Angelis Roberta. Tracing the history of wall paintings through visual documents Scicluna Bernadine. Tracing the history of wall paintings through visual documents Vella Daniel. Tracing the history of wall paintings through visual documents Freitas Ana. Study of Portugese 18th-century manuscript Claro Ana Luísa do Vale Fonseca. Study of Portugese 18th-century manuscript Melo Maria João. Study of Portugese 18th-century manuscript Casanova Conseição. Study of Portugese 18th-century manuscript Moura Laura Filipe (1983- ). Study of Portugese 18th-century manuscript Townsend Joyce H. De/re-constructing Turner for research projects at Tate Thomas Jacob. De/re-constructing Turner for research projects at Tate Caspers Charlotte. De/re-constructing Turner for research projects at Tate Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate Brookes Anna. De/re-constructing Turner for research projects at Tate Ormsby Bronwyn. De/re-constructing Turner for research projects at Tate Hackney Stephen. De/re-constructing Turner for research projects at Tate Lerwill Andrew. De/re-constructing Turner for research projects at Tate Barrett Brian D. (1951- ). Archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865
Temat
Indeks R0: BMNK
Bibliogr. po art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 22104 (1 egz.)
Książka
W koszyku
Autor
Burmester Andreas. Heilmann Christoph (1936- ). Levental-Harms Olivia. Price Michael. Zimmermann Michael F. (1958- ). Baumer Ursula. Die Bindemittel der Schule von Barbizon Boitelle René (1962- ). A new look at old definitions: examining notions of finish in Barbizon School Landscapes Brown Marilyn R. Barbizon and myths of bohemianism Burmester Andreas. Comment ils inventaient ces verts chatoyants? - Blau, Gelb, Grün und die Landschaftsmalerei von Barbizon Delouche Denise (1933- ). Entre pittoresque et réalisme: le paysan des provinces français vu par les peintres, 1800-1863 Denk Claudia. Comment ils inventaient ces verts chatoyants? - Blau, Gelb, Grün und die Landschaftsmalerei von Barbizon Drost Wolfgang (1930- ). The double-bottomed idyll: contemporary literary views on Barbizon landscape-painting. Thoré-Bürger - The Goncourts - Flaubert Einecke Claudia. Beyond seeing: the somatic experience of landscape in the "School of 1830" Elst Caroline van der. A new look at old definitions: examining notions of finish in Barbizon School Landscapes Faunce Sarah. Courbet's concept of realism: the battle for the Earth Heilmann Christoph (1936- ). Barbizon und München Heimberg Bruno. Technologische Beobachtungen zur Landschaft bei Auvers Herding Klaus (1939-2018). Beyond reality: truth in Courbet and Millet. A discourse about anti-realism Kelly Simon (1969- ). The landscapes of Théodore Rousseau and their market Klein Elyse. An investigation into the painting technique of the two versions of Corot's St. Sebastian succoured by holy women Koller Johann. Die Bindemittel der Schule von Barbizon Laudenbacher Konrad. Beobachtungen zur Maltechnik an ausgewählten Bildern der Schule von Barbizon Laughton Bruce (1928- ). Marks and meaning: some responses to the forest by Rousseau and Millet McWilliam Neil. Mythologising Millet Michel Régis. L'idiot de la peiture. Essai sur l'homme de Barbizon Roy Ashok. Barbizon painters: tradition and innovation in artists' materials Shiff Richard (1943- ). Natural, personal, pictorial: Corot and the painter's mark Thomas Greg M. (1962- ). The practice of "naturalisme": the working methods of Théodore Rousseau Woudhuysen-Keller Renate (1944-2012). Observations concerning Corot's late painting technique Zimmermann Michael F. (1958- ). Painting of nature - nature of painting. An essay on landscape and the historical position of "Barbizon"
Indeks R0: BMNK
Materiały konferencyjne: München, 7-9 marca 1996 r.
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Dział
Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: sygn. Dział Nowoczesnego Polskiego M alarstwa i Rzeźby (Sukiennice) sygn. III 26345 (1 egz.)
Książka
W koszyku
Autor
Brunetti Brunetto Giovanni. Miliani Costanza. Sgamellotti Antonio. Ernst Richard R. Science and art - my two passions Siano S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Patrizi G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings Sciutto Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Prati Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings Baglioni P. Maya mural paintings in Calakmul Carrasco Vargas R. Maya mural paintings in Calakmul Cordeiro Baqueiro M. Maya mural paintings in Calakmul Chelazzi David. Maya mural paintings in Calakmul Domenici Davide (1968- ). Colours of indigenous memory Buti David. Colours of indigenous memory Miliani Costanza. Colours of indigenous memory Brunetti Brunetto Giovanni. Colours of indigenous memory Sgamellotti Antonio. Colours of indigenous memory Zetina Sandra. Material study of the Codex Colombino Ruvalcaba José Louis. Material study of the Codex Colombino Falcón Tatiana. Material study of the Codex Colombino Arenas Alatorre Jesús. Material study of the Codex Colombino Yanagisawa Saeko. Material study of the Codex Colombino Álvarez Icaza Longoria Marisa. Material study of the Codex Colombino Hernández Eumelia. Material study of the Codex Colombino Giorgi R. Unveiling the artistic technique of the Florentine Codex Chelazzi David. Unveiling the artistic technique of the Florentine Codex Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex Melo Maria João. Colour in medieval Portuguese manuscripts Castro Rita. Colour in medieval Portuguese manuscripts Miranda Adelaide. Colour in medieval Portuguese manuscripts Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa Paolucci Antonio. Wall paintings of the monumental cemetery of Pisa Peggie David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century Szmelter Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Romani Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Pezzati Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch" Bellucci Roberto. Underdrawing in paintings Frosinini Cecilia. Underdrawing in paintings Pouli Paraskevi. Integrated approach to the study and preservation of painting using laser light technology Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology Tornari V. Integrated approach to the study and preservation of painting using laser light technology Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology Anglos D. Integrated approach to the study and preservation of painting using laser light technology Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology Glanville Helen. Mens agitat molem Rousselière Hélène. Mens agitat molem Viguerie L. de. Mens agitat molem Walter Ph. Mens agitat molem Leona Marco. Designing nature Londero Pablo S. Designing nature Perry Jennifer. Designing nature Fukunaga Kaori. Designing nature Bailey Gregory H. Designing nature Hale Charlotte (1959- ). Designing nature Vila Anna. As time passed by came sunset Monrad Kasper (1952-2018). As time passed by came sunset Filtenborg Troels (1951- ). As time passed by came sunset Wadum Jørgen. As time passed by came sunset Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Snickt Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Vanmeert Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Struick van der Loeff Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Berrie Barbara Hepburn. Vibrant surface Casadio Francesca. Vibrant surface Dahm K. Vibrant surface Strumfels Y. Vibrant surface Tedeschi M. Vibrant surface Walsh John (1937- ). Vibrant surface Bommel Maarten R. van. After the fact Janssen Hans (1954- ). After the fact Spronk Ron (1957- ). After the fact Marte Fernando. Argentinean murals Gallegos Damasia. Argentinean murals Rosado Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Mendes Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Motta Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Teixeira Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Souza Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Patti Mattia. Modern painted palimpsests Anselmi C. Modern painted palimpsests Doherty Brenda. Modern painted palimpsests Daffara Claudia. Modern painted palimpsests Fontana Raffaella. Modern painted palimpsests Rosi Francesca (1977- ). Burri project De Cesare G. Burri project Iazurlo Paola. Burri project Daveri Alessia. Burri project Vagnini Manuela. Burri project Valentini F. Burri project Basile Giuseppe (1942-2013). Burri project Ormsby Bronwyn. John Hoyland Learner Thomas J. S. John Hoyland Crook Jo (1963- ). John Hoyland Smithen Patricia. John Hoyland Rava Antonio. Outdoor painted surfaces in contemporary art Chiantore Oscar. Outdoor painted surfaces in contemporary art Mirabile Antonio. Elusive nd transitory materials in contemporary drawings Moretti Patrizia. Elusive nd transitory materials in contemporary drawings Presciutti Federica. Elusive nd transitory materials in contemporary drawings
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Bibliogr. przy rozdz. Indeks.
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Clarricoates Rhiannon. Dowding Helen. Wright Adèle. Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings Christensen Marie. Bulging in wax-resin impregnated canvas paintings Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Frøysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Gregers-Høegh Cecilia. Bulging in wax-resin impregnated canvas paintings Harrison Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Hellen Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings Higgs Sally. Paintings affected by mould at the Palace of Westminster Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Howard Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection Miller Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Ormsby Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari Seed Alison. Paintings affected by mould at the Palace of Westminster Scott Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Sučević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
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Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Bibliogr. przy ref.
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(Studien aus dem Institut für Baugeschichte, Kunstgeschichte, Kunst und Design, Restaurierung mit Architekturmuseum Technische Universität München, Fakultät für Architektur)
Autor
Emmerling Erwin (1952- ). Kühlenthal Michael. Richter Mark. Baumer Ursula. Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Boon Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Dietemann Patrick. Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history Dodinet Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Gruber Christian (1939- ). Grundmann Günther. Horst Jerre van der. Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Keune Katrien. Küffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts Kühlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Kühlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Kühlenthal Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko Kühlenthal Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft Mach Martin. Moser-Seiberl Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee Moser-Seiberl Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Pelludat Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Pelludat Inga. Das Cuivilliés-Theater in München Rapp Klaus. Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria) Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland) Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Richter Mark. Coloured glazes on metal leaf: definition and terminology Richter Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Richter Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Richter Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773) Richter Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780) Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Schäfer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773) Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee Stege Heike (1970- ). Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Tucic Vojislav. Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching Wolf Stefan. Das Cuivilliés-Theater in München
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Bibliogr. przy art.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 24782 (1 egz.)
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Wiewióra Marcin. Badura Monika. Analiza źródeł przyrodniczych. Materiały karpologiczne Badura Monika. Analysis of natural sources. Carpologiccal materials Bielińska-Majewska Beata. Kafle Bielińska-Majewska Beata. Tiles Bienias Dorota. Analiza źródeł przyrodniczych. Materiały antrakologiczne Bienias Dorota. Analysis of natural sources. Anthracological materials Błędowski Piotr. Ceramika naczyniowa Błędowski Piotr. Pottery ceramics Hlebionek Marcin (1974- ). Metal and organic material artifacts. 15th c. knight seal piston from the castle of Papowo Biskupie Hlebionek Marcin (1974- ). Wyroby z metali i materiałów organicznych. Piętnastowieczny tłok pieczęciu rycerskiej w zamku w Papowie Biskupim Kołyszko Marek. Castle in Satrogród Kołyszko Marek. Metal and organic material artifacts. Chełmno town Kołyszko Marek. Wyroby z metali i materiałów organicznych. Miasto Chełmno Kołyszko Marek. Metal and organic material artifacts. Castle in Starogród Kołyszko Marek. Wyroby z metali i materiałów organicznych. Zamek w Starogrodzie Kołyszko Marek. Metal and organic material artifacts. Castle in Unisław Kołyszko Marek. Wyroby z metali i materiałów organicznych. Zamek w Unisławiu Kołyszko Marek. Zamek w Starogrodzie Maciejewska Karolina. Analiza źródeł przyrodniczych. Materiały karpologiczne Maciejewska Karolina. Analysis of natural sources. Carpologiccal materials Majewski Maciej. Militaria Majewski Maciej. Military objects Makowiecka Marzena. Analiza źródeł przyrodniczych. Kości zwierzęce Makowiecka Marzena. Analysis of natural sources. Animal bones Makowiecki Daniel (1959- ). Analiza źródeł przyrodniczych. Kości zwierzęce Makowiecki Daniel (1959- ). Analysis of natural sources. Animal bones Markiewicz Małgorzata (archeologia). Objects of glass Markiewicz Małgorzata (archeologia). Wyroby ze szkła Merdalski Marek. Analiza źródeł przyrodniczych. Materiały karpologiczne Merdalski Marek. Analysis of natural sources. Carpologiccal materials Miłek Wojciech. Coins Miłek Wojciech. Monety Molewski Paweł. Attempt of geographical environment state reconstruction for places of location and surroundings of the castles in the time of their erection in 13th -14th centuries Molewski Paweł. Próba rekonstrukcji stanu środowiska geograficznego miejsc położenia i otoczenia zamków w czasie ich budowy w XIII-XIV wieku Nowak Marek (archeologia). Coins Nowak Marek (archeologia). Monety Oleksy Michał. Metal and organic material artifacts. Chełmno town Oleksy Michał. Wyroby z metali i materiałów organicznych. Miasto Chełmno Raczkowski Juliusz (1975- ). Relic of architectonic decoration from Teutonic castle in Satrogród. Monument expert's analysis Raczkowski Juliusz (1975- ). Relikt dekoracji architektonicznej z zamku krzyżackiego w Satrogrodzie. Analiza zabytkoznawcza Wasik Bogusz. Architecture and building technique of brick castles in Starogród, Bierzglowo, Lipienek, Papowo Biskupie and Unisław in the context of castle architecture in Prussia Wasik Bogusz. Architektura i technika budowy zamków murowanych w Starogrodzie, Bierzgłowie, Lipienku, Papowie Biskupim i Unisławiu w kontekście budownictwa zamkowego Prus Wasik Bogusz. Building ceramics Wasik Bogusz. Ceramika budowlana Wasik Bogusz. Najstarsze ośrodki miejskie - pierwsza lokacja Chełmna w świetle najnowszych wyników badań Wasik Bogusz. Teutonic castles in the late Middle Ages and modern times. Architectonic sources analysis Wasik Bogusz. The oldest towns - first Chełmno location in the light of the latest research Wasik Bogusz. Zamki krzyżackie w okresie późnośredniowiecznym i nowożytnym. Analiza źródeł architektonicznych Wiejacka Martyna. Analiza źródeł przyrodniczych. Kości zwierzęce Wiejacka Martyna. Analysis of natural sources. Animal bones Wiewióra Marcin. Krzyżackie osady warowne i miasta na ziemi chełmińskiej w świetle najnowszych badań Wiewióra Marcin. Najstarsze fazy osadnictwa krzyżackiego Wiewióra Marcin. Najstarsze krzyżackie warownie Wiewióra Marcin. Teutonic fortitied settlements and towns in the Chełmno Land in the light of the latest research Wiewióra Marcin. The oldest stages of Teutonic settlement Wiewióra Marcin. The oldest Teutonic fortified settlements
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Bibliogr. do t. 1-2 s. 266-312.
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Jabłońska Elżbieta (1958- ). Kozielec Tomasz (1976- ). Brzozowski Radosław (1971- ). Difficulties in retracing of the photographic silver-gelatin emulsions Brzozowski Radosław (1971- ). Trudności w odtwarzaniu emulsji żelatynowo-srebrowych Czuczko Jolanta. Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Czuczko Jolanta. Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Ďurovič Michal. Paper envelopes for long-term storage of glass plate negatives Ďurovič Michal. Papierowe koperty do długoterminowego przechowywania szklanych negatywów Habalová Božena. Badania nad degradacją fotografii albuminowych Habalová Božena. Badania nad degradacją fotografii srebrowo-żelatynowych Habalová Božena. Study of albumen photography degradation Habalová Božena. Study of degradation of silver gelatine photographs Haberová Katarína. Badania nad degradacją fotografii srebrowo-żelatynowych Haberová Katarína. Study of degradation of silver gelatine photographs Jančovičová Viera. Badania nad degradacją fotografii albuminowych Jančovičová Viera. Badania nad degradacją fotografii srebrowo-żelatynowych Jančovičová Viera. Study of albumen photography degradation Jančovičová Viera. Study of degradation of silver gelatine photographs Karbowska-Berent Joanna (1965- ). Możliwości dezynfekcji fotografii na podłożu papierowym przy użyciu par etanolu - badania wstępne Karbowska-Berent Joanna (1965- ). Possibilities of disinfection of photographs on paper base in ethanol vapours Kaszowska Zofia. Reflections on Technology, Technics and Condition of Brandys Family Glass Plates Negatives Collection Kaszowska Zofia. Rozważania na temat technologii i techniki oraz stanu zachowania negatywów fotograficznych rodziny Brandysów Kaszowska Zofia. Straightening of the curled negative film strips made of cellulose esters Kaszowska Zofia. Zabieg prostowania negatywów małoobrazkowych na podłożach z estrów celulozy oraz cyfryzacja na potrzeby dokumentacji konserwatorskiej Kłosiewicz Marta. Conservation-restoration of a hand-coloured silver-gelatin print from the collection of the Polish Academy of Sciences of the Kórnik Library Kłosiewicz Marta. Konserwacja - restauracja kolorowanej fotografii srebrowo-żelatynowej pochodzącej ze zbiorów Polskiej Akademii Nauk Biblioteki Kórnickiej Klugowska Anna. Black-and-white world of photography from the collection of the University Library in Toruń Klugowska Anna. Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu Komsta-Sławińska Karolina. Analiza techniki wykonania planów architektonicznych - rysunki atramentem metalo-garbnikowym, czy odbitki żelazowo-galusowe? Komsta-Sławińska Karolina. Architectural Plans Technique - Ferro-Gallic Ink Drawings or Ferro-Gallic Process? Komsta-Sławińska Karolina. Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Komsta-Sławińska Karolina. Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Kozielec Tomasz (1976- ). Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Kozielec Tomasz (1976- ). Conservation-restoration of a hand-coloured silver-gelatin print from the collection of the Polish Academy of Sciences of the Kórnik Library Kozielec Tomasz (1976- ). Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Kozielec Tomasz (1976- ). Electrostatic cleaning of framed and unframed photographs in conservational practice Kozielec Tomasz (1976- ). Elektrostatyczne oczyszczanie oprawionych i nieoprawionych fotografii w praktyce konserwatorskiej Kozielec Tomasz (1976- ). Konserwacja - restauracja kolorowanej fotografii srebrowo-żelatynowej pochodzącej ze zbiorów Polskiej Akademii Nauk Biblioteki Kórnickiej Kozielec Tomasz (1976- ). Możliwości dezynfekcji fotografii na podłożu papierowym przy użyciu par etanolu - badania wstępne Kozielec Tomasz (1976- ). Possibilities of disinfection of photographs on paper base in ethanol vapours Kunert Joanna. Ochrona "pomysłowników" Juliana Antonisza oraz odtworzenie technologii i techniki ich wytwarzania na podstawie prac autora zawartych w Encyklopedii realizacji filmów typu "non-camera" Obraz. Dźwięk Kunert Joanna. The research of development techniques and technologies of Antonisz’s non-camera films as a basis of their preservation Kwiatkowska Magdalena (konserwatorstwo). Reflections on Technology, Technics and Condition of Brandys Family Glass Plates Negatives Collection Kwiatkowska Magdalena (konserwatorstwo). Rozważania na temat technologii i techniki oraz stanu zachowania negatywów fotograficznych rodziny Brandysów Machatová Zuzana. Badania nad degradacją fotografii albuminowych Machatová Zuzana. Badania nad degradacją fotografii srebrowo-żelatynowych Machatová Zuzana. Study of albumen photography degradation Machatová Zuzana. Study of degradation of silver gelatine photographs Maková Alena. Badania nad degradacją fotografii albuminowych Maková Alena. Study of albumen photography degradation Miller Ilona (konserwatorstwo). Conservation of gelatin dry plates negatives from the beginning of 20th century donated to the University Library in Toruń Miller Ilona (konserwatorstwo). Konserwacja negatywów na podłożu szklanym pochodzących z początku XX wieku przekazanych w darze Bibliotece Uniwersyteckiej UMK w Toruniu w 2013 r. Otruba Vitĕzslav. Paper envelopes for long-term storage of glass plate negatives Otruba Vitĕzslav. Papierowe koperty do długoterminowego przechowywania szklanych negatywów Popławska Sylwia (1988- ). Conservation of the silver-gelatine glass plate negatives made by Narcyz Witczak-Witaczyński, stored in National Digital Archives in Poland Popławska Sylwia (1988- ). Konserwacja żelatynowo-srebrowych negatywów na szkle autorstwa Narcyza Witczaka-Witaczyńskiego, przechowywanych w zbiorach Narodowego Archiwum Cyfrowego Seweryn Anna (konserwacja fotografii). Problematyka identyfikacji archiwalnych materiałów fotograficznych na przykładzie Figielków fotograficznych - nietypowych fotografii przechowywanych w Archiwum Narodowym w Krakowie Seweryn Anna (konserwacja fotografii). The issue of identification of archival photographic materials based on the Photographic jokes - a unique photographic collection from the National Archives in Krakow Sitnik Joanna. Straightening of the curled negative film strips made of cellulose esters Sitnik Joanna. Zabieg prostowania negatywów małoobrazkowych na podłożach z estrów celulozy oraz cyfryzacja na potrzeby dokumentacji konserwatorskiej Strnadlová Markéta. Paper envelopes for long-term storage of glass plate negatives Strnadlová Markéta. Papierowe koperty do długoterminowego przechowywania szklanych negatywów Supruniuk Monika. A framework for the preservation and conservation of audiovisual objects Supruniuk Monika. Zarys strategii ochrony i konserwacji dzieł audiowizualnych Wójcik Ryszard Antoni (1957- ). Reflections on Technology, Technics and Condition of Brandys Family Glass Plates Negatives Collection Wójcik Ryszard Antoni (1957- ). Rozważania na temat technologii i techniki oraz stanu zachowania negatywów fotograficznych rodziny Brandysów Wójcik Ryszard Antoni (1957- ). Straightening of the curled negative film strips made of cellulose esters Wójcik Ryszard Antoni (1957- ). Zabieg prostowania negatywów małoobrazkowych na podłożach z estrów celulozy oraz cyfryzacja na potrzeby dokumentacji konserwatorskiej Zając Izabela (konserwatorstwo). Conservation of the silver-gelatine glass plate negatives made by Narcyz Witczak-Witaczyński, stored in National Digital Archives in Poland Zając Izabela (konserwatorstwo). Dziewiętnastowieczne albumy fotograficzne z polskich kolekcji: klasyfikacja, identyfikacja i typowe zniszczenia – wyniki wstępne Zając Izabela (konserwatorstwo). Konserwacja żelatynowo-srebrowych negatywów na szkle autorstwa Narcyza Witczaka-Witaczyńskiego, przechowywanych w zbiorach Narodowego Archiwum Cyfrowego Zając Izabela (konserwatorstwo). Nineteenth century photograph albums from Polish collections: classification, identification and typical deterioration – preliminary research Zięba Agnieszka (nauki o sztukach pięknych). Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Zięba Agnieszka (nauki o sztukach pięknych). Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Żuk-Orysiak Jolanta. Collections of Photographs of the Lublin Museum. From Daguerreotype to Digitalisation Żuk-Orysiak Jolanta. Kolekcje fotografii ze zbiorów Muzeum Lubelskiego. Od dagerotypu do digitalizacji
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