Brosens Koenraad (1974- ). Slow digital art history and KUbism: or situation awareness and the promise of open-World games
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Brown Kathryn J. Feminist digital art history
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Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Cardoso Bruno. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
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Carvalho Rosario Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Champion Erik. Art history heritage games and virtual reality
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Colombari Silvia. Otto Prutscher's suitcace between Vienna and Milan; unpublisched material from the family archive
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Colombari Silvia. Otto Prutschers Koffer zwischen Wien und Mailand. Unveroffentliches Material aus dem Familienarchiv
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Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art
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Cranston Jodi (1969- ). Mapping paintings or how to breathe life into provenance
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De Vincentis Stefania. Digital languages for art history: audience engagement virtual and augmented reality
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Dickerman Leah (1964- ). Object mask abstraction: the heads
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Dohring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification
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Drucker Johanna (1952- ). Blind spot: information visualization and art history
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Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images
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Duit Claas (1991- ). Erinnerungen an Hermi Schedlmayer. Ein Sammlerleben fur Otto Prutscher
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Duit Claas (1991- ). Memories of Hermi Schedlmayer: a collector's life dedicated to Otto Prutscher
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Fer Briony (1956- ). Balancing act
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Fletcher Pamela M. (1967- ). Digital methods and the study of the art market
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Foka Anna (1981- ). Art history heritage games and virtual reality
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Franko Mark. The choreographic imaginary: between expressionist dance and visual abstraction
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Franz Rainald (1964- )
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Franz Rainald (1964- ). Biografie
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Franz Rainald (1964- ). Biography
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Franz Rainald (1964- ). Glasarbeiten nach Entwurf Otto Prutschers
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Franz Rainald (1964- ). Glassware designed by Otto Prutscher
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Franz Rainald (1964- ). Otto Prutscher and Viennese Modernism: output and impact
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Franz Rainald (1964- ). Otto Prutscher und die Wiener Moderne. Wirken und Nachwirken
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Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial
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Goodyear Anne Collins. The art-historical catalogue in the digital era
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Gough Maria. Sophie Taeuber-Arp's camera peripatetica
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Hauptman Jodi (1964- ). Drawing without end
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Healy Charlotte. Checklist of the exhibition
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Healy Charlotte. Selected bibliography
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Helfenstein Josef (1957- ). Directors' foreword
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Helmreich Anne (1963- ). Digital methods and the study of the art market
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Hoch Medea (1970- ). Interplay of the arts on stage: the King Stag marionettes and stage sets
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Impett Leonardo. Analyzing gesture in digital art history
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Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums
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Jaskot Paul B. (1963- ). Digital methods and the historiography of art
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Jeffs Amy. Digital 3D modeling for the history art
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Jimerson Lauren. Social media in the art histiry classroom
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Joyeux-Prunel Beatrice (1977- ). Digital humanites for a spatial global and social history of art
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Kandemir Baris. Computerized analysis of paintings
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Kinchin Juliet. The art of modern living: architecture and interiors from Clamart to Berlin
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Klinke Harald. The digital transformation of art history
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Krupp Walburga (1959- )
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Krupp Walburga (1959- ). Acknowledgments
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Krupp Walburga (1959- ). Beautiful perfect things: Sophie Taeuber-Arp's early applied-arts career
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Krupp Walburga (1959- ). Checklist of the exhibition
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Krupp Walburga (1959- ). Chronology
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Krupp Walburga (1959- ). Sophie Taeuber-Arp: an introduction
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Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World
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Leigh Allison (1983- ). Social media in the art history classroom
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Leitao Ines. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Li Jia. Computerized analysis of paintings
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Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art
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Lowry Glenn D. (1954- ). Directors' foreword
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Luther Anne. Digital provenance open access and data-driven art history
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Mitchell Elspeth. Feminist digital art history
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Morris Frances. Directors' foreword
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Muller Aline (1986- ). Der Nachlass Otto Prueschers und seine Wurdigung in einem EU-Projekt
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Muller Aline (1986- ). Otto Prutscher's estate and honoring him with an EU project
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Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World
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Pokorny-Nagel Kathrin (1971- ) Der Nachlass Otto Prueschers und seine Wurdigung in einem EU-Projekt
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Pokorny-Nagel Kathrin (1971- ). Otto Prutscher's estate and honoring him with an EU project
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Reifert Eva. Abstraction in two and three dimensions
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Reifert Eva. Acknowledgments
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Restelli Beba. In Kontat mit den Objekten und ihren Geschichten leben. Mein Groβvater Otto Prutscher und die KunstlerInnen der Wiener Secession
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Restelli Beba. Living in contact with the objects and their histories : my grandfather Otto Prutscher and the artists of the Vienna Secession
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Rodriguez-Ortega Nuria. Image processing and compute vision in the field of art history
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Rosa Javier de la. Curation content creation: computer approches to fine arts
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Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification
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Schmuttermeier Elisabeth. Metallarbeiten von Otto Prutscher
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Schmuttermeier Elisabeth. Metalwork by Otto Prutscher
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Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks
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Sidlina Natal'a Zinov'evna. Acknowledgments
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Sidlina Natal'a Zinov'evna. Activating form: the ball costumes
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Smith T'ai Lin (1975- ). The many dimensions of Sophie Taeuber-Arp's beaded bags
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Snyder Lisa M. Research process publication and pedagogy: reconstructing the World's Columbian Exposition of 1893
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Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource
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Suarez Juan-Luis. Curation content creation: computer approches to fine arts
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Sudhalter Adrian. Safeguarding abstraction: the journal Plastique
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Teuscher Jana. Between portfolio and archive: the Presentation album
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Thun-Hohenstein Christoph (1960- )
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Thun-Hohenstein Christoph (1960- ). Otto Prutscher neu entdecken
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Thun-Hohenstein Christoph (1960- ). Rediscovering Otto Prutscher
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