Barringer T. J. (1965- )
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Barringer T. J. (1965- ). Introduction
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Barringer T. J. (1965- ). Leighton in Albertopolis: monumental art and objects of desire
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Barrow Rosemary J. (1968-2016). Drapery sculpture and the praxitelean idea
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Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
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Bonnet Anne-Marie (1954- ). Die Musealisierung der Malerfursten
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Campbell Louise (1950- ). Decoration display disguise: Leighton House reconsidered
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Cardoso Rafael (1964- ). From Burlington House to the Peckham Road: Leighton and art and design education
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Chasjanowa Lejła S. (1963- ). Do we need a Russian Academy in Rome? Henryk Siemiradzki and art education
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Chrubasik Katharina. Die Malerfursten und ihre Ausstellungsstrategien
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Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome
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Dobrowolski Witold (1939-2019). Programme related content in the The judgment of Paris by Henryk Siemiradzki
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Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
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Ende Teresa (1980- ). Kunstlerbiografien
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Farida Nike. Et in Arcadia ego. Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
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First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki
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First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's archaeological workshop
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Gerc Lidia. Thinks like Dante handles paints like Boccaccio. About Henryk Siemiradzki in Vienna
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Głowacki Wojciech M. (1993- ). Polyglot of a paintbrush? Critical reception of Nero's Torches in France
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Haake Michał. Realism and figuralism. On Christ and the Harlot by Henryk Siemiradzki
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Hammerschlag Keren Rosa
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Hare Thomas Leman (1872-1935)
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Heinen Ulrich (1960- ). Peter Paul Rubens - der Malerfurst aller Zeiten
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Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
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Jones Stephen (1954- ). Leighton the Academic
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Jooss Birgit (1965- ). Munchen - die Stadt der Malerfursten
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Karpova Tatʹana Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence
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Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
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Klimov Pavel U. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg)
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Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display
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Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
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Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice
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Kuczyńska Agnieszka (historia sztuki). Christ and the sinner by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
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Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki
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Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
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Kłak-Ambrożkiewicz Marta. Jan Matejko - ein anderer Malerfurst
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Laskowska Magdalena. Henryk Siemiradzki - works memorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
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Lehmann Doris (1975- )
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Lehmann Doris (1975- ). Katalogteil - Einfuhrungstexte
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Lehmann Doris (1975- ). Malerfursten - Facetten einer modernen Erfolgsgeschichte
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Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
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Malinowski Jerzy (1950- ). Introduction
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Markova Nina Kirillovna. Some ideas about A French artist of the time of Louis XV paints the portrait of a Marquise by Henryk Siemiradzki
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Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art
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Musgrave Michael (1942- ). Leighton and music
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Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
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Newall Christopher (1951- ). Leighton and the art of landscape
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Nitka Maria. Henryk Siemiradzki's figuralism
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Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's Phryne
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Okoń Waldemar (1953- ). Siemiradzki and the three bards
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Ormond Leonee (1940- ). Frederic Leighton and the poets
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Ormond Leonee (1940- ). Leighton and the Royal Academy
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Ormond Leonee (1940- ). Leighton and the subject picture
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Ormond Richard (1939- ). Leighton and his contemporaries
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Ostermark-Johansen Lene (1963- ). The apotheosis of the male nude: Leighton and Michelangelo
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Paś Monika. Henryk Siemiradzki - works mamorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
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Peters Corbett David (1956- )
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Petri Grischka (1972-). Lord Leighton: Frederick the Great president & princely painter
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Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
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Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse
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Prettejohn Elizabeth (1961- )
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Prettejohn Elizabeth (1961- ). Aestheticising history painting
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Prettejohn Elizabeth (1961- ). Introduction
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Read Benedict (1945-2016). Leighton and sculpture
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Robins Anna Gruetzner (1950- ). Leighton: a promoter of the new painting
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Rosales Rodriguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's fetishization of sight
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Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums
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Sarmany-Parsons Ilona (1949- ). Mihaly von Munkacsy und sein Weg zu kurzem Weltruhm
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Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
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Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums
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Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
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Smith Alison (1962- ). Nature transformed: Leighton the nude and the model
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Stephenson Andrew (1957- ). Leighton and the shifting repertoires of 'masculine' artistic identity in the late Victorian period
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Stockhausen Michael. Der Makart-Komplex - zu gespaltenem Erbe und zwiespaltiger Aktualitat eines Malerfursten
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Susak Vita Volodimirivna (1966- ). Jesus and the Samaritan woman (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
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Tacke Andreas (1954- ). Das Kunstlerfest als (Verkaufs-) Buhne des Malerfursten Schlaglichter zur Vorgeschichte
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Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
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Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions
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Turner Mark. Drawing domestic decline: Leighton's version of Romola
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Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
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Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
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Wieber Sabine. Die Ehefrauen der Malerfursten und ihre Rolle in der Gesellschaft
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Wolfs Rein (1960- ). Vorwort
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Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
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Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
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Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki
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