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Autor
Bomford David. Foreword
(3)
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Duijn Esther Emmy van (1973- )
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Groen Catharina Maria (1941-2013)
(2)
Haake Michał (1974- ). Dwa jubileusze
(2)
Haake Michał (1974- ). Two anniversaries
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Kluczewska-Wójcik Agnieszka (1960- )
(2)
Kłak-Ambrożkiewicz Marta
(2)
Kłak-Ambrożkiewicz Marta. Master of masters Meister of meisters
(2)
Kłak-Ambrożkiewicz Marta. Mistrz nad mistrzami majster nad majstrami
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Malinowski Jerzy (1950- )
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rosales Rodriguez Agnieszka (1974- ). Gorączka historyczna. Paradoks Matejki
(2)
Rosales Rodriguez Agnieszka (1974- ). Historical fever. The paradox of Matejko
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Sarkowicz Dominika. Przywracanie utraconych walorów - obrazy Jana Matejki w Pracowni Konserwacji Malarstwa i Rzeźby w Sukiennicach
(2)
Sarkowicz Dominika. Restoring lost values - paintings of Jan Matejko in the Painting and Sculpture Conservation Studio in the Sukiennice
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Sieklucka Marzena. Przywracanie utraconych walorów - obrazy Jana Matejki w Pracowni Konserwacji Malarstwa i Rzeźby w Sukiennicach
(2)
Sieklucka Marzena. Restoring lost values - paintings of Jan Matejko in the Painting and Sculpture Conservation Studio in the Sukiennice
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Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
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38 wyników Filtruj
Książka
W koszyku
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 21473 (1 egz.)
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 25877 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. III 22678 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. Kat. 16257 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. II 33458 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. III 25622/1, III 25620/1 (2 egz.)
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(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
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Bibliogr. s. 792-890. Indeks.
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(Routledge Art History and Visual Studies Companions)
Autor
Brown Kathryn J. Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart Brosens Koenraad (1974- ). Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Brown Kathryn J. Feminist digital art history Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Cardoso Bruno. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Carvalho Rosário Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Champion Erik. Art history, heritage games, and virtual reality Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art Cranston Jodi (1969- ). Mapping paintings, or how to breathe life into provenance De Vincentis Stefania. Digital languages for art history: audience engagement, virtual and augmented reality Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification Döhring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Drucker Johanna (1952- ). Blind spot: information visualization and art history Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images Fletcher Pamela M. (1967- ). Digital methods and the study of the art market Foka Anna (1981- ). Art history, heritage games, and virtual reality Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial Goodyear Anne Collins. The art-historical catalogue in the digital era Helmreich Anne (1963- ). Digital methods and the study of the art market Impett Leonardo. Analyzing gesture in digital art history Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums Jaskot Paul B. (1963- ). Digital methods and the historiography of art Jeffs Amy. Digital 3D modeling for the history art Jimerson Lauren. Social media in the art histiry classroom Joyeux-Prunel Béatrice (1977- ). Digital humanites for a spatial, global, and social history of art Kandemir Baris. Computerized analysis of paintings Klinke Harald. The digital transformation of art history Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World Leigh Allison (1983- ). Social media in the art history classroom Leitão Inês. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Li Jia. Computerized analysis of paintings Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art Luther Anne. Digital provenance, open access, and data-driven art history Mitchell Elspeth. Feminist digital art history Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World Rodríguez-Ortega Nuria. Image processing and compute vision in the field of art history Rosa Javier de la. Curation, content, creation: computer approches to fine arts Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks Snyder Lisa M. Research, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource Suárez Juan-Luis. Curation, content, creation: computer approches to fine arts Truyen Fred. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations Vascon Luca Nicolò. Digital languages for art history: audience engagement, virtual and augmented reality Wang James Z. (1972- ). Computerized analysis of paintings Wellington Robert J. (1954- ). Metadata, material culture, and global art history White Martin. A service-orientation and open-source approach to developing virtual museums Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Bibliogr. przy art. Indeks.
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Dardes Kathleen (1952- ). Rothe Andrea (1936- ). Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France Bergeon Ségolène (1942- ). The restoration of wooden painting supports. Two hundred years of history in France Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects Bobak Simon. A flexible unattached auxiliary support Bomford David. Introduction: keynote address Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Brewer Al. Practical aspects of the structural conservation of large panel paintings Brewer Al. Some rejoining methods for panel paintings Castelli Ciro. The restoration of panel painting supports. Some case histories Corzo Miguel Angel (1942- ). Foreword Daniel Vinod. Modified atmosphere treatments of insect infestations Dardes Kathleen (1952- ). Preface Emile-Mâle Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France Glatigny Jean-Albert. Backings of painted panels. Reinforcement and constraint Hanlon Gordon. Modified atmosphere treatments of insect infestations Hoadley R. Bruce (1933-2019). Chemical and physical properties of wood Hoadley R. Bruce (1933-2019). Identification of wood in painting panels Horns James S. Richard Buck. The development and use of the balsa backing for panel paintings Huot Claude. The restoration of wooden painting supports. Two hundred years of history in France Jaunard Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Klein Peter. Dendrochronological analyses of panel paintings Lebas Frédéric J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner Mandron Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Marchant Raymond. The development of a flexible attached auxiliary support Marussich Giovanni. Florentine structural stabilization techniques McClure Ian. History of structural conservation of panel paintings in Great Britain McClure Ian. The framing of wooden panels Mecklenburg Marion F. Technical considerations for the transport of panel paintings Reeve Anthony M. Structural conservation of panel paintings at the National Gallery, London Richard Mervin. Technical considerations for the transport of panel paintings Rothe Andrea (1936- ). Critical history of panel painting restoration in Italy Rothe Andrea (1936- ). Florentine structural stabilization techniques Rothe Andrea (1936- ). Preface Schiessl Ulrich (1948-2011). History of structural panel painting conservation in Austria, Germany and Switzerland Schniewind Arno P. (1929- ). Consolidation of wooden panels Tumosa Charles S. Technical considerations for the transport of panel paintings Uzielli Luca. Historical overview of panel-making techniques in central Italy Véliz Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain Wadum Jørgen. Historical overview of panel-making techniques in the northern countries Wadum Jørgen. Microclimate boxes for panel paintings Walker Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques Walsh John (1937- ). Foreword Williams Donald C. (konserwatorstwo). A survey of adhesives for wood conservation Wilmering Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
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Bibliogr. przy ref.
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Bibliogr. s. 389-405 i przy notach katalogowych.
Zawiera m.in.: "The virtues of great men and the most elevated mysteries" : a summary history of the Académie Royale de Peinture et de Sculpture in Paris, with notes on the Salon / Katharine Baetjer.
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Katalog wystawy prezentowanej w Muzeum Narodowym w Krakowie, Gmach Główny, 23.06.2023 - 07.01.2024.
Bibliogr. s. 361-363.
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Katalog wystawy prezentowanej w Muzeum Narodowym w Krakowie, Gmach Główny, 23.06.2023 - 07.01.2024.
Bibliogr. s. 361-363.
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Ellison Rebecca. Smithen Patricia. Turnbull Rachel. Ackroyd Paul. Retouching media used at the National Gallery, London, since the nineteenth century Bucklow Spike. The state of research into retouching resins Ciatti Marco (1955- ). An unusual case of integration and its solution Cove Sarah. Retouching with a PVA resin medium Cross Maureen. Retouching media for acrylic paintings Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching Folkes Simon. Texturing fills using a silicone mould Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching Kempski Mary. The art of tempera retouching Koneczny Peter. An introduction to B72 Retouching Gels Koneczny Peter. Properties of pigments, retouching media and their use Lowry Kate. Retouching with Paraloid B-72 Massing Ann. The history of egg tempera as a retouching medium Phenix Alan. The composition and chemistry of eggs and egg tempera Reddington Sophie. Texturing fills using a silicone mould Roma Paolo. An unusual case of integration and its solution Sartiani Oriana (1960- ). An unusual case of integration and its solution Severini Leonardo. An unusual case of integration and its solution Sims Shelley. Retouching media for acrylic paintings Smithen Patricia. Retouching media for acrylic paintings Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
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Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Bibliogr. przy ref.
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Chui Sue Ann. Phenix Alan. Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton, Parish Church of Priessnitz/Saxony Bezùr Anikò. Structural treatment of a seventeenth-century Flemish panel painting Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Bisacca George. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Boevé-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936 Bomford David. Foreword Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Carvalho Salomé Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Chui Sue Ann. Preface Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Duin Paul van (1956- ). Panels in furniture: observations and conservation issues Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings Fuente Martinez José de la. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar, portugal Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections Grøntoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Hamm James. Structural treatment of a seventeenth-century Flemish panel painting Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967 Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Łukomski Michał. Allowable microclimatic variations for painted wood: direct tracing of damage development Marchant Ray. Alleviating stress in the framing of panel paintings Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Ormond Devi. Alleviating stress in the framing of panel paintings Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Phenix Alan. Preface Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings Roeders Jessica. The history of cradling in the Frans Hals Museum, Haarlem Rogala Dawn V. Structural treatment of a seventeenth-century Flemish panel painting Rubino Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display Ryhl-Svendsen Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Saccuman Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display Salgueiro Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c Scharff Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Scharff Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation Schreuder Kees. Developments in education in the Netherlands for the conservation of panel paintings Seymour Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings Soavi Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display Sozzani Laurent. Microclimate vitrines for panel paintings: an update Thickett David. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Thornton Jonathan. Structural treatment of a seventeenth-century Flemish panel painting Wadum Jørgen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Wadum Jørgen. Interim results of a needs assessment survey for the field of panel paintings conservation Weinstein Joan. Foreword Whalen Timothy P. Foreword Williams Donald C. (konserwatorstwo). Some experiences with flexible gap-fillingaAdhesives for the conservation of wood objects Woolston Jonathan. Restoration - a sound practice Young Christina. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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Bibliogr. przy ref.
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(Readings in Conservation ; [vol. 3])
Autor
Melucco Vaccaro Alessandra (1940- ). Stanley-Price Nicholas (1947- ). Talley Mansfield Kirby (1941- ). Albano Albert. Art in transition Baldini Umberto (1921-2006). Theory of restoration and methodological unity Bell Clive (1881-1964). Art Berducou Marie. Introduction to archaeological conservation Berenson Bernard (1865-1959). Aesthetics and history in the visual arts Berenson Bernard (1865-1959). Italian painters of the Renaissance Berenson Bernard (1865-1959). Rudiments of connoisseurship Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina, varnish, and glazes Brandi Cesare (1906-1988). Theory of restoration, I Brandi Cesare (1906-1988). Theory of restoration, II Brandi Cesare (1906-1988). Theory of restoration, III Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments Clark Kenneth (1903-1983). Looking at pictures Coremans Paul B. Scientific research and the restoration of paintings France-Lanord Albert (1915-1993). Knowing how to "question" the Friedländer Max J. (1867-1958). On art and connoisseurship Friedländer Max J. (1867-1958). On restoration Gombrich Ernst Hans (1909-2001). Fron light into paint Keck Sheldon. Further materials for a history of conservation Marijnissen Roger H. (1923- ). Degradation, conservation, and restoration of works of art: historical overview Mora Laura (1923-2015). Problems of presentation Mora Paolo (1921-1998). Problems of presentation Morra Umberto. Conversations with Berenson Morris William (1834-1896). Manifesto of the Society for the Protection of Ancient Buildings Panofsky Erwin (1892-1968). The history of art as a humanistic discipline Philippot Albert. The problem of the integation of lacunae in the restoration of paintings Philippot Paul (1925- ). Historic preservation: phiosophy, criteria, guidelines, I Philippot Paul (1925- ). Problems of presentation Philippot Paul (1925- ). Restoration from the perspective of the humanities Philippot Paul (1925- ). The idea of patina and dhe cleaning of paintings Philippot Paul (1925- ). The problem of the integation of lacunae in the restoration of paintings Pope-Hennessy John Wyndham (1913-1994). Connoisseurship Richardson John (1924-2019). Crimes against the Cubists Riegl Alois (1858-1905). The modern cult of monuments: its essence and its development Rossi Pinelli Orietta (1943- ). the surgery of memory: ancient sculpture and historical restorations Ruskin John (1819-1900). Fundamental laws of sculpture Ruskin John (1819-1900). On Turnerian mystery: secondly, willful Ruskin John (1819-1900). The lamp of memory, I Ruskin John (1819-1900). The lamp of memory, II Ruskin John (1819-1900). The nature of Gothic Torraca Giorgio. The scientist's role inhitoric preservation with particular reference to stone conservation Urbani Giovanni (1923-2018). The science and art of conservation of cultural property Viollet-le-Duc Eugène Emmanuel (1814-1879). Restoration Weil Phoebe Dent. A review of the history and practice of patination Wetering Ernst van de (1938- ). The autonomy of restoration: ethical considerations in relation to artistic concepts Wetering Ernst van de (1938- ). The surface of objects and museumstyle Wölfflin Heinrich (1864-1945). Principles of art history Yourcenar Marguerite (1903-1987). That mighty sculptor, Time
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Biogramy aut. tekstów źródłowych s. 472-482.
Bibliogr. s. 451-471. Indeks.
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