SOWA OPAC : Katalog Biblioteki Muzeum Narodowego w Krakowie

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Beltran-Rubio Laura. Covered in much fine lace: dress in the Viceroyalty of New Granada

(1)

Berger Friederike. The art of clothing oneself must be popularized: the artistic reform dress as an ideal an aesthetic and consumer culture

(1)

Bonnin Talbot Annabel. Ahead of the curve: A. Blackborne & Co. and the late nineteenth-century British lace industry

(1)

Brandstatter Christian (1943- ). The Wiener Werkstatte and the fashion reform

(1)

Bruna Denis. Lace an economic factor in France during the reign of Louis XIV

(1)

Pokaż więcej ...

Cormack Emma

(1)

Cormack Emma. Fashion and the lace industries in France Belgium and England 1800-1900

(1)

Cormack Emma. Introduction: Threads of power

(1)

Descalzo Lorenzo Amalia (1955- ). The triumph of lace: Spanish portraiture in the sixteenth and seventeenth centuries

(1)

Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated

(1)

Dosch Annina. Lace in St. Gallen today: tradition and innovation at Forster Rohner and Jakob Schlaepfer

(1)

Ewers-Schultz Ines

(1)

Ewers-Schultz Ines. Antineutral clothing for men: the artistic reform of men's wear

(1)

Ewers-Schultz Ines. The dress as a work of art beauty as a weapon and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900

(1)

Ewers-Schultz Ines. The essential thing is the individual adaptation to the wearer: Anna Muthesius's Das Eigenkleid der Frau

(1)

Ewers-Schultz Ines. The highest intelligence in the freest body!: modern dance as a symbiosis of body and costume

(1)

Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900

(1)

Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and new style in women's clothing around 1900

(1)

Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network

(1)

Hahn Juliane. Skirt and rib: bodies in the gaze

(1)

Haye Amy de la

(1)

Heiser Christiane (1970- ). A miracle how preciously the people here understand their work in silk: Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk

(1)

Hohti Erichsen Paula (1968- ). Monstrous ruffs and elegant trimmings: lace and lacemaking in early modern Italy

(1)

Holzhey Magdalena

(1)

Holzhey Magdalena. Since not all women even if they have taste are able to invent suitable ornaments: women and their clothes between decoration and emancipation

(1)

Holzhey Magdalena. The artistic elevation of women's dress: Krefeld 1900 and its consequences

(1)

Karl Barbara

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Karl Barbara. Lace and status: luxury power and control in early modernity

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Kos Ilona. A source of inspiration: the Leopold Ikle collection in St. Gallen

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Lindberg Steven

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Majer Michele

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Majer Michele. Fashion and the lace industries in France Belgium and England 1800-1900

(1)

Majer Michele. Introduction: Threads of power

(1)

Melendez Mariselle (1964- ). A disire of being distinguished by an elegany dress in universal: clothing status and convenience in eighteenth-century Spanish America

(1)

Mendes Valerie D. (1939- )

(1)

Middleton James. A prodigious excess: lace in new Spain and Peru ca. 1600-1800

(1)

Miller Lesley Ellis. Lace a la mode in France ca. 1690-1790

(1)

Neumann Antje (1974- ). The fairies have strewn flowers along the way: the textile designer and Gesamtkunstler Henry van de Velde and his Weimar circle

(1)

Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform

(1)

Ormen Catherine. Fashion and lace since 1900

(1)

Saunders Bronwen

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Scheer Thorsten (1961- ). Deeds not words: on the political iconography of women's dress

(1)

Sorber Frieda

(1)

Sorber Frieda. Antwerp a center of lacemaking and lace dealing 1550-1750

(1)

Speelberg Femke. Putting a name to a lace: fashion fame and the production of printed textile pattern books

(1)

Thonnissen Karin (1951- ). The Omega Workshops: painting in space

(1)

Wanner-JeanRichard Anne (1937- )

(1)

Wanner-JeanRichard Anne (1937- ). A source of inspiration: the Leopold Ikle collection in St. Gallen

(1)

Weber Susan (1954- ). Director's foreword

(1)

Wynne Christopher

(1)

Zilber Emily. Italy to New York: making historic textiles modern at the Scuola d'Industrie Italiane

(1)

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2010 - 2019

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angielski

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Bard Graduate Center Gallery (Nowy Jork)

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Kaiser Wilhelm Museum

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Textilmuseum St. Gallen

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3 wyniki Filtruj

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Fashion since 1900 / Valerie Mendes, Amy de la Haye. - New ed. - London : Thames & Hudson, 2010. - 312 s. : il. (w tym kolor.) ; 21 cm.

(World of Art)

Autor

Mendes Valerie D. (1939- ). Haye Amy de la.

Temat

Moda Ubiór

Indeks R0: BMNK

Bibliogr. s. 296-305. Indeks.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: II 24758 (1 egz.)

Książka

W koszyku

Tailored for freedom : the artistic dress around 1900 in fashion, art and society / edited by Ina Ewers-Schultz and Magdalena Holzhey ; with essays by Friederike Berger, Christian Brandstätter, Burcu Dogramaci, Ina Ewers-Schultz, Isa Fleischmann-Heck, Inga Ganzer, Juliane Hahn, Christiane Heiser, Magdalena Holzhey, Antje Neumann, Patricia Ober, Thorsten Scheer, and Karin Thönnissen ; [translations Steven Lindberg, Bronwen Saunders, Christopher Wynne]. - Krefeld : Kunstmuseen Krefeld ; Munich : Hirmer, 2018. - 288 s. : il. (gł. kolor.) ; 29 cm.

Autor

Ewers-Schultz Ines. Holzhey Magdalena. Lindberg Steven. Saunders Bronwen. Wynne Christopher. Berger Friederike. "The art of clothing oneself must be popularized": the artistic reform dress as an ideal, an aesthetic, and consumer culture Brandstätter Christian (1943- ). The Wiener Werkstätte and the fashion reform Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated Ewers-Schultz Ines. "Antineutral clothing for men": the artistic reform of men's wear Ewers-Schultz Ines. The dress as a work of art, beauty as a weapon, and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900 Ewers-Schultz Ines. "The essential thing is the individual adaptation to the wearer": Anna Muthesius's Das Eigenkleid der Frau Ewers-Schultz Ines. "The highest intelligence in the freest body!": modern dance as a symbiosis of body and costume Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900 Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and "new style" in women's clothing around 1900 Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network Hahn Juliane. Skirt and rib: bodies in the gaze Heiser Christiane (1970- ). "A miracle how preciously the people here understand their work in silk": Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk Holzhey Magdalena. "Since not all women, even if they have taste, are able to invent suitable ornaments": women and their clothes between decoration and emancipation Holzhey Magdalena. "The artistic elevation of women's dress": Krefeld 1900 and its consequences Neumann Antje (1974- ). "The fairies have strewn flowers along the way": the textile designer and Gesamtkünstler Henry van de Velde and his Weimar circle Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform Scheer Thorsten (1961- ). "Deeds not words": on the political iconography of women's dress Thönnissen Karin (1951- ). The Omega Workshops: painting in space

Temat

Kaiser Wilhelm Museum Secesja Tkaniny Ubiór

Gatunek

Katalogi wystaw.

Indeks R0: BMNK

Publ. tow. wystawie: "Tailored for freedom : the artistic dress around 1900 in fashion, art and society", Kunstmuseen Krefeld, Kaiser Wilhelm Museum, October 12, 2018-February 24, 2019.

Bibliogr. w przypisach.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: III 24027 (1 egz.)

Książka

W koszyku

Threads of power : lace from the Textilmuseum St. Gallen / edited by Emma Cormack, Michele Majer ; [translation Barbara Karl, Frieda Sorber, Anne Wanner-Jean-Richard]. - New York : Bard Graduate Center ; New Haven : London : Yale University Press, cop. 2022. - 418 s. : il. kolor. ; 27 cm.

Autor

Cormack Emma. Karl Barbara. Majer Michele. Sorber Frieda. Wanner-JeanRichard Anne (1937- ). Beltrán-Rubio Laura. "Covered in much fine lace": dress in the Viceroyalty of New Granada Bonnin Talbot Annabel. Ahead of the curve: A. Blackborne & Co. and the late nineteenth-century British lace industry Bruna Denis. Lace, an economic factor in France during the reign of Louis XIV Cormack Emma. Fashion and the lace industries in France, Belgium, and England, 1800-1900 Cormack Emma. Introduction: Threads of power Descalzo Lorenzo Amalia (1955- ). The triumph of lace: Spanish portraiture in the sixteenth and seventeenth centuries Dosch Annina. Lace in St. Gallen today: tradition and innovation at Forster Rohner and Jakob Schlaepfer Hohti Erichsen Paula (1968- ). "Monstrous ruffs" and elegant trimmings: lace and lacemaking in early modern Italy Karl Barbara. Lace and status: luxury, power, and control in early modernity Kos Ilona. A source of inspiration: the Leopold Iklé collection in St. Gallen Majer Michele. Fashion and the lace industries in France, Belgium, and England, 1800-1900 Majer Michele. Introduction: Threads of power Meléndez Mariselle (1964- ). A disire of being distinguished by an elegany dress in universal": clothing, status, and convenience in eighteenth-century Spanish America Middleton James. "A prodigious excess": lace in new Spain and Peru, ca. 1600-1800 Miller Lesley Ellis. Lace á la mode in France, ca. 1690-1790 Ormen Catherine. Fashion and lace since 1900 Sorber Frieda. Antwerp, a center of lacemaking and lace dealing, 1550-1750 Speelberg Femke. Putting a name to a lace: fashion, fame, and the production of printed textile pattern books Wanner-JeanRichard Anne (1937- ). A source of inspiration: the Leopold Iklé collection in St. Gallen Weber Susan (1954- ). Director's foreword Zilber Emily. Italy to New York: making historic textiles modern at the Scuola d'Industrie Italiane

Temat

Bard Graduate Center Gallery (Nowy Jork) Textilmuseum St. Gallen Koronkarstwo

Gatunek

Katalogi wystaw.

Indeks R0: BMNK

Katalog wystawy: Bard Graduate Center Gallery, wrzesień 2022 - styczeń 2023.

Bibliogr. s. 395-404. Słownik terminów s. 405-411.

aktualnie wypożyczona

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Wszystkie egzemplarze są obecnie wypożyczone: III 26385 (1 egz.)