Bartova Katerina (1987- ). Restoration of book torsos
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Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Sucevita Monastery church in Romania
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Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Bernard Gabriel. International Klein Blue a reconstruction
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Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Bizoń Katarzyna. Riddles of the Greek Catholic church
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Bogdanowska Monika (1962- )
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Botz Alexandra. Restoration of the Salviati Chandelier
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Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow
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Czerner Olgierd (1929-2020)
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Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology
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Dzierżykray-Rogalski Tadeusz (1918-1998)
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Esquivel Alvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Fekete Dóra. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Fiam Judit. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Gardzielewski Zygfryd (1914-2001)
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Gaweł Łukasz (1970- ). Introduction
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Gaweł Łukasz (1970- ). Wprowadzenie
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Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology wood identification and state of preservation
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Godlewski Włodzimierz (1945- )
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Gonzales Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Grabowska Joanna. Moisture in historical architectural structures
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Grachyova Ekaterina. Conservation of the icon Baptism
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Górecki Tomasz (1951-2017)
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Jakobielski Stefan (1937- ). Faras cathedral: 60 years after the discovery
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Jakobielski Stefan (1937- ). How we fared in Faras: an account by an expedition member
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Jakobielski Stefan (1937- ). Jak było w Faras. Relacja uczestnika wykopalisk
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Jakobielski Stefan (1937- ). Odkrycie katedry w Faras. 60 lat później
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Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections
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Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique
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Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique
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Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest
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Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Kijowska Agnieszka (sztuka). The hidden history of the Faras paintings. Conservation and research
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Kijowska Agnieszka (sztuka). Ukryta historia malowideł z Faras. Konserwacja i badania
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Korza Eugine. Conservation of the icon Baptism
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Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Kowalik Anna (sztuka). Taxidermy in contemporary art
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Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze Christ Enters Jerusalem vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project
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Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase
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Ludwiczak Hanna. Conservation of a 16th century fresco painting in the Sucevita Monastery church in Romania
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Magrysiewicz-Dobrzańska Katarzyna. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap
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Marecka Agnieszka. Pastel - an object with specific needs
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Masalska Aleksandra. Danger of using acrylic resins in oil painting
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Mederal Mirna. In Kraljević's shoes: research and conservation treatments conducted on the painting The Satyr and the Peasant by Miroslav Kraljević
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Michalik Izabela. Role of a conservator-restorer and the reconstruction treatment in the restoration of works of art at the base of the conservation-restoration of the murals in St. Francis de Sales church in Cracow
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Mikó Edit. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Nowalińska Małgorzata
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Obłuski Artur. Budowniczowie imperium. Nubiologiczni diadochowie Kazimierza Michałowskiego
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Obłuski Artur. Builders of an empire. The Nubiological diadochs of Kazimierz Michałowski
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Owczarek Piotr. Conservation of the baroque stone sculpture of the Virgin Mary from the Sanctuary of Świetorodzinna Mother of God in Miedniewice Mazowieckie voivodeship
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Potrawiak Maja. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap
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Płotek Michał (1988- ). Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Rachuta Katarzyna. The hidden history of the Faras paintings. Conservation and research
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Rachuta Katarzyna. Ukryta historia malowideł z Faras. Konserwacja i badania
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Radoi Elena. To fill or not to fill
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Robert Hortense. Fading of the geranium lake in Vincent Van Gogh's portrait Dr. Paul Gachet (1890 Paris Musee d'Orsay)
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Seipel Wilfried (1944- )
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Sitnik Joanna. Straightening of curled negative film strips
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Skalska-Miecik Lija ( -2017)
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Skarżyńska Magdalena. Conservation of a 16th century fresco painting in the Sucevita Monastery church in Romania
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Skarżyńska Magdalena. New exposition and conservation of the wall painting Bishop Marianos under he protection the Mother of God and a Child from the Faras cathedrall
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Skrzelowska Justyna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Skóra Magdalena. Research of lightfastness and qality of digital prints
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Sloukova Lenka. Consolidation effects of lime nanosols and silicic acid ester mixtures for wall paintings
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Stryczak Mateusz. Regeneration of varnish and binders used in painting
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Sulikowska-Bełczowska Aleksandra (1974- )
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Sulikowska-Bełczowska Aleksandra (1974- ). Faras cathedral: 60 years after the discovery
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Sulikowska-Bełczowska Aleksandra (1974- ). Odkrycie katedry w Faras. 60 lat później
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Sulikowska-Bełczowska Aleksandra (1974- ). Pod opieką aniołów i świętych. Program ikonograficzny katedry w Faras
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Sulikowska-Bełczowska Aleksandra (1974- ). Under the protection of angels and saints. The iconographic programme of the Faras cathedral
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Tauchmanova Renata. Adhesives in conservation of stone finishes
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Tiszai Rebeka. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Walczak Małgorzata (chemia). Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Zielińska Dobrochna. Nie tylko Faras. Malarstwo ścienne średniowiecznej Nubii
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Zielińska Dobrochna. Not only Faras. Wall painting in mediaeval Nubia
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Żarnowiecka Jagoda. Riddles of the Greek Catholic church
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Żuchowski Szymon (1983- )
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Żurawski Bogdan (1950- ). Faras pierwsza odsłona. Lata 1818-1961
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Żurawski Bogdan (1950- ). Faras: the first stage. The years 1818-1961
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Żygadło Andrzej. Riddles of the Greek Catholic church
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