Przybyszewski Stanisław (1868-1927)
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Ritter William (1867-1955)
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Aslaksby Trond E. (1949- )
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Assmann Peter (1963- )
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Bagińska Agnieszka (1985- )
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Bagińska Agnieszka (1985- ). Katalog : Przesilenie. Malarstwo Północy 1880-1910
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Bagińska Agnieszka (1985- ). Przesilenie. Malarstwo nordyckie i polskie na przełomie XIX i XX wieku
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Bischoff Ulrich (1947- )
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Boym Per Bjarne (1946- )
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Buchhart Dieter (1971- )
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Buchner Ernst (1892-1962)
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Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Christensen Marie. Bulging in wax-resin impregnated canvas paintings
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Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
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Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Esswein Hermann (1877-1934)
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Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
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Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Guleng Mai Britt (1961- )
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Głowacki Wojciech M. (1993- )
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Głowacki Wojciech M. (1993- ). Katalog : Przesilenie. Malarstwo Północy
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Głowacki Wojciech M. (1993- ). Przesilenie. Malarstwo nordyckie i polskie na przełomie XIX i XX wieku
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Hals Harald (1905-1968)
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Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Heckmann Stefanie (1963- )
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Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Heller Reinhold (1940- )
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Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh
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Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
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Heydrich Jan (1926- )
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Higgs Sally. Paintings affected by mould at the Palace of Westminster
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Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
(1)
Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
(1)
Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Ingebretsen Greve Eli
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Keith Larry. Colour change and restoration
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Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Kohler Thomas (1966- )
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Konopka Emiliana. Katalog : Przesilenie. Malarstwo Północy
(1)
Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings
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Langaard Johan Henrik (1899-1988)
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Larsen Peter Norgaard (1960- ). Poza impresjonizmem. Nie całkiem modernistyczna reakcja artystów nordyckich na modernizm
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Lee Judith. Colour change and modern paints; an overview
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Lorentz Stanisław (1899-1991)
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Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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McCullough Norah (1903-1993)
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McShine Kynaston (1935-2018)
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Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
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Metz Katharina (1953- )
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Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings
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Moser Koloman (1868-1918)
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Nag Martin (1927-2015)
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Nentwig Janina (1975- )
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Ohlsen Nils (1967- ). Edvard Munch i ekspresyjna przestrzeń w sztuce nordyckiej
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Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Ormsby Bronwyn. Colour change and modern paints; an overview
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Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
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Pastor Willy (1867-1933)
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Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Rech Carina (1987- ). Od wnętrza pracowni po bezkres pejzażu. Wizualne światy nordyckich malarek
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Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the The last supper by Giorgio Vasari
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Sauge Birgitte (1961- )
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Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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