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Biblioteka Muzeum Narodowego
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dostępne
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Autor
Kluczewska-Wójcik Agnieszka (1960- )
(3)
Markowska Anna (1962- )
(2)
Bandura Agnieszka. Politics of replacing in New Romanticism
(1)
Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
(1)
Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
(1)
Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Cambon Pierre (1955- ). Korean collection in Paris
(1)
De Fraeye Mark (1949- ). San-shin the Mountain God – Korea’s eternal spirit
(1)
Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
(1)
Dąbrowski Józef (1940-2019). Hanji Paper – Unique technologies of ancient Korean craft
(1)
Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
(1)
Farida Nike. Et in Arcadia ego. Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
(1)
Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
(1)
First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's archaeological workshop
(1)
Gradinaru Camelia. Visual tyranny as autopoiesis
(1)
Groning Gert (1944- ). The Heewon 희원 where the pungryu 풍류 can be perceived - an outstanding example of garden culture in Korea
(1)
Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
(1)
Głowacki Wojciech M. (1993- ). Polyglot of a paintbrush? Critical reception of Nero's Torches in France
(1)
Helman-Ważny Agnieszka (1974- ). Hanji Paper – Unique technologies of ancient Korean craft
(1)
Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
(1)
Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
(1)
Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
(1)
Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art
(1)
Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
(1)
Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
(1)
Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
(1)
Kennedy Beccy. Orienting and disorienting contemporary Korean art
(1)
Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
(1)
Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
(1)
Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
(1)
Kubala Agata. Damnatio memoriae and Roman imperial art
(1)
Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang an architect from South Korea
(1)
Kuczyńska Agnieszka (historia sztuki). Christ and the sinner by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
(1)
Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
(1)
Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
(1)
Laskowska Magdalena. Henryk Siemiradzki - works memorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity
(1)
Malinowski Jerzy (1950- )
(1)
Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
(1)
Malinowski Jerzy (1950- ). Wstęp
(1)
Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
(1)
Martini Małgorzata (1953- ). Korean art and material culture in Polish museum collections
(1)
Mecsi Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries
(1)
Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
(1)
Naeyoung Ryu. Yun Duseo Korean scholar-painter precursor in painting of the Sirhak movement
(1)
Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
(1)
Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
(1)
Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
(1)
Nitka Maria. Henryk Siemiradzki's figuralism
(1)
Palęcka Alicja. Visualizing the other: ethnographic film as thick description
(1)
Paś Monika. Henryk Siemiradzki - works mamorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Pelz Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne
(1)
Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Popa Lucia. Removing Romania: the Western art world colonized by the East
(1)
Popławska Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea
(1)
Sarkowicz Dominika
(1)
Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums
(1)
Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
(1)
Schulenburg Stephan (1959- ). Korean collections in German museums
(1)
Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums
(1)
Sikora Patrycja (1978- ). Erasure. Memory Exercises
(1)
Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
(1)
Sinicka Agnieszka. Wilhem Sasnal’s photophobia
(1)
Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
(1)
Soczyńska Agata. Marek Oberlander – a painter undesired by the time
(1)
Spaid Sue (1961- )
(1)
Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
(1)
Stec Anna (1987- ). Anish Kapoor Memory
(1)
Suh Katharina I-Bon. The element of the dragon – an example of Korean dancheong on a Buddhist temple hall at Songgwangsa ( Jeollanam-do South Korea)
(1)
Susak Vita Volodimirivna (1966- ). Jesus and the Samaritan woman (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
(1)
Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
(1)
Toomey John J. The Korean way of tea. The way of universal peace
(1)
Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
(1)
Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
(1)
Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
(1)
Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
(1)
Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
(1)
Youngsuk Park. Genesis of Korean art – Goguryeo art
(1)
Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
(1)
Zawada Michał (1985- ). Imaging iconoclasm
(1)
Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
(1)
Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
(1)
Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki
(1)
Rok wydania
2010 - 2019
(4)
Kraj wydania
Polska
(4)
Język
angielski
(4)
Temat
Sztuka
(2)
Malarstwo polskie
(1)
Pamięć
(1)
Siemiradzki, Henryk (1843-1902)
(1)
Sztuka europejska
(1)
Sztuka koreańska
(1)
Temat: miejsce
Korea
(1)
Gatunek
Materiały konferencyjne
(3)
4 wyniki Filtruj
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 14)
Bibliogr., netogr. przy pracach.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 21919 sygn. III 21919 (1 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 12)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Cambon Pierre (1955- ). Korean collection in Paris Dąbrowski Józef (1940-2019). "Hanji Paper" – Unique technologies of ancient Korean craft De Fraeye Mark (1949- ). San-shin, the Mountain God – Korea’s eternal spirit Gröning Gert (1944- ). The Heewon,희원, where the pungryu 풍류, can be perceived - an outstanding example of garden culture in Korea Helman-Ważny Agnieszka (1974- ). "Hanji Paper" – Unique technologies of ancient Korean craft Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art Kennedy Beccy. Orienting and disorienting contemporary Korean art Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang, an architect from South Korea Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity Martini Małgorzata (1953- ). Korean art and material culture in Polish museum collections Mecsi Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries Malinowski Jerzy (1950- ). Wstęp Naeyoung Ryu. Yun Duseo, Korean scholar-painter, precursor in painting of the Sirhak movement Pelz Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne Popławska Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea Schulenburg Stephan (1959- ). Korean collections in German museums Suh Katharina I-Bon. The element of the dragon – an example of Korean dancheong on a Buddhist temple hall at Songgwangsa ( Jeollanam-do, South Korea) Toomey John J. The Korean way of tea. The way of universal peace Youngsuk Park. Genesis of Korean art – Goguryeo art
Indeks R0: BMNK
Materiały konf.: Warszawa, 25-26 października 2012.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 23428 sygn. III 23428 (1 egz.)
Książka
W koszyku
(World Art Studies : conferences and studies of the Polish Institute of World Art Studies, ISSN 2543-4624 ; 18)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Sarkowicz Dominika. Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts Karpova Tatʹâna Lʹvovna (1960- ). Siemiradzki as a portrait painter Susak Vìta Volodimirìvna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme Kuczyńska Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop" Nitka Maria. Henryk Siemiradzki's figuralism Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris Farida Nike. "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met Głowacki Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena Laskowska Magdalena. Henryk Siemiradzki - works, memorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Paś Monika. Henryk Siemiradzki - works, mamorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery) Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
Indeks R0: BMNK
Bibliogr. w przypisach.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24282 sygn. III 24282 (1 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
Indeks R0: BMNK
Tyt. grzbietowy: Politics of erasure
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 23601 sygn. III 23601, III 23426 sygn. III 23426 (2 egz.)
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