Bengtsen Peter (1978- ). Fashion curates art: Takashi Murakami for Louis Vuitton
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Boust Clotilde. To acquire a good name
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Brookes Anna. De/re-constructing Turner for research projects at Tate
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Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Bucklow Spike. Impossible recipes
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Bugelli Emma. Developing an audience approach for the exhibition
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Burgio Lucia. To acquire a good name
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Burns Kieran. Stories from the waste land(s): making an exhibition from the material culture of rubbish
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Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Casanova Conseicao. Study of Portugese 18th-century manuscript
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Caspers Charlotte. De/re-constructing Turner for research projects at Tate
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Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
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Clark Hazel. Introduction: fashion curating in the museum and beyond
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Clark Judith (1967- ). Props and other attributes: fashion and exhibition-making
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Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
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Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
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Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
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Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
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Cole Shaun. From lesbian and gay to queer: challenging the hegemony in collecting and exhibiting LGBT fashion and dress
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Contino Alessia (1976- ). Waste storage disposal and reuse in Roman times
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Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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De Angelis Roberta. Tracing the history of wall paintings through visual documents
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Debo Kaat. Fashion curation at MoMu: digital challanges
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Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Doherty Tiarna. Oudry's painted menagerie
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Dubois Helene. Master's own hand?
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Dupont Christine A. (1968- )
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Dupont Christine A. (1968- ). From rubbish to throwaway: some reflections on a challenging project
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Eyb-Green Sigrid. Studying the artistic process
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Fardi Theodora. Tracing the history of wall paintings through visual documents
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Freitas Ana. Study of Portugese 18th-century manuscript
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Gille Zsuzsa. Waste history from beyond the iron curtain
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Gutierrez Herrero Mónica. Waste in progress: how to make a circular exhibition about (and with) waste
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Hackney Stephen. De/re-constructing Turner for research projects at Tate
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Healy Robyn. Unfamiliar places local voices: four emerging curatorial narratives in Australia (2010-2016)
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Hermens Erma (1958- )
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Hermens Erma (1958- ). En plein soleil
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Itzel Constanze (1974- ). Old and new past and present
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Khan Natalie. Intervening fashion: a case for feminist approches to fashion curation
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Kitlitschka Werner (1938- ). Studying the artistic process
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Kroustallis Stefanos. Art for war
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Kutzke Hartmut. A la recherche du pigment perdu
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Kyllonen-Kunnas Paivi. Challenging the material
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Lautenschlager Manfred. Virtues and vices in late medieval art productions
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Lerwill Andrew. De/re-constructing Turner for research projects at Tate
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Little Peter C. Re-centring Africa and Africans in the e-wasteocene
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Lopes Joao A. Copper pigments in medieval times
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Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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MacDonald Margaret F. (1944- ). En plein soleil
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Macdonald Sharon (1961- ). Why museums need to talk rubbish!
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Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate
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Martin Graham (1952- ). To acquire a good name
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Martinez Martinez Miguel Angel (1940- ). Foreword
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Melo Maria Joao. Copper pigments in medieval times
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Melo Maria Joao. Study of Portugese 18th-century manuscript
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Miguel Catarina. Copper pigments in medieval times
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Monsaingeon Baptiste (1983- ). The discarder the archaeologist and the ragpicker: the art of making remnants talk
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Moura Laura Filipe (1983- ). Study of Portugese 18th-century manuscript
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Mulholland Richard. Technique and process in the papers of David Smith
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Nadolny Jilleen. Documentary sources for the use of moulds in the production of tin relief
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Neven Sylvie. Comparative analysis of painting recipes
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Niculescu Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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O'Neill Alistair. Staging fashion in Somerset House London
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Oltrogge Doris (1959- ). A la recherche du pigment perdu
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Ormsby Bronwyn. De/re-constructing Turner for research projects at Tate
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Palmer Alexandra (1957- ). Permanence and impermanence: curating Western textiles and fashion at the Royal Ontario Museum
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Pecorari Marco (1981- ). Beyond garments: reorienting the practice and discourse of fashion curating
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Perez-Llantada Manuel Polanco. Waste in progress: how to make a circular exhibition about (and with) waste
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Peschard Stephane. To acquire a good name
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Petroviciu Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Phenix Alan. Oudry's painted menagerie
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Pottering Hans-Gert (1945- ). Foreword
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Pretzel Boris (1961- ). To acquire a good name
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Puig i Espar Laia. Reflecting sharing changing: throwaway and museum activism
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Reiche Ina. To acquire a good name
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Rizzo Adriana. Oudry's painted menagerie
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Rohrs Stefan. To acquire a good name
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Rosi Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Salvador Ana. Tour des poubelles en 50 recits: conversations de terrain pour une histoire a plusieurs voix
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Sassolini Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Scanlan John. Waste/art
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Scaturro Sarah. Confronting fashion's death drive: conservation ghost labor and the material turn within fashion curation
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Schonemann Anna. Oudry's painted menagerie
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Scicluna Bernadine. Tracing the history of wall paintings through visual documents
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Segre Reinach Simona. Fashion museums and fashion exhibitions in Italy: new perspectives in Italian fashion studies
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Shah Bhavesh. To acquire a good name
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Smilansky Blandine. Europe & waste: museums working together
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Stijnman Ad. Images of copper engravers and plate printers in their workshops 1545-1645
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Tate Jim. To acquire a good name
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Thomas Jacob. De/re-constructing Turner for research projects at Tate
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Townsend Joyce H. De/re-constructing Turner for research projects at Tate
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