Form of Work
Książki
(4)
Status
unavailable
(2)
available
(1)
unknown
(1)
Branch
Magazyn
(4)
Author
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(1)
Aheimastou-Potamianou Murtale. The conservation of icons in Byzantium
(1)
Alexopoulou-Agoranou Athena. The contribution of digital image-processing to the identification of pigments
(1)
Aspra-Bardabake Maire. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius the Virgin Kykkotissa and Saints along the border
(1)
Bainos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
(1)
Basilake Maria
(1)
Basilake Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research
(1)
Baumer Ursula
(1)
Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
(1)
Bilale Marietta. Capabilities and prospects of radiography for the study of icons
(1)
Birkenbeul Ina. Consolidation of flaking paint and ground
(1)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Consolidation of flaking paint and ground
(1)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(1)
Bomford David. Foreword
(1)
Bomford David. Picture cleaning: positivism and metaphysics
(1)
Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
(1)
Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
(1)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(1)
Bourbopoulou Hrusa. The contribution of digital image-processing to the identification of pigments
(1)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(1)
Buckley Barbara A. Stretchers tensioning and attachments
(1)
Bucklow Spike. The classification of craquelure patterns
(1)
Buckton David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries
(1)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(1)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(1)
Castelli Ciro
(1)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Cormack Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George
(1)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(1)
Cutler Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos
(1)
Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Dietemann Patrick
(1)
Digney-Peer Shawn. Imitative retouching of easel paintings
(1)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(1)
Dixon Thomas. Storage of easel paintings
(1)
Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
(1)
Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
(1)
Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history
(1)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(1)
Doulgerides Mihales. Capabilities and prospects of radiography for the study of icons
(1)
Doulgerides Mihales. Identification of the binding media of a Postbyzantine icon using gas-chromatography
(1)
Druzik James. The lighting of easel paintings
(1)
Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
(1)
Eastaugh Nicholas. Optical microscopy
(1)
Eastaugh Nicholas. Pigments in Western easel painting
(1)
Emmerling Erwin (1952- )
(1)
Etinhof Olga. The Virgin of Vladimir and the Veneration of the Virgin of Blachernai in Russia
(1)
Fantidou Demetra. The use of holographic methods in the study of the conservation of Byzantine icons
(1)
Farida Nike. "Et in Arcadia ego". Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
(1)
First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop"
(1)
Fotakes Konstantinos. The use of holographic methods in the study of the conservation of Byzantine icons
(1)
Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
(1)
Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
(1)
Fuster-López Laura. Filling
(1)
Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(1)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(1)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(1)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(1)
Gordon Dillian. The icon of the Virgin Glykophilousa in the Benaki Museum Athens (inv. no 2972): The Verres Eglomises
(1)
Gottsegen Mark D. Recommending materials to artists
(1)
Gottsegen Mark D. Twentieth-century grounds
(1)
Gritt Stephen. Imitative retouching of easel paintings
(1)
Gruber Christian (1939- )
(1)
Grundmann Gunther
(1)
Głowacki Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France
(1)
Hackney Stephen. Lining easel paintings
(1)
Haritos Apostolos. Capabilities and prospects of radiography for the study of icons
(1)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Hermens Erma (1958- ). Binding media
(1)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(1)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(1)
Horovitz Isabel. Consolidation of flaking paint and ground
(1)
Horst Jerre van der
(1)
Hrusoulakes Giannes. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
(1)
Hutchings Jeremy. Sustainable conservation management of exhibitions
(1)
Ioakeimoglou Elene. Identification of the binding media of a Postbyzantine icon using gas-chromatography
(1)
Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
(1)
Kalavrezou Ioli. Interpreting carving techniques and styles in Steatite icons
(1)
Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
(1)
Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
(1)
Katlan Alexander. History of fabric supports
(1)
Keune Katrien
(1)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(1)
Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(1)
Kluczewska-Wójcik Agnieszka
(1)
Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
(1)
Kouzele Kelle. The icon of the Virgin Glykophilousa (inv. no 2972) in the Benaki Museum: Contribution to the study of the Icon with Optical microscopy scanning elector microscopy and X-Ray microanalysis
(1)
Kuczyńska Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
(1)
Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
(1)
Kuhlenthal Michael
(1)
Kuhlenthal Michael. "Lustrieren lasieren lackieren". Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
(1)
Kuhlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
(1)
Year
2010 - 2019
(3)
2000 - 2009
(1)
Country
Greece
(1)
Germany
(1)
Poland
(1)
United Kingdom
(1)
United States
(1)
Language
English
(2)
German
(1)
Greek, Modern (1453-)
(1)
Subject
Barok
(1)
Ikony
(1)
Ikony bizantyńskie
(1)
Konserwatorstwo
(1)
Malarstwo (szt.plast.)
(1)
Malarstwo polskie
(1)
Malarstwo sakralne bizantyńskie
(1)
Metale
(1)
Polichromia
(1)
Rokoko
(1)
Siemiradzki, Henryk
(1)
Genre/Form
Materiały konferencyjne
(2)
4 results Filter
Book
In basket
Tytuł: The Henryk Siemiradzki that we do not know / edited by Agnieszka Kluczewska-Wójcik & Dominika Sarkowicz.
Adres wydawniczy: Warsaw : Polish Institute od World Art Studies ; Toruń : Tako Publishing House, 2018.
Opis fizyczny: 178 s. : il. (gł. kolor.) ; 30 cm.
Seria: World Art Studies conferences and studies of the Polish Institute of World Art Studies
Uwaga: Bibliogr. w przypisach.
Uwaga: Materiały z konferencji: Muzeum Narodowe w Krakowie, 11-13 kwietnia 2018 r.
Temat: Siemiradzki Henryk (1843-1902) - materiały konferencyjne
Temat: Malarstwo polskie - 19 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka.
Hasło dodatkowe: Sarkowicz, Dominika.
Hasło dodatkowe: Malinowski, Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka. Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki
Hasło dodatkowe: Świętosławska, Agnieszka. First attempts: the early work of Henryk Siemiradzki
Hasło dodatkowe: Traânovna-Bogdan, Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
Hasło dodatkowe: Karpova, Tatʹâna Lʹvovna (1960- ). Siemiradzki as a portrait painter
Hasło dodatkowe: Susak, Vìta Volodimirìvna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
Hasło dodatkowe: Kuczyńska, Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
Hasło dodatkowe: First, Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop"
Hasło dodatkowe: Nitka, Maria. Henryk Siemiradzki's figuralism
Hasło dodatkowe: Biały, Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
Hasło dodatkowe: Farida, Nike. "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met
Hasło dodatkowe: Głowacki, Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France
Hasło dodatkowe: Twardowska, Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
Hasło dodatkowe: Laskowska, Magdalena. Henryk Siemiradzki - works, memorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow
Hasło dodatkowe: Paś, Monika. Henryk Siemiradzki - works, mamorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow
Hasło dodatkowe: Sieklucka, Marzena. Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Sarkowicz, Dominika. Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Janke, Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Nesterova, Elena V. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
Hasło dodatkowe: Sirro, Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
Hasło dodatkowe: Dyakonova, Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
Hasło dodatkowe: Zdzieszyńska-Demolin, Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
Hasło dodatkowe: Pliś, Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
Hasło dodatkowe: Sarkowicz, Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Sieklucka, Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Klisińska-Kopacz, Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Kwiatkowska, Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
Hasło dodatkowe: Wąsik, Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
Hasło dodatkowe: Polski Instytut Studiów nad Sztuką Świata
Hasło dodatkowe: Wydawnictwo Tako
This item is available in one branch. Expand information to see details.
Zapytaj bibliotekarza: sygn. sygn. III 24282
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
Book
In basket
Tytuł: Buzantines eikones : tehnē, tehnikē kai tehnologia : diethnes sumposio, Gennadeios Bibliothēkē, Amerikanikē sholē klasikōn spoudōn, 20-21 Febrouariou 1998 = Byzantine icons : art, technique and technology : an international symposium, Gennadius Library, The American School of Classical Studies at Athens, 20-21 February 1998 / epimeleia Maria Basilakē.
Wariant tytułu: Byzantine icons : art, technique and technology : an international symposium, Gennadius Library, The American School of Classical Studies at Athens, 20-21 February 1998
Adres wydawniczy: Ērakleio : Panepistēmiakes Ekdoseis Krētēs, 2002.
Opis fizyczny: [6], 380, [2] s. : il. (w tym kolor.) ; 28 cm.
Uwaga: Bibliogr. s. 17-18 i przy niektórych ref. Indeksy.
Uwaga: Tekst częśc. równol. gr., ang. Tekst ref. gr. lub ang. Streszcz. gr., ang. przy ref.
Temat: Ikony bizantyńskie - 6-15 w. - materiały konferencyjne
Temat: Ikony - technika - materiały konferencyjne
Temat: Malarstwo sakralne bizantyńskie - 6-15 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Basilakē, Maria.
Hasło dodatkowe: Smirnova, Èngelina Sergeevna (1932- ). Eleventh-Century Icons from St. Sophia Cathedral in Novgorod and the problem of the Altar Barrier
Hasło dodatkowe: Papamastorakēs, Titos (1961-2010). The Display of accumulated wealth in luxury icons: Gift-giving from the Byzantine aristocracy to God in the twelfth century
Hasło dodatkowe: Ševčenko, Nancy Patterson (1939- ). Marking Holy Time: the Byzantine Calendar Icons
Hasło dodatkowe: Etinhof, Olga. The Virgin of Vladimir and the Veneration of the Virgin of Blachernai in Russia
Hasło dodatkowe: Stuart, John. The Deposition of the Virgin's Sash and Robe, the Protection of the Mother of God (Pokrov) and the Blachernitissa
Hasło dodatkowe: Aspra-Bardabakē, Mairē. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius, the Virgin Kykkotissa and Saints along the border
Hasło dodatkowe: Stratē, Aggelikē. Fourteenth-century Icons in the district of Serres
Hasło dodatkowe: Popova, Ol'ga Sigizmundovna (1938- ). The Icon of Christ Pantokrator in the Byzantine Museum, Athens and Byzantine Art of the second quarter of the fourteenth century
Hasło dodatkowe: Tablakēs, Giannēs. Dating of two mosaic icons in the Xenophontos Monastery on Mt Athos
Hasło dodatkowe: Maniatēs, Giannēs. The mosaic icons in the Xenophontos Monastery, Mt Athos: Technological analysis of the Tesserae
Hasło dodatkowe: Malea, Aikaterinē. The mosaic icons in the Xenophontos Monastery, Mt Athos: Technological analysis of the Tesserae
Hasło dodatkowe: Aheimastou-Potamianou, Murtalē. The conservation of icons in Byzantium
Hasło dodatkowe: Cormack, Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George
Hasło dodatkowe: Tornarē, Bibē. The use of holographic methods in the study of the conservation of Byzantine icons
Hasło dodatkowe: Baïnos, Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
Hasło dodatkowe: Zafeiropoulos, Basilēs. The use of holographic methods in the study of the conservation of Byzantine icons
Hasło dodatkowe: Fantidou, Dēmētra. The use of holographic methods in the study of the conservation of Byzantine icons
Hasło dodatkowe: Mponarou, Antōnia. The use of holographic methods in the study of the conservation of Byzantine icons
Hasło dodatkowe: Fōtakēs, Kōnstantinos. The use of holographic methods in the study of the conservation of Byzantine icons
Hasło dodatkowe: Tourta, Anastasia. The Adventures of a Byzantine icon from Thessaloniki: Artistic considerations
Hasło dodatkowe: Papadopoulou, Amalia. The Adventures of a Byzantine Icon from Thessaloniki: Conservational considerations
Hasło dodatkowe: Basilakē, Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research
Hasło dodatkowe: Gordon, Dillian. The icon of the Virgin Glykophilousa in the Benaki Museum, Athens (inv. no 2972): The Verres Églomisés
Hasło dodatkowe: Milanou, Kalupsō. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): A Technical analysis
Hasło dodatkowe: Kouzelē, Kellē. The icon of the Virgin Glykophilousa (inv. no 2972) in the Benaki Museum: Contribution to the study of the Icon with Optical microscopy, scanning elector microscopy and X-Ray microanalysis
Hasło dodatkowe: Rokofullou, Elsa. Capabilities and prospects of radiography for the study of icons
Hasło dodatkowe: Moutzourēs, Kuriakos. Capabilities and prospects of radiography for the study of icons
Hasło dodatkowe: Haritos, Apostolos. Capabilities and prospects of radiography for the study of icons
Hasło dodatkowe: Doulgeridēs, Mihalēs. Capabilities and prospects of radiography for the study of icons
Hasło dodatkowe: Doulgeridēs, Mihalēs. Identification of the binding media of a Postbyzantine icon, using gas-chromatography
Hasło dodatkowe: Mahaōn-Doulgeridē, Aggelikē. Capabilities and prospects of radiography for the study of icons
Hasło dodatkowe: Bilalē, Marietta. Capabilities and prospects of radiography for the study of icons
Hasło dodatkowe: Sōtēropoulou, Sofia. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
Hasło dodatkowe: Mpikiarēs, Dēmētrēs. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
Hasło dodatkowe: Hrusoulakēs, Giannēs. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
Hasło dodatkowe: Alexopoulou-Agoranou, Athēna. The contribution of digital image-processing to the identification of pigments
Hasło dodatkowe: Bourbopoulou, Hrusa. The contribution of digital image-processing to the identification of pigments
Hasło dodatkowe: Perdikarē, Elenē. The contribution of digital image-processing to the identification of pigments
Hasło dodatkowe: Terlixē, Agnē-Basileia. Identification of the binding media of a Postbyzantine icon, using gas-chromatography
Hasło dodatkowe: Iōakeimoglou, Elenē. Identification of the binding media of a Postbyzantine icon, using gas-chromatography
Hasło dodatkowe: Pâtnickij, Ûrij A. Two icons of the Virgin Eleousa attributed to Nicolaos Lamboudis of Sparta
Hasło dodatkowe: Maguire, Henry (1943- ). Observations on the icons of the west facade of San Marco in Venice
Hasło dodatkowe: Buckton, David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries
Hasło dodatkowe: Cutler, Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos
Hasło dodatkowe: Kalavrezou, Ioli. Interpreting carving techniques and styles in Steatite icons
Hasło dodatkowe: Panepistēmiakes Ekdoseis Krētēs
ISBN: 960-524-154-4
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All copies are currently on loan: sygn. sygn. III 23530 (1 egz.)
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Tytuł: Lüsterfassungen des Barock und Rokoko = Coloured glazes on metal leaf from the Baroque and Rococo period / Herausgeber Erwin Emmerling, Michael Kühlenthal, Mark Richter ; mit Beiträgen von Christine Berberich, Ina Vanden Berghe, Maarten van Bommel, Jaap J. Boon, Sophie Dallongeville, Elisabeth Dodinet, Vlado Fras, Susanne Frowein, Nicolas Garnier, Rupert Karbacher, Markus Küffner, Christian Rolando, Stephan Schäfer, Judith Schieber, Frauke Schott, Lukas Moser-Seiberl, Caroline Tokarski, Juliane Wenzel, Stefan Wolf ; und Analysen von Ursula Baumer, Ina Vanden Berghe, Maarten van Bommel, Jaap J. Boon, Sophie Dallongeville, Patrick Dietemann, Christian Gruber, GüntherGrundmann, Jerre van der Horst, Katrien Keune, Martin Mach, Klaus Rapp, Mark Richter, Christian Rolando, Stephan Schäfer, Heike Stege, Caroline Tokarski, Vojislav Tucic.
Wariant tytułu: Coloured glazes on metal leaf from the Baroque and Rococo period
Adres wydawniczy: München : Verlag der Anton Siegl, 2013.
Opis fizyczny: 811 s. : il. (gł. kolor.) ; 30 cm.
Seria: Studien aus dem Institut für Baugeschichte Kunstgeschichte Kunst und Design Restaurierung mit Architekturmuseum Technische Universität München Fakultät für Architektur
Uwaga: Bibliogr. przy art.
Temat: Barok - sztuka - Europa
Temat: Konserwatorstwo
Temat: Metale - ochrona i konserwacja
Temat: Polichromia - ochrona i konserwacja
Temat: Rokoko - sztuka - Europa
Hasło dodatkowe: Emmerling, Erwin (1952- ).
Hasło dodatkowe: Kühlenthal, Michael.
Hasło dodatkowe: Richter, Mark.
Hasło dodatkowe: Baumer, Ursula.
Hasło dodatkowe: Berberich, Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
Hasło dodatkowe: Bommel, Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
Hasło dodatkowe: Boon, Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
Hasło dodatkowe: Dallongeville, Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Dietemann, Patrick.
Hasło dodatkowe: Dodinet, Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
Hasło dodatkowe: Dodinet, Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history
Hasło dodatkowe: Dodinet, Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes
Hasło dodatkowe: Fras, Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
Hasło dodatkowe: Frowein, Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
Hasło dodatkowe: Garnier, Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Gruber, Christian (1939- ).
Hasło dodatkowe: Grundmann, Günther.
Hasło dodatkowe: Horst, Jerre van der.
Hasło dodatkowe: Karbacher, Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
Hasło dodatkowe: Karbacher, Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
Hasło dodatkowe: Keune, Katrien.
Hasło dodatkowe: Küffner, Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
Hasło dodatkowe: Kühlenthal, Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Kühlenthal, Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
Hasło dodatkowe: Kühlenthal, Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko
Hasło dodatkowe: Kühlenthal, Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
Hasło dodatkowe: Mach, Martin.
Hasło dodatkowe: Moser-Seiberl, Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
Hasło dodatkowe: Moser-Seiberl, Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800)
Hasło dodatkowe: Pelludat, Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772)
Hasło dodatkowe: Pelludat, Inga. Das Cuivilliés-Theater in München
Hasło dodatkowe: Rapp, Klaus.
Hasło dodatkowe: Richter, Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
Hasło dodatkowe: Richter, Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
Hasło dodatkowe: Richter, Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
Hasło dodatkowe: Richter, Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
Hasło dodatkowe: Richter, Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster
Hasło dodatkowe: Richter, Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
Hasło dodatkowe: Richter, Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
Hasło dodatkowe: Richter, Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
Hasło dodatkowe: Richter, Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
Hasło dodatkowe: Richter, Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Richter, Mark. Coloured glazes on metal leaf: definition and terminology
Hasło dodatkowe: Richter, Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772)
Hasło dodatkowe: Richter, Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800)
Hasło dodatkowe: Richter, Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region
Hasło dodatkowe: Richter, Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
Hasło dodatkowe: Richter, Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
Hasło dodatkowe: Richter, Mark. Polychrome wooden reliquary retable (dated 1740-1773)
Hasło dodatkowe: Richter, Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination
Hasło dodatkowe: Richter, Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780)
Hasło dodatkowe: Rolando, Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Schäfer, Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections
Hasło dodatkowe: Schieber, Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
Hasło dodatkowe: Schott, Frauke. Polychrome wooden reliquary retable (dated 1740-1773)
Hasło dodatkowe: Schott, Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee
Hasło dodatkowe: Stege, Heike (1970- ).
Hasło dodatkowe: Tokarski, Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
Hasło dodatkowe: Tucic, Vojislav.
Hasło dodatkowe: Vanden Berghe, Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
Hasło dodatkowe: Wenzel, Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching
Hasło dodatkowe: Wolf, Stefan. Das Cuivilliés-Theater in München
Hasło dodatkowe: Anton-Siegl-Fachbuchhandlung (München)
ISBN: 978-3-935643-58-0
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 24782 (1 egz.)
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