Kummel Otto (1874-1952)
(2)
Lehnert Georg (1862-1937)
(2)
Schubring Paul (1869-1935)
(2)
Albrecht Thorsten (1963- )
(1)
Andersch Thomas (1963- ). Mit fulminanter Wirkung - Eine Sitzgruppe nach dem Entwurf von Ernst Max Jahn aus dem Jahr 1928
(1)
Andersch Thomas (1963- ). With brilliant effect - a seating group designed by Ernst Max Jahn in 1928
(1)
Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Beuing Raphael (1974- )
(1)
Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
(1)
Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
(1)
Busch Maximilian. Armlehn- und Ruckenlehnpolste
(1)
Busch Maximilian. Cushions
(1)
Busch Maximilian. Kissen
(1)
Busch Maximilian. Upholstering arm- and backrests
(1)
Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
(1)
Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
(1)
Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
(1)
Eikelmann Renate (1949- )
(1)
Emmerling Erwin (1952- )
(1)
Fink Cordula. Das Chamber Horse - ein federndes Fitnessgerat des 18. Jahrhunderts
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Fink Cordula. The chamber horse - Sprung fitness equipment of the eighteenth century
(1)
Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
(1)
Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
(1)
Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Gruber Christian (1939- )
(1)
Hantschmann Katharina (1962- )
(1)
Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
(1)
Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
(1)
Kuhlenthal Michael. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
(1)
Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
(1)
Kuhlenthal Michael. Lustrieren lasieren lackieren. Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
(1)
Millon Henry A. (1927-2018)
(1)
Moser-Seiberl Lukas. Die Altare von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
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Moser-Seiberl Lukas. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Pelludat Inga. Das Cuivillies-Theater in Munchen
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Pelludat Inga. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
(1)
Pfeiffer Bertold (1854-1919)
(1)
Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
(1)
Richter Mark. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
(1)
Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
(1)
Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
(1)
Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddaus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
(1)
Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
(1)
Richter Mark. Coloured glazes on metal leaf: definition and terminology
(1)
Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
(1)
Richter Mark. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
(1)
Richter Mark. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
(1)
Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773)
(1)
Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany Austria and Switzerland (c. 1600-1780)
(1)
Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
(1)
Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomunster
(1)
Richter Mark. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
(1)
Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
(1)
Richter Mark. The red glazed drapes in the Cuivillies-Theatre: results of the scientific examination
(1)
Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
(1)
Rudi Thomas (1961- ). Dwelling in the first third of the nineteenth century
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Rudi Thomas (1961- ). Wohnformen im ersten Drittel des 19. Jahrhundert
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Schafer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections
(1)
Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
(1)
Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl Bad Wiessee
(1)
Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773)
(1)
Schriefers Thomas (1964- ). After 1945
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Schriefers Thomas (1964- ). Andere Anspruche - Neue Ideen
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Schriefers Thomas (1964- ). Conventions
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Schriefers Thomas (1964- ). Different demands - new ideas
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Schriefers Thomas (1964- ). Einleitung
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Schriefers Thomas (1964- ). Historicism and Jugendstil
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Schriefers Thomas (1964- ). Historismus und Jugendstil
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Schriefers Thomas (1964- ). Horen Schauen Fuhlen Sitzen
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Schriefers Thomas (1964- ). Introduction
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Schriefers Thomas (1964- ). Konventionen
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Schriefers Thomas (1964- ). Listening seeing touching sitting
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