Bodor Kata (1978- ). A chronological list of Japanese art-related exhibitions in the Austro-Hungarian Monarchy
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Bodor Kata (1978- ). The mixture of Eastern and Western styles of printmaking in the Austro-Hungarian Monarchy as seen through a characteristic example
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Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
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Burnham Helen (1974- )
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Chudzikowska Monika. Chinese Play given in the Chinese Manner
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Deja Katarzyna (1987- ). Józef Jankowski's play Kesa as an example of transculturality in Polish modernism
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Denes Mirjam. An Austro-Hungarian expedition to Japan
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Denes Mirjam. The phenomenon and theme of Japan on the theatrical stages of the Austro-Hungarian Monarchy in three acts
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Denes Mirjam. The treaty od friendship commerce and navigation between Japan and the Austro-Hungarian Monarchy 1869
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Dynes Wayne R. (1934- )
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Fajcsak Gyorgyi. Austria exponens invitat orbis universum: the East Asia and Oriental art at the Vienna Weltausstellung 1873
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Farkas Maria Ildikó (1964- ). Imperial identity and national identities as impacted by Japonisme in the Austro-Hungarian Monarchy
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Foldi Eszter. Japanese-style colour woodcutes in the Austro-Hungarian Monarchy 1902-1914
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Fujii-Karpoluk Yoko. Revived no dramas: issues and perspective
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Furmanik-Kowalska Magdalena. Chinese opera (xiqu) as a significant element of contemporary artwork
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Gancarczyk Paweł (1970- )
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Gawarski Maurycy. Chinese opera theatrical poster in Beijing in the first half of the twentieth century
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Gawarski Maurycy. List of Polish publications on Chinese theatre since the beginning of the twentieth century
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Gawarski Maurycy. Polish research on Chinese theatre since the beginning of the twentieth century to the present day
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Gorlich Aleksandra (1981- ). Kaoyo Gozen and attendants - realtionships between the costumes of the kabuki actors of the Kanadehon Chushingura play and their woodblock-print illustrations
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Grabiec Dominika (muzykologia)
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Gradowski Mariusz. Polish Hair
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Gray Basil (1904-1989)
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Hanova Marketa. Sada Yakko and the reception of Japanese theatre in the context of Japonisme in the Czech lands
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Hibino Kei (1967- ). Making comedy naturalised and vulgar: the theatre of Soganoya Goro the Japanese King of Kigeki
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Hirsch Mary E. (1958- ). What does Chinese Shadow Theatre tell us?
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Inoue Takashi. Particularity and new possibilities of Mishima's dramas
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Katalinić Vjera (1955- ). Visualisation of the national in nineteenth-century opera in Zagreb
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Kaulbach Barbara M. (1950- ). Chinese theatre at the crossroads - Ouyang Yuqian and the West
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Kiss Sandor. Japonisme exported from Japan
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Kluczewska-Wójcik Agnieszka (1960- )
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Kluczewska-Wójcik Agnieszka (1960- ). Yellow peril bright future: visual arts and the changing perception of Japan in West and East Europe
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Kluczewska-Wójcik Agnieszka. Go East: Orientalism and Japonisme in the Austro-Hungarian Monarchy
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Komatsu Hiroshi. Similarity and difference
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kubiak Ho-Chi Beata (1958- )
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Kubiak Ho-Chi Beata (1958- ). Tragedy and the tragic in the Japanese puppet theatre
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Leca Radu. Women as active agents of Japonisme in the Dual Monarchy
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Lecińska-Ruchniewicz Monika. Entering the world of dreams
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Lee Insoo. Intercultural call from the Third World: Jaram Lee's Brecht pansori Sacheonga
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Lee Sang Woo. Between art and scandal: the actresses of Towolhoe and the gender politics of scandal
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Li Wei. On female consciousness in contemporary xiqu in China
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Li Ying. Theatre and politics in China (PRC) in the recent years
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Lis Marianna. Wacinwa
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Malinowski Jerzy (1950- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Markowska Anna (1962- ). Spolia Tannenberg-Denkmal czyli tożsamość w kontekście przemocy
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Markowska Anna (1962- ). Tannenberg-Nationaldenkmal: spolia or identity in the context of violence
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Mond-Kozłowska Wiesna. Western aesthetic needs turning to no theatre
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Nadali Davide (1977- ). Looking at music: the representation of the ancient Near East between fiction and reality in the age of orientalism
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Nordeborg Martin (1961- ). Translated Western plays as a symbol of modernity in Japan of the 1920s
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Paek Sung-suk (1967- ). Imagined geographies of city space in 1942: Seoul Shanghai Warsaw Tokyo
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Pantzer Peter (1942- ). Artists from the Austro-Hungarian Monarchy in Japan 1869-1918
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Park Chan E. (1951- ). Inter-cultural discourse on p'ansori: the theatre of the imagination
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Rewers Ewa (1952- ). Arts of oblivion
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Rewers Ewa (1952- ). Sztuki zapomnienia
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Robinson Basil William (1912-2005)
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Rodowicz-Czechowska Jadwiga Maria (1954- ). Farewell to Professor Zbigniew Osiński
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Rodowicz-Czechowska Jadwiga Maria (1954- ). Tadeusz Kantor in the theatrical life of Japan 1979-2015
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Rutkowska Iga. Need to laugh - comic elements in Japanese performing arts - on the example of kabuki theatre
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Rutkowska Iga. Research on the reception of the theatre of East Asia in Poland: from the example of Zbigniew Osiński's work
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Rynarzewska Ewa. From village comedian to celebrity: metamorphosis of the Korean actor in the years of Japanese occupation (1910-1945)
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Santarelli Cristina. Soft anti-Turkish propaganda in some seventeenth-century Savoy court celebrations
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Spławski Piotr. Hilarity and the coffeehouse: cafe culture humor and Japan
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Spławski Piotr. The impact of Japanese art collections on the education of art and design in the Austro-Hungarian Monarchy
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