Badstubner Ernst (1931- ). O losie średniowiecznych kościołów nad dolną i środkową Odrą po roku 1945: Kościół pw. Najświętszej Marii Panny we Frankfurcie n. Odrą kościół św. Mikołaja w Berlinie kościół pw. Najświętszej Marii Panny w Chojnie
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Badstubner Ernst (1931- ). Zum Schicksal mittelalterlicher Kirchen in der unteren und mittleren Oderregion nach 1945 - Frankfurt/Oder (St. Marien) - Berlin (St. Nikolai) - Konigsberg/Nm. (St. Marien)
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Badstubner-Groger Sibylle (1935- ). Die deutsch-polnische Reihe Schlosser und Garten der Neumark - Zamki i ogrody Nowej Marchii
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Badstubner-Groger Sibylle (1935- ). Polsko-niemiecka seria wydawnicza Schlosser und Garten der Neumark - Zamki i ogrody Nowej Marchii
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Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart
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Benton Tim. Building utopia
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Benton Tim. Modernism and nature
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Bielinis-Kopeć Barbara. Charakteristik des Denkmalbestandes der Wojewodschaft Lebuser Land (Lubuskie) und aktuelle konservatorische Herausforderungen
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Bielinis-Kopeć Barbara. Charakterystyka lubuskiego zasobu zabytkowego i aktualnych wyzwań konserwatorskich
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Bień-Lietz Małgorzata
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Borchert Till-Holger (1967- )
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Borowska Monika (1974- ). Schnittmengen/Na skrzyżowaniu - edycja polskich i niemieckich statutów cechów rzemiosł artystycznych do 1800 roku zachowanych w polskich archiwach
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Borowska Monika (1974- ). Schnittmengen: Edition der deutsch- und polnischsprachigen Zunftordnungen fur bildende Kunstler bis um 1800 aus den Archiven der Republik Polen
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Brosens Koenraad (1974- ). Slow digital art history and KUbism: or situation awareness and the promise of open-World games
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Brown Imani Jacqueline (1988- ). Them: reflections on truth as theatrical fiction
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Brown Kathryn J. Feminist digital art history
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Bueno Claudio. Intervalo-Escola: the artisanship of times learnings and collectivities
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Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Cardoso Bruno. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
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Carvalho Rosario Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Champion Erik. Art history heritage games and virtual reality
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Ian (1945- ). Film as a modernist art
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Christie Ian (1945- ). Mass-market Modernism
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Codell Julie F. (1945- ). Art press and the art market
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Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art
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Cranston Jodi (1969- ). Mapping paintings or how to breathe life into provenance
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Crowley David (1966- ). National Modernisms
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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De Vincentis Stefania. Digital languages for art history: audience engagement virtual and augmented reality
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Depczyński Jakub. Intervalo-Escola - time for a break
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Dobkowska Marianna. Things we do together
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Dohring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification
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Drejer Joanna. Das fremde Erbe in Polens Mitte
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Drejer Joanna. Obca spuścizna w centrum Polski
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Drucker Johanna (1952- ). Blind spot: information visualization and art history
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Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Falkenburg Reindert (1952- )
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Ferenc Kamila. The law at the service of the excluded
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Fletcher Pamela M. (1967- )
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Fletcher Pamela M. (1967- ). Digital methods and the study of the art market
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Fletcher Pamela M. (1967- ). Shopping for art
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Foka Anna (1981- ). Art history heritage games and virtual reality
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Gauger Soren A. (1975- )
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Goodyear Anne Collins. The art-historical catalogue in the digital era
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Green Christopher (1943- ). The machine
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Gronberg Tag (1950- ). Performing Modernism
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Gładkowska Ewa. Das Mendelsohns Haus in Olsztyn - wiedergewonnenes Gedachtnis
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Gładkowska Ewa. Dom Mendelsohna w Olsztynie - odzyskana pamięć
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Halicka Beata. Auf dem Weg zum Miterben des vorgefundenen Kulturguts
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Halicka Beata. W drodze do roli współspadkobierców zastanych dóbr kultury
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Helmreich Anne (1963- )
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Helmreich Anne (1963- ). Digital methods and the study of the art market
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Helmreich Anne (1963- ). Goupil Gallery at the intersection between London continent and Empire
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hettchen Karolina (1979- ). Partizipation und Industriekultur im Vergleich
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Hettchen Karolina (1979- ). Partycypacja i kultura industrialna w porównaniu
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Hettchen Sebastian (1978- ). Partizipation und Industriekultur im Vergleich
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Hettchen Sebastian (1978- ). Partycypacja i kultura industrialna w porównaniu
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Hinterkeuser Guido (1967- ). Johanniterburg und Konigsschloss
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Hinterkeuser Guido (1967- ). Warownia joannitów i zamek królewski
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Holt Ysanne. Call of commerce
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Impett Leonardo. Analyzing gesture in digital art history
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Irwan Ahmett (1975- ). Gotong Royong Diagram
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Irwan Ahmett (1975- ). Gotong Royong ethics in art practices and various contexts of Indonesian history
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Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums
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Jaskot Paul B. (1963- ). Digital methods and the historiography of art
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Jastrzębska-Puzowska Iwona. In search of a cultural identity for Bydgoszcz: the dispute on the appearance of the Western frontage of Old Market Square
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