Bandura Agnieszka. To give each thing – a proper picture
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Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
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Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
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Bolnes Catharina (1631-1687). The estate inventory of Catharina Bolnes
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Bouvier Pierre (tłumacz)
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Cornelis Bart. Musical appeal
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Dibbits Taco (1968- ). Foreword
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Drożdżek Michał. Corrosion of historic timber roof trusses
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Drożdżek Michał. Korozja zabytkowych więźb dachowych
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Frissen Bente. Johannes Vermeer. List of works with provenance and literature
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Geelen Ingrid (1972- )
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Gombrich Ernst Hans (1909-2001)
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Gołembnik Andrzej. Konserwatorski aspekt badań reliktów architektury odkrytych na parchamie północnym zamku w Lidzbarku Warmińskim
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Gołembnik Andrzej. The conservation of the architectural remains found in the northern ward of the Lidzbark Warmiński castle
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Gołuch Wiesław (1949- )
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Gołuch Wiesław (1949- ). A creative deflection from the norm
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Gołuch Wiesław (1949- ). Kreacyjne odchylanie od normy
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Grzyb Marek (1970- ). Virtual basics
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Grzyb Marek (1970- ). Wirtualne podstawy
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jarząb Agnieszka. Classic Animation in New Media Art
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Jarząb Agnieszka. Klasyczna animacja w nowych mediach sztuki
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Jernajczyk Jakub (1980- )
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Jernajczyk Jakub (1980- ). Movement out of stillness – deliberations on themechanism of creating a moving picture
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Jernajczyk Jakub (1980- ). Ruch z bezruchu – rozważania o mechanizmie powstawania ruchomego obrazu
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Jędroś Ryszard (1954- ). Visual play – between illusion and reality
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Jędroś Ryszard (1954- ). Wizualna gra – pomiędzy iluzją a rzeczywistością
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Kaun Susanne. Pod lupą konserwatora: XVII-wieczne malowidła ścienne ze średniowiecznego kamiennego kościoła w Moster w zachodniej Norwegii
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Kaun Susanne. Under the conservator's magnifying glass : the 17th century murals in the medieval stone church Moster in western Norway
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Komorowski Piotr (1955- ). Inscenizacja fotograficzna jako metoda kreacji artystycznej
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Komorowski Piotr (1955- ). Staged photography as a method of artistic creation
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Koziarek-Pepol Hanna. The cooperation between the Museum of Warmia and Masuria in Olsztyn and the Norwegian Institute for Cultural Heritage Research
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Koziarek-Pepol Hanna. Współpraca Muzeum Warmii i Mazur w Olsztynie i Norweskiego Instytutu Badań Dziedzictwa Kulturowego
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Krajewski Adam (technologia drewna). Corrosion of historic timber roof trusses
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Krajewski Adam (technologia drewna). Korozja zabytkowych więźb dachowych
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Loon Annelies van (1970- )
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Markowska Anna (1962- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Olstad Tone Marie (1952- ). Retouching: infill art or illusion
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Olstad Tone Marie (1952- ). Retuszowanie: uzupełnianie ubytków sztuka czy iluzja
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Olszewski Ireneusz. O eksperymencie w animacji o animacji eksperymentalnej
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Olszewski Ireneusz. On experiments in animation experimental animation
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Penot Sabine. Ambitions of eternal renown. The art of painting
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Roelofs Pieter (1972- )
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Roelofs Pieter (1972- ). Closer to Vermeer. A look inside the family home of the Delft painter
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Roelofs Pieter (1972- ). Johannes Vermeer (Delft 1632-1675). Modestly masterful
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Roelofs Pieter (1972- ). Note from the editors
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Roelofs Pieter (1972- ). Venturing into town
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Roelofs Pieter (1972- ). Vermeer's tronies. An outward gaze of connection
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Rouba Bogumiła Jadwiga (1947- ). Value assessment as a tool supporting decision - making in the process of conservation-restoration
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Rouba Bogumiła Jadwiga (1947- ). Wartościowanie jako narzędzie służące podejmowaniu decyzji w procesie konserwacji-restauracji
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Sasak Stanisław. Multimedia design as an example of rationalized creative process
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Sasak Stanisław. Projektowanie multimedialne jako przykład zracjonalizowanego procesu twórczego
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Schutt Friederike. The entire world inside
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Seifert Christian Tico (1968- ). Early ambitions. Vermeer's journey from Bible to Brothel
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Stec Anna (1987- ). Anish Kapoor Memory
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Steyaert Delphine (1969- )
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Suchtelen Ariane van (1962- ). Fashionable intruders
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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Szewczyk Jacek (1958- )
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