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Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive
(1)
Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart
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Brosens Koenraad (1974- ). Slow digital art history and KUbism: or situation awareness and the promise of open-World games
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Brown Kathryn J
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Brown Kathryn J. Feminist digital art history
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Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Cardoso Bruno. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
(1)
Carvalho Rosario Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Champion Erik. Art history heritage games and virtual reality
(1)
Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art
(1)
Cranston Jodi (1969- ). Mapping paintings or how to breathe life into provenance
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De Vincentis Stefania. Digital languages for art history: audience engagement virtual and augmented reality
(1)
Dohring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification
(1)
Drucker Johanna (1952- ). Blind spot: information visualization and art history
(1)
Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images
(1)
Fletcher Pamela M. (1967- ). Digital methods and the study of the art market
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Foka Anna (1981- ). Art history heritage games and virtual reality
(1)
Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial
(1)
Goodyear Anne Collins. The art-historical catalogue in the digital era
(1)
Helmreich Anne (1963- ). Digital methods and the study of the art market
(1)
Impett Leonardo. Analyzing gesture in digital art history
(1)
Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums
(1)
Jaskot Paul B. (1963- ). Digital methods and the historiography of art
(1)
Jeffs Amy. Digital 3D modeling for the history art
(1)
Jimerson Lauren. Social media in the art histiry classroom
(1)
Joyeux-Prunel Beatrice (1977- ). Digital humanites for a spatial global and social history of art
(1)
Kandemir Baris. Computerized analysis of paintings
(1)
Klinke Harald. The digital transformation of art history
(1)
Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World
(1)
Leigh Allison (1983- ). Social media in the art history classroom
(1)
Leitao Ines. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
(1)
Li Jia. Computerized analysis of paintings
(1)
Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art
(1)
Luther Anne. Digital provenance open access and data-driven art history
(1)
Mitchell Elspeth. Feminist digital art history
(1)
Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World
(1)
Rodriguez-Ortega Nuria. Image processing and compute vision in the field of art history
(1)
Rosa Javier de la. Curation content creation: computer approches to fine arts
(1)
Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification
(1)
Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks
(1)
Snyder Lisa M. Research process publication and pedagogy: reconstructing the World's Columbian Exposition of 1893
(1)
Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource
(1)
Suarez Juan-Luis. Curation content creation: computer approches to fine arts
(1)
Truyen Fred. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
(1)
Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations
(1)
Vascon Luca Nicolo. Digital languages for art history: audience engagement virtual and augmented reality
(1)
Wang James Z. (1972- ). Computerized analysis of paintings
(1)
Wellington Robert J. (1954- ). Metadata material culture and global art history
(1)
White Martin. A service-orientation and open-source approach to developing virtual museums
(1)
Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
(1)
Rok wydania
2020 - 2024
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Kraj wydania
Wielka Brytania
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Stany Zjednoczone
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Język
angielski
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Temat
Digitalizacja
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Muzealnictwo
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Sztuka
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(Routledge Art History and Visual Studies Companions)
Autor
Brown Kathryn J. Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart Brosens Koenraad (1974- ). Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Brown Kathryn J. Feminist digital art history Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Cardoso Bruno. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Carvalho Rosário Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Champion Erik. Art history, heritage games, and virtual reality Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art Cranston Jodi (1969- ). Mapping paintings, or how to breathe life into provenance De Vincentis Stefania. Digital languages for art history: audience engagement, virtual and augmented reality Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification Döhring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Drucker Johanna (1952- ). Blind spot: information visualization and art history Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images Fletcher Pamela M. (1967- ). Digital methods and the study of the art market Foka Anna (1981- ). Art history, heritage games, and virtual reality Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial Goodyear Anne Collins. The art-historical catalogue in the digital era Helmreich Anne (1963- ). Digital methods and the study of the art market Impett Leonardo. Analyzing gesture in digital art history Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums Jaskot Paul B. (1963- ). Digital methods and the historiography of art Jeffs Amy. Digital 3D modeling for the history art Jimerson Lauren. Social media in the art histiry classroom Joyeux-Prunel Béatrice (1977- ). Digital humanites for a spatial, global, and social history of art Kandemir Baris. Computerized analysis of paintings Klinke Harald. The digital transformation of art history Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World Leigh Allison (1983- ). Social media in the art history classroom Leitão Inês. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Li Jia. Computerized analysis of paintings Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art Luther Anne. Digital provenance, open access, and data-driven art history Mitchell Elspeth. Feminist digital art history Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World Rodríguez-Ortega Nuria. Image processing and compute vision in the field of art history Rosa Javier de la. Curation, content, creation: computer approches to fine arts Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks Snyder Lisa M. Research, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource Suárez Juan-Luis. Curation, content, creation: computer approches to fine arts Truyen Fred. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations Vascon Luca Nicolò. Digital languages for art history: audience engagement, virtual and augmented reality Wang James Z. (1972- ). Computerized analysis of paintings Wellington Robert J. (1954- ). Metadata, material culture, and global art history White Martin. A service-orientation and open-source approach to developing virtual museums Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
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