Barrett Sylvana. An integrated approach for the study of painting techniques
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Bednarczyk Daniel. Conservation and restoration aspects of a set of paintings: The Adoration of the Holy Name of Jesus The Virgin and Child and Dominican Saints from the church of SS Peter and Paul in Jaworowo
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Bednarczyk Daniel. Zagadnienia konserwatorskie i restauratorskie zespołu malowideł: Adoracja Imienia Jezus Matka Boska z Dzieciątkiem oraz Święci dominikanie z kościoła pw. św. św. Apostołów Piotra i Pawła w Jaworowie
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Borchert Till-Holger (1967- )
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Brud Magdalena. Opracowanie metody przeniesienia fragmentu malowidła ze stropu pałacu w Łagowie ze skorygowaniem deformacji jego powierzchni
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Brud Magdalena. The development of a painting transfer method with adjustments to surface deformations to transfer a painting from the ceiling of a palace in Łagów
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Czarnecka Agnieszka. Problematyka konserwacji malowanych chorągwi jedwabnych na przykładzie chorągwi nagrobnej Katarzyny Żarczyńskiej z klasztoru oo. Franciszkanów w Krakowie
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Czarnecka Agnieszka. The conservation of painted silk banners - the case of the sepulchral banner of Katarzyna Żarczyńska from the Franciscan Monastery in Kraków
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Darrah Josephine A. Connections and coincidences: three pigments
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Ferroni Vincenzo (1858-1934)
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Giżycka Barbara. Konserwacja obrazu Pożar miasta w nocy ze zbiorów Zamku Królewskiego na Wawelu oraz uwarunkowania dotyczące jego oprawy
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Giżycka Barbara. The conservation treatment of a painting entitled The city on fire at night from the collection of the Wawel Royal Castle and the specificity of its framing
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Grzyb Anna. Konserwacja dwóch woskowo-tekstylnych figurek z XIX w. z klasztoru ss. Benedyktynek w Staniątkach
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Grzyb Anna. The conservation of two 19th-century wax and textile figures from the Monastery of Benedictine Nuns in Staniątki
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Głaz Joanna. The application of interdisciplinary research methods with the aim of confirming the common provenance of sculptures attributed to the Passion group from the church of the Exaltation of the Holy Cross in Szymocin
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Głaz Joanna. Zastosowanie interdyscyplinarnych metod badawczych w celu potwierdzenia wspólnej proweniencji rzeźb przypisywanych do grupy pasyjnej z kościoła pw. Podwyższenia Krzyża Świętego w Szymocinie
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Główczak Regina (1989- ). Opracowanie metody przywrócenia pozytywowej postaci malowidła odbitego na odwrociu płatów na przykładzie malowideł z Pałacu Spiskiego przy Rynku Głównym 34 w Krakowie
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Główczak Regina (1989- ). The development of the method for restoring the positive image of the painting imprinted on the verso of sheets - the case of paintings from the Spiski Palace at Rynek Główny 34 in Kraków
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Halota Angelika. Conservation reconstruction and rearrangement of the plaster cast of the tombstone of Filip Kallimach from the National Museum in Kraków within the context of the internal metal reinforcement structure of the object
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Halota Angelika. Konserwacja rekonstrukcja i dekompozycja gipsowego odlewu płyty nagrobnej Filipa Kallimacha z Muzeum Narodowego w Krakowie w kontekście problematyki metalowej konstrukcji wewnętrznej wzmacniającej obiekt
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Hebda Katarzyna. An attempt to reconstruct the painted layer of the choir loft parapet from the Church of the Visitation of the Blessed Virgin Mary in Tłuczań
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Hebda Katarzyna. Próba rekonstrukcji warstwy malarskiej parapetu chóru muzycznego z kościoła pw. Nawiedzenia Najświętszej Marii Panny na Nowsiu w Tłuczani
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hermens Erma (1958- )
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
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Jagiełka Aleksandra. Aranżacje konserwatorskie zabytkowych rzeźb drewnianych w kontekście ekspozycji muzealnej na przykładzie konserwacji XVI-wiecznej rzeźby drewnianej polichromowanej tzw. Złotej Katarzyny z Katternecke przypisywanej warsztatowi Jacoba Beinharta
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Jagiełka Aleksandra. Conservational arrangements of monumental wooden sculptures within the context of the museum exhibition on the example of the conservation of the 16th-century wooden polychrome sculpture known as The Golden Catherine of Katternecke attributed to the workshop of Jacob Beinhart
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Jókai Mór (1825-1904). Chanson Tsigane
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Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Kirby Jo. Paul Delaroche: a case study of academic painting
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Korpal Grażyna (1945- )
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Korzeniowska Agnieszka. Odtworzenie zaginionej kwatery Ścięcie Świętej Katarzyny Aleksandryjskiej autorstwa Hansa Sussa z Kulmbachu w aspekcie dzieł sztuki zrabowanych podczas II wojny światowej
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Korzeniowska Agnieszka. The reconstruction of The Beheading of St Catherine a lost section of a cycle by Hans Suss of Kulmbach in the context of works stolen during World War II
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Kosakowski Edward (sztuki piękne)
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Kufferath Maurice (1852-1919). Chanson Tsigane
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Lempart-Geratowska Marta (1962- )
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Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
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Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
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Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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Peek Marja F. J. (1961- )
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Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
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Perović Slaven (1958- )
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Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Puget Paul (1848-1917). Adoration
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Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
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Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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