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Biblioteka Muzeum Narodowego
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dostępne
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Autor
Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
(1)
Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Brooks Mary M. Indisputable authenticity: engaging with the real in the museum
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Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
(1)
Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
(1)
Coutinho Barbara. How to keep what was intended to be temporarily functional?
(1)
Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Eastop Dinah. Cultural heritage online: questions of authenticity authority and authorship
(1)
El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Ferreira Joana Lia. How to keep what was intended to be temporarily functional?
(1)
Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
(1)
Gordon Rebecca
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Gordon Rebecca. Identifying and pursuing authenticity in contemporary art
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Gordon Rebecca. Real life questions of authenticity
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Hermens Erma (1958- )
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Jones Ceri (1964- ). Bringing the past to life?
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Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Lennard Frances
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Macedo Rita. How to keep what was intended to be temporarily functional?
(1)
Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
(1)
Mulholland Richard. And I know damned-well what he wanted: deliberate alteration and interpretations of intent in several late sculptures by David Smith
(1)
Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
(1)
Penney Caron. Rediscovering the Unicorn tapesries
(1)
Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Rajgopal Uthra. Dressing up for the Preston Guild: a very admirable and correct costume!
(1)
Ramos Ana Maria. How to keep what was intended to be temporarily functional?
(1)
Sa Susana Franca de. How to keep what was intended to be temporarily functional?
(1)
Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Sinclair Ross. Real life questions of authenticity
(1)
Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
(1)
Rok wydania
2010 - 2019
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Kraj wydania
Wielka Brytania
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Język
angielski
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Temat
Sztuka
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Gatunek
Materiały konferencyjne
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1 wynik Filtruj
Książka
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Autor
Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
Indeks R0: BMNK
Bibliogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31639 (1 egz.)
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