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Biblioteka Muzeum Narodowego
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Kluczewska-Wójcik Agnieszka (1960- )
(3)
Denisenko Ol'ga
(2)
Nitka Maria
(2)
Sarkowicz Dominika
(2)
Adamczyk Paulina (1989- )
(1)
Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
(1)
Biedrońska-Słotowa Beata
(1)
Chasjanowa Lejła S. (1963- )
(1)
Chasjanowa Lejła S. (1963- ). Do we need a Russian Academy in Rome? Henryk Siemiradzki and art education
(1)
Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome
(1)
Danilenko V. A
(1)
Dobrowolski Witold (1939-2019)
(1)
Dobrowolski Witold (1939-2019). Programme related content in the The judgment of Paris by Henryk Siemiradzki
(1)
Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
(1)
Farida Nike. Et in Arcadia ego. Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
(1)
First Grzegorz
(1)
First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki
(1)
First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's archaeological workshop
(1)
Gavrash Irina (1985-2023)
(1)
Gerc Lidia. Thinks like Dante handles paints like Boccaccio. About Henryk Siemiradzki in Vienna
(1)
Głowacki Wojciech M. (1993- ). Polyglot of a paintbrush? Critical reception of Nero's Torches in France
(1)
Haake Michał. Realism and figuralism. On Christ and the Harlot by Henryk Siemiradzki
(1)
Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
(1)
Karpova Tatʹana Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence
(1)
Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
(1)
Klimov Pavel U. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg)
(1)
Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display
(1)
Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
(1)
Kolada Ekaterina M
(1)
Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice
(1)
Kuczyńska Agnieszka (historia sztuki)
(1)
Kuczyńska Agnieszka (historia sztuki). Christ and the sinner by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
(1)
Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki
(1)
Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
(1)
Laskowska Magdalena
(1)
Laskowska Magdalena. Henryk Siemiradzki - works memorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Malinowski Jerzy (1950- )
(1)
Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
(1)
Malinowski Jerzy (1950- ). Introduction
(1)
Markova Nina Kirillovna. Some ideas about A French artist of the time of Louis XV paints the portrait of a Marquise by Henryk Siemiradzki
(1)
Masłowska Anna
(1)
Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art
(1)
Mozohina Natal'a Aleksandrovna
(1)
Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Nitka Maria. Henryk Siemiradzki's figuralism
(1)
Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's Phryne
(1)
Okoń Waldemar (1953- ). Siemiradzki and the three bards
(1)
Ormond Leonee (1940- ). Frederic Leighton and the poets
(1)
Paś Monika
(1)
Paś Monika. Henryk Siemiradzki - works mamorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse
(1)
Rosales Rodriguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's fetishization of sight
(1)
Rzevskaa Elena Aleksandrovna
(1)
Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums
(1)
Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums
(1)
Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Susak Vita Volodimirivna (1966- ). Jesus and the Samaritan woman (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
(1)
Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
(1)
Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions
(1)
Twardowska Kamilla (1975- )
(1)
Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
(1)
Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
(1)
Usava Nadzea Mihajlauna (1958- )
(1)
Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
(1)
Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Świętosławska Agnieszka (1984- )
(1)
Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki
(1)
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2020 - 2024
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2010 - 2019
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2000 - 2009
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Polska
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ukraiński
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angielski
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polski
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Siemiradzki, Henryk (1843-1902)
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1801-
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1901-
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Rzym
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6 wyników Filtruj
Książka
W koszyku
(World Art Studies : conferences and studies of the Polish Institute of World Art Studies, ISSN 2543-4624 ; 18)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Sarkowicz Dominika. Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts Karpova Tatʹâna Lʹvovna (1960- ). Siemiradzki as a portrait painter Susak Vìta Volodimirìvna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme Kuczyńska Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop" Nitka Maria. Henryk Siemiradzki's figuralism Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris Farida Nike. "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met Głowacki Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena Laskowska Magdalena. Henryk Siemiradzki - works, memorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Paś Monika. Henryk Siemiradzki - works, mamorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery) Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
Indeks R0: BMNK
Bibliogr. w przypisach.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 24282 sygn. III 24282 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. I 8299 sygn. I 8299, I 9796 sygn. I 9796 (2 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. II 25617 sygn. II 25617 (1 egz.)
Książka
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(Conferenze / Accademia Polacca delle Scienze ; ISSN 0239-8605 ; 145)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Nitka Maria. Chasjanowa Lejła S. (1963- ). "Do we need a Russian Academy in Rome?" Henryk Siemiradzki and art education Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome Dobrowolski Witold (1939-2019). Programme related content in the "The judgment of Paris" by Henryk Siemiradzki First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki Gerc Lidia. "Thinks like Dante, handles paints like Boccaccio". About Henryk Siemiradzki in Vienna Haake Michał. Realism and figuralism. On "Christ and the Harlot" by Henryk Siemiradzki Karpova Tatʹâna Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence Klimov Pavel Û. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg) Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki Malinowski Jerzy (1950- ). Introduction Markova Nina Kirillovna. Some ideas about "A French artist of the time of Louis XV paints the portrait of a Marquise" by Henryk Siemiradzki Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's "Phryne" Okoń Waldemar (1953- ). Siemiradzki and the three bards Ormond Leonée (1940- ). Frederic Leighton and the poets Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse Rosales Rodríguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's "fetishization of sight" Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
Indeks R0: BMNK
Materiały z międzynarodowej konferencji naukowej, 7-9 listopada 2018 r., Rzym.
Bibliogr. w przypisach do ref.
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