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Biblioteka Muzeum Narodowego
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Doleżyńska-Sewerniak Ewa (1977- )
(2)
Hermens Erma (1958- )
(2)
Mączyński Ryszard (1954- )
(2)
Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
(1)
Adamowicz Jarosław. Painting techniques in the St. Mary's altar by Veit Stoss in the light of former and present studies
(1)
Adamowicz Jarosław. Techniki malarskie w ołtarzu mariackim Wita Stwosza w świetle dawnych i nowych badań
(1)
Aheimastou-Potamianou Murtale. The conservation of icons in Byzantium
(1)
Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
(1)
Alexopoulou-Agoranou Athena. The contribution of digital image-processing to the identification of pigments
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
(1)
Aspra-Bardabake Maire. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius the Virgin Kykkotissa and Saints along the border
(1)
Baatz Wolfgang. Studying the artistic process
(1)
Bainos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
(1)
Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Barański Marek (1943- ). Architectural monument researcher and his workshop
(1)
Barański Marek (1943- ). Badacz zabytków architektury i jego warsztat
(1)
Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
(1)
Barrett Sylvana. An integrated approach for the study of painting techniques
(1)
Basilake Maria
(1)
Basilake Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research
(1)
Baum Katja von
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France
(1)
Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
(1)
Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
(1)
Bilale Marietta. Capabilities and prospects of radiography for the study of icons
(1)
Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
(1)
Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects
(1)
Bobak Simon. A flexible unattached auxiliary support
(1)
Bomford David. Introduction: keynote address
(1)
Borchert Till-Holger (1967- )
(1)
Borowska Dorota. We see what we know. The meaning of geomatry in the creation of the composition of Jan van Eyck's painting The Arnolfini portrait
(1)
Borowska Dorota. Widzimy to co wiemy. Znaczenie geometrii w tworzeniu kompozycji obrazu Jana van Eycka Małżeństwo Arnolfinich
(1)
Bourbopoulou Hrusa. The contribution of digital image-processing to the identification of pigments
(1)
Boust Clotilde. To acquire a good name
(1)
Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
(1)
Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
(1)
Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
(1)
Brewer Al. Practical aspects of the structural conservation of large panel paintings
(1)
Brewer Al. Some rejoining methods for panel paintings
(1)
Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Brookes Anna. De/re-constructing Turner for research projects at Tate
(1)
Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
(1)
Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza
(1)
Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
(1)
Bucklow Spike. Impossible recipes
(1)
Bucklow Spike. The state of research into retouching resins
(1)
Buckton David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries
(1)
Burgio Lucia. To acquire a good name
(1)
Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
(1)
Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Casanova Conseicao. Study of Portugese 18th-century manuscript
(1)
Caspers Charlotte. De/re-constructing Turner for research projects at Tate
(1)
Castelli Ciro. The restoration of panel painting supports. Some case histories
(1)
Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków
(1)
Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie
(1)
Chodyński Antoni Romuald (1945- ). Tools techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution
(1)
Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji
(1)
Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
(1)
Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
(1)
Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Ciatti Marco (1955- ). An unusual case of integration and its solution
(1)
Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
(1)
Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
(1)
Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
(1)
Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
(1)
Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
(1)
Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
(1)
Cormack Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George
(1)
Corzo Miguel Angel (1942- ). Foreword
(1)
Couvert Jacqueline
(1)
Cove Sarah. Retouching with a PVA resin medium
(1)
Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Cross Maureen. Retouching media for acrylic paintings
(1)
Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Cutler Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos
(1)
Daniel Vinod. Modified atmosphere treatments of insect infestations
(1)
Dardes Kathleen (1952- )
(1)
Dardes Kathleen (1952- ). Preface
(1)
Darrah Josephine A. Connections and coincidences: three pigments
(1)
De Angelis Roberta. Tracing the history of wall paintings through visual documents
(1)
Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Doherty Tiarna. Oudry's painted menagerie
(1)
Doleżyńska-Sewerniak Ewa (1977- ). Badania stosunków izotopowych ołowiu w próbkach bieli ołowiowej z obrazów Szymona Czechowicza (1689–1775)
(1)
Doleżyńska-Sewerniak Ewa (1977- ). Isotopic realtions of lead white samples of Szymon Czechowicz's paintings
(1)
Doleżyńska-Sewerniak Ewa (1977- ). Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research
(1)
Doleżyńska-Sewerniak Ewa (1977- ). The painting workshop of Szymon Czechowicz (1689-1775) - selected issues
(1)
Doleżyńska-Sewerniak Ewa (1977- ). Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych
(1)
Doleżyńska-Sewerniak Ewa (1977- ). Warsztat Szymona Czechowicza (1689–1775) – wybrane zagadnienia
(1)
Doulgerides Mihales. Capabilities and prospects of radiography for the study of icons
(1)
Doulgerides Mihales. Identification of the binding media of a Postbyzantine icon using gas-chromatography
(1)
Dubois Anne
(1)
Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
(1)
Dubois Helene. Master's own hand?
(1)
Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
(1)
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11 wyników Filtruj
Brak okładki
Książka
W koszyku
Autor
Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Temat
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26406 sygn. III 26406 (1 egz.)
Książka
W koszyku
Autor
Hermens Erma (1958- ). Townsend Joyce H. Lautenschlager Manfred. Virtues and vices in late medieval art productions Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes Bucklow Spike. Impossible recipes Ursescu Marta. Romanian handbooks on manuscript illumination in the 18th century Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century Kroustallis Stefanos. Art for war Miguel Catarina. Copper pigments in medieval times Claro Ana Luísa do Vale Fonseca. Copper pigments in medieval times Lopes João A. Copper pigments in medieval times Melo Maria João. Copper pigments in medieval times Nadolny Jilleen. Documentary sources for the use of moulds in the production of tin relief Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300 Neven Sylvie. Comparative analysis of painting recipes Stijnman Ad. Images of copper engravers and plate printers in their workshops 1545-1645 Wagner Lisa. Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge Dubois Hélène. Master's own hand? Phenix Alan. Oudry's painted menagerie Doherty Tiarna. Oudry's painted menagerie Schönemann Anna. Oudry's painted menagerie Rizzo Adriana. Oudry's painted menagerie Eyb-Green Sigrid. Studying the artistic process Baatz Wolfgang. Studying the artistic process Kitlitschka Werner (1938- ). Studying the artistic process Hermens Erma (1958- ). "En plein soleil" MacDonald Margaret F. (1944- ). "En plein soleil" Troalen Lore. "To acquire a good name" Reiche Ina. "To acquire a good name" Röhrs Stefan. "To acquire a good name" Pretzel Boris (1961- ). "To acquire a good name" Burgio Lucia. "To acquire a good name" Shah Bhavesh. "To acquire a good name" Peschard Stéphane. "To acquire a good name" Boust Clotilde. "To acquire a good name" Tate Jim. "To acquire a good name" Martin Graham (1952- ). "To acquire a good name" Voigt Friederike. "To acquire a good name" Kutzke Hartmut. À la recherche du pigment perdu Oltrogge Doris (1959- ). À la recherche du pigment perdu Mulholland Richard. Technique and process in the papers of David Smith Kyllonen-Kunnas Paivi. Challenging the material Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Niculescu Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Petroviciu Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Rosi Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Sassolini Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Fardi Theodora. Tracing the history of wall paintings through visual documents De Angelis Roberta. Tracing the history of wall paintings through visual documents Scicluna Bernadine. Tracing the history of wall paintings through visual documents Vella Daniel. Tracing the history of wall paintings through visual documents Freitas Ana. Study of Portugese 18th-century manuscript Claro Ana Luísa do Vale Fonseca. Study of Portugese 18th-century manuscript Melo Maria João. Study of Portugese 18th-century manuscript Casanova Conseição. Study of Portugese 18th-century manuscript Moura Laura Filipe (1983- ). Study of Portugese 18th-century manuscript Townsend Joyce H. De/re-constructing Turner for research projects at Tate Thomas Jacob. De/re-constructing Turner for research projects at Tate Caspers Charlotte. De/re-constructing Turner for research projects at Tate Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate Brookes Anna. De/re-constructing Turner for research projects at Tate Ormsby Bronwyn. De/re-constructing Turner for research projects at Tate Hackney Stephen. De/re-constructing Turner for research projects at Tate Lerwill Andrew. De/re-constructing Turner for research projects at Tate Barrett Brian D. (1951- ). Archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865
Temat
Indeks R0: BMNK
Bibliogr. po art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 22104 sygn. III 22104 (1 egz.)
Książka
W koszyku
Autor
Doleżyńska-Sewerniak Ewa (1977- ). Mączyński Ryszard (1954- ). Barański Marek (1943- ). Architectural monument researcher and his workshop Barański Marek (1943- ). Badacz zabytków architektury i jego warsztat Borowska Dorota. We see, what we know. The meaning of geomatry in the creation of the composition of Jan van Eyck's painting The Arnolfini portrait Borowska Dorota. Widzimy to, co wiemy. Znaczenie geometrii w tworzeniu kompozycji obrazu Jana van Eycka Małżeństwo Arnolfinich Doleżyńska-Sewerniak Ewa (1977- ). Badania stosunków izotopowych ołowiu w próbkach bieli ołowiowej z obrazów Szymona Czechowicza (1689–1775) Doleżyńska-Sewerniak Ewa (1977- ). Isotopic realtions of lead white samples of Szymon Czechowicz's paintings Forczek-Sajdak Anna. Renaissance tomb monuments of the Pieniążek family, Odrowąż coat of arms, from Krużlowa and Skrzydlna Forczek-Sajdak Anna. Renesansowe pomniki nagrobne rodziny Pieniążków herbu Odrowąż z Krużlowej i Skrzydlnej Gut-Czerwonka Anna (1984- ). Megalithic creativuty of Zygmunt Wujek (1938-2018) Gut-Czerwonka Anna (1984- ). Megalityczna twórczość Zygmunta Wujka (1938–2018) Jasiński Mateusz. Analiza technologiczna obrazu Sąd Midasa ze zbiorów Muzeum Lubelskiego w Lublinie – porównanie z warsztatem Gerrita van Honthorsta i innych caravaggionistów utrechckich Jasiński Mateusz. Technological analysis of The Midas Court from the collection of the Lublin Museum in Lublin - comparision with the workshop of Gerrit van Honthorst and other Utrecht Caravaggionists Karasiński Jakub. Badania stosunków izotopowych ołowiu w próbkach bieli ołowiowej z obrazów Szymona Czechowicza (1689–1775) Karasiński Jakub. Isotopic realtions of lead white samples of Szymon Czechowicz's paintings Klisińska-Kopacz Anna. Sposób opracowania malarskiego obrazów o tematyce myśliwskiej Maksymiliana Gierymskiego Klisińska-Kopacz Anna. The way of painting in the portrayal of hunting in the works of Maksymilian Gierymski Kowalski Piotr C. (1951- ). Mój warsztat pracy dawniej i dziś Kowalski Piotr C. (1951- ). My artistic workshop of the past and today Laskowski Andrzej (1973- ). Around the workshop of the provincial city planner. The example of Adolf Juliusz Stapf from Tarnów, Galicia Laskowski Andrzej (1973- ). Wokół warsztatu galicyjskiego urbanisty. Casus tarnowskiego architekta Adolfa Juliusza Stapfa Novljaković Katarzyna. A double-sided painting by Lippo d'Andrea di Lippo from the Czartoryski Princes Collection as an example of the traditional quattrocento workshop Novljaković Katarzyna. Dwustronnie malowany obraz Lippa d’Andrei di Lippo z kolekcji książąt Czartoryskich jako przykład tradycyjnego warsztatu quattrocenta Nowalińska Małgorzata. The workshop of a medieval master. Mechanical techniques of the copying and transferring of drawings Nowalińska Małgorzata. Warsztat średniowiecznego mistrza. Sposoby mechanicznego kopiowania rysunku Owsiański Szymon Piotr. Straight out of the workshop of the designer and artist Yves Saint Laurent: creative space and font of inspiration Owsiański Szymon Piotr. Z pracowni projektanta i artysty, Yves’a Saint Laurenta. Przestrzeń twórcza i źródła inspiracji Pręgowski Filip (1973- ). Pracownia jako przestrzeń ideologiczna. O dyskursie wokół przemian artystycznych w amerykańskiej sztuce lat siedemdziesiątych i osiemdziesiątych XX wieku w kontekście medium i warsztatu Pręgowski Filip (1973- ). The studio as an ideological space. On the discourse concerning the changes in the American art of the 1970s. and 1980s within the context of the medium and the technique Rosiejka Karolina. Artist's studio as a metaphor of art. The case of Georgia O'Keeffe Rosiejka Karolina. Studio artystki jako metafora dla sztuki. Przypadek Georgii O’Keeffe Rudenko Oleg. Book thinking. Philosophy of Fedir Lukavyi's artistic legacy Rudenko Oleg. Myśleć książką. Filozofia twórczości Fedora Łukawego Saar-Kozłowska Alicja (1958- ). Remarks on workshop of baroque sculptor in stone between cut-out, unfinished and deepened polichromy Saar-Kozłowska Alicja (1958- ). Uwagi na temat warsztatu barokowego rzeźbiarza w kamieniu. Między formą wyciętą, nieukończoną a pogłębioną polichromią Stenka Szymon Jan (1991- ). Jerzy Hoppen's copperplate engravings and etchings in the context of his unpublished manuscript from 1941 Stenka Szymon Jan (1991- ). Miedzioryty i akwaforty Jerzego Hoppena w kontekście jego nieopublikowanego rękopisu z 1941 roku Svorová Pawełkowicz Syliwa (1977- ). Smalta - production and trade in the light of archival and physicochemical investigations Svorová Pawełkowicz Syliwa (1977- ). Smalta - produkcja i handel w świetle badań archiwalnych i fizykochemicznych Viegas Wesolowska Cátia Lamerton. Enamel on steel paintings in architecture from an historical persepective. Contextualising the early work of Stefan Knapp Viegas Wesolowska Cátia Lamerton. Malarstwo emalią na stali w architekturze z perspektywy historycznej w kontekście wczesnych prac Stefana Knappa Waszak Przemysław (historia sztuki). Art historical reconstructions and literary vision of a Biedemeier style workshop of a painter Carl Spitzweg Waszak Przemysław (historia sztuki). Kreślony słowami w wyobraźni świat sztuki w prozie Stanisława Lema Waszak Przemysław (historia sztuki). Rekonstrukcje z zakresu historii sztuki a wizja literacka warsztatu biedermeierowskiego malarza Carla Spitzwega Waszak Przemysław (historia sztuki). The world of art in the prose of Stanisław Lem. Pictured with words in one's imagination Witkowski Michał (historia sztuki). Smalta - production and trade in the light of archival and physicochemical investigations Witkowski Michał (historia sztuki). Smalta - produkcja i handel w świetle badań archiwalnych i fizykochemicznych Ziółkowska-Ganc Emilia. Realia pracy architektów-urzędników Królestwa Polskiego w okresie międzypowstaniowym Ziółkowska-Ganc Emilia. Work realities of architects-officials in inter-uprising Kindgom of Poland Zygier Elżbieta. Sposób opracowania malarskiego obrazów o tematyce myśliwskiej Maksymiliana Gierymskiego Zygier Elżbieta. The way of painting in the portrayal of hunting in the works of Maksymilian Gierymski
Indeks R0: BMNK
Materiały konferencyjne: Toruń, 21-22 listopada 2019 r.
Bibliogr. w przypisach.
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Doleżyńska-Sewerniak Ewa (1977- ). Mączyński Ryszard (1954- ). Adamowicz Jarosław. Techniki malarskie w ołtarzu mariackim Wita Stwosza w świetle dawnych i nowych badań Adamowicz Jarosław. Painting techniques in the St. Mary's altar by Veit Stoss in the light of former and present studies Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie Chodyński Antoni Romuald (1945- ). Tools, techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji Doleżyńska-Sewerniak Ewa (1977- ). Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research Doleżyńska-Sewerniak Ewa (1977- ). Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych Doleżyńska-Sewerniak Ewa (1977- ). Warsztat Szymona Czechowicza (1689–1775) – wybrane zagadnienia Doleżyńska-Sewerniak Ewa (1977- ). The painting workshop of Szymon Czechowicz (1689-1775) - selected issues Fitta-Spelina Agnieszka. Architect's workshop. A new object and a historic building - similarities and differences in project work Fitta-Spelina Agnieszka. Warsztat architekta. Obiekt nowy a obiekt zabytkowy – podobieństwa i różnice w pracy projektowej Giełdoń-Paszek Aleksandra (1961- ). Around the didactic aspects of the artist's workshop carving in wood Giełdoń-Paszek Aleksandra (1961- ). Wokół zagadnień dydaktyki warsztatu artysty rzeźbiącego w drewnie Grochowska-Angelus Anna. Obrazy i ich ramy. Rola artysty w wyborze opraw Grochowska-Angelus Anna. Paintings and their frames. The role of artists in choosing them Jasiński Mateusz. Caravaggistic revolution in the way of building the picture Jasiński Mateusz. Rewolucja caravaggionistyczna w sposobie budowania obrazu Kaczmarska Małgorzata. Impact of new technologies on the practice of an artist based on David Hockney's work and the author's own experience as a painter Kaczmarska Małgorzata. Wpływ nowych technologii na praktykę artysty malarza na podstawie twórczości Davida Hockneya i działalności artystycznej autorki Kata Eurydyka. Material typography, or tools in the work of a typographer and designer Kata Eurydyka. Typografia materialna, czyli narzędzia w pracy typografa i projektanta Klisińska-Kopacz Anna. Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research Klisińska-Kopacz Anna. Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych Korpała Małgorzata. Nietypowe rozwiązania barokowego malarstwa ściennego na wybranych przykładach z terenu Mazowsza Korpała Małgorzata. Unusual solutions in baroque wall paintings on selected examples from Mazovia Kowalewska Marta (historia sztuki). Budowniczowie sukcesu Kowalewska Marta (historia sztuki). The makers of success Kuś-Joachimiak Hanna (1982- ). Get in the engraver's house. The peculiarity of Eugeniusz Get Stankiewicz's technique on the example of collection from Museum of the Lubomirski Princes Kuś-Joachimiak Hanna (1982- ). Get w Domku Miedziorytnika. Specyfika warsztatu Eugeniusza Stankiewicza na przykładzie zbiorów Muzeum Książąt Lubomirskich Kwaśny Marek. Tajniki warsztatu malarskiego Johanna Jacoba Eybelwiesera (1666–1744), wrocławskiego mistrza doby baroku Kwaśny Marek. The secrets of painting workshop of Johann Jacob Eybelwieser (1666-1744) - Wrocław master of the baroque era Laskowski Andrzej (1973- ). XIXth-century stained-glass workshop. A case study of Carl Geyling's Erben in Vienna Laskowski Andrzej (1973- ). Warsztat dziewiętnastowiecznego witrażownika. Próba rekonstrukcji na przykładzie wiedeńskiej firmy Carl Geyling’s Erben Lenartowicz Światosław. Malarstwo Zofii Stryjeńskiej (1891–1976) – warsztat a ewolucja formy Lenartowicz Światosław. The painting of Zofia Stryjeńska (1891-1976) - technique and evolution of form Łabądź Justyna Weronika. Matrices, 3D modeling, fxes and rendering - the set of video mapping tools in the work of new media artist Łabądź Justyna Weronika. Matryce, modeling 3D, FX-y i renderowanie – zestaw narzędzi video mappingowych w warsztacie nowomedialnego artysty Martynowicz Iwona. Techniki malarskie w ołtarzu mariackim Wita Stwosza w świetle dawnych i nowych badań Martynowicz Iwona. Painting techniques in the St. Mary's altar by Veit Stoss in the light of former and present studies Masłowska Anna. Malarz i fotografia. O obecności nowego medium w warsztacie twórczym malarza w drugiej połowie XIX wieku Masłowska Anna. Painter and photography. The presence of a new medium in the painter's workshop in the second half of the 19th century Mączewska Katarzyna. In the search of the professional fulfillment. Alexander Lesser - a Calendar of Journeys, the artist's interests and workshop seen from the perspective of his iconographic legacy Mączewska Katarzyna. W poszukiwaniu spełnienia zawodowego. Aleksander Lesser – kalendarium podróży, zainteresowania i warsztat artysty z perspektywy jego ikonograficznej spuścizny Misztal Małgorzata (konserwatorstwo). Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research Misztal Małgorzata (konserwatorstwo). Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych Niemira Izabella. „Alchemia” fotografii, czyli warsztat fotografa gumisty Niemira Izabella. "Alchemy" of photography that means a method of photographer using the gum bichromate technique Novljaković Katarzyna. Bernardo Strozzi, workshop if an Italian Caravaggionist. A restorer's considerations over the recognition of an author's replica Novljaković Katarzyna. Trzej filozofowie Bernarda Strozziego ze zbiorów Muzeum Narodowego w Krakowie jako przykład warsztatu włoskiego carravagionisty. Rozważania konserwatora nad rozpoznaniem autorskiej repliki Paś Monika. Paintbrushes, palettes, easels. Painting accessories from legacies of artists kept in the collection of the Department of Applied Art, Material Culture and Militaria of the National Museum in Krakow Paś Monika. Pędzle, palety, sztalugi. Akcesoria malarskie ze spuścizn po artystach przechowywane w zbiorach Działu Rzemiosła Artystycznego, Kultury Materialnej i Militariów Muzeum Narodowego w Krakowie Pawelska-Jagniątkowska Irmina. A new perspective on the so-called "Dominican workshop" Pawelska-Jagniątkowska Irmina. Nowe spojrzenie na „warsztat dominikański” Szustakiewicz Iwona. System weryfikacji umiejętności warsztatowych architektów w Królestwie Polskim w XIX wieku Szustakiewicz Iwona. The system of verifying professional skills of architects in the Kindgom of Poland in the 19th century Waszak Przemysław (historia sztuki). Rekonstruowanie i kontekstualizowanie warsztatu Tilmana Riemenschneidera na polu literatury naukowej i fikcji literackiej Waszak Przemysław (historia sztuki). The reconstruction and contextualization of Tilman Riemenschneider's practice in the context of academic literature and fiction Winterhagen Marc Tobias. CTRL+Z – (nie)korzyść komputera w procesie twórczym Winterhagen Marc Tobias. CTRL+Z: the (dis)adventage of computers in the creative process Wrana Jan (1946- ). Architect's workshop. A new object and a historic building - similarities and differences in project work Wrana Jan (1946- ). Warsztat architekta. Obiekt nowy a obiekt zabytkowy – podobieństwa i różnice w pracy projektowej Zaguła Artur. Analog techniques in the workshop of architects of the new classicism trend Zaguła Artur. Techniki analogowe w warsztacie architektów nurtu nowego klasycyzmu Zygier Elżbieta. Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research Zygier Elżbieta. Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych
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Materiały konferencyjne: Uniwersytet Mikołaja Kopernika w Toruniu, 19-21 października 2017 r.
Bibliogr. w przypisach do ref.
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Są egzemplarze dostępne do wypożyczenia: sygn. II 34697/1 sygn. II 34697/1 (1 egz.)
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Dardes Kathleen (1952- ). Rothe Andrea (1936- ). Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France Bergeon Ségolène (1942- ). The restoration of wooden painting supports. Two hundred years of history in France Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects Bobak Simon. A flexible unattached auxiliary support Bomford David. Introduction: keynote address Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Brewer Al. Practical aspects of the structural conservation of large panel paintings Brewer Al. Some rejoining methods for panel paintings Castelli Ciro. The restoration of panel painting supports. Some case histories Corzo Miguel Angel (1942- ). Foreword Daniel Vinod. Modified atmosphere treatments of insect infestations Dardes Kathleen (1952- ). Preface Emile-Mâle Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France Glatigny Jean-Albert. Backings of painted panels. Reinforcement and constraint Hanlon Gordon. Modified atmosphere treatments of insect infestations Hoadley R. Bruce (1933-2019). Chemical and physical properties of wood Hoadley R. Bruce (1933-2019). Identification of wood in painting panels Horns James S. Richard Buck. The development and use of the balsa backing for panel paintings Huot Claude. The restoration of wooden painting supports. Two hundred years of history in France Jaunard Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Klein Peter. Dendrochronological analyses of panel paintings Lebas Frédéric J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner Mandron Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Marchant Raymond. The development of a flexible attached auxiliary support Marussich Giovanni. Florentine structural stabilization techniques McClure Ian. History of structural conservation of panel paintings in Great Britain McClure Ian. The framing of wooden panels Mecklenburg Marion F. Technical considerations for the transport of panel paintings Reeve Anthony M. Structural conservation of panel paintings at the National Gallery, London Richard Mervin. Technical considerations for the transport of panel paintings Rothe Andrea (1936- ). Critical history of panel painting restoration in Italy Rothe Andrea (1936- ). Florentine structural stabilization techniques Rothe Andrea (1936- ). Preface Schiessl Ulrich (1948-2011). History of structural panel painting conservation in Austria, Germany and Switzerland Schniewind Arno P. (1929- ). Consolidation of wooden panels Tumosa Charles S. Technical considerations for the transport of panel paintings Uzielli Luca. Historical overview of panel-making techniques in central Italy Véliz Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain Wadum Jørgen. Historical overview of panel-making techniques in the northern countries Wadum Jørgen. Microclimate boxes for panel paintings Walker Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques Walsh John (1937- ). Foreword Williams Donald C. (konserwatorstwo). A survey of adhesives for wood conservation Wilmering Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
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Bibliogr. przy ref.
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26440 sygn. III 26440 (1 egz.)
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Ellison Rebecca. Smithen Patricia. Turnbull Rachel. Ackroyd Paul. Retouching media used at the National Gallery, London, since the nineteenth century Bucklow Spike. The state of research into retouching resins Ciatti Marco (1955- ). An unusual case of integration and its solution Cove Sarah. Retouching with a PVA resin medium Cross Maureen. Retouching media for acrylic paintings Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching Folkes Simon. Texturing fills using a silicone mould Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching Kempski Mary. The art of tempera retouching Koneczny Peter. An introduction to B72 Retouching Gels Koneczny Peter. Properties of pigments, retouching media and their use Lowry Kate. Retouching with Paraloid B-72 Massing Ann. The history of egg tempera as a retouching medium Phenix Alan. The composition and chemistry of eggs and egg tempera Reddington Sophie. Texturing fills using a silicone mould Roma Paolo. An unusual case of integration and its solution Sartiani Oriana (1960- ). An unusual case of integration and its solution Severini Leonardo. An unusual case of integration and its solution Sims Shelley. Retouching media for acrylic paintings Smithen Patricia. Retouching media for acrylic paintings Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
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Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Bibliogr. przy ref.
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 31514 sygn. II 31514 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. Czas. III 2217/26/1 sygn. Czas. III 2217/26/1 (1 egz.)
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Basilakē Maria. Smirnova Èngelina Sergeevna (1932- ). Eleventh-Century Icons from St. Sophia Cathedral in Novgorod and the problem of the Altar Barrier Papamastorakēs Titos (1961-2010). The Display of accumulated wealth in luxury icons: Gift-giving from the Byzantine aristocracy to God in the twelfth century Ševčenko Nancy Patterson (1939- ). Marking Holy Time: the Byzantine Calendar Icons Etinhof Olga. The Virgin of Vladimir and the Veneration of the Virgin of Blachernai in Russia Stuart John. The Deposition of the Virgin's Sash and Robe, the Protection of the Mother of God (Pokrov) and the Blachernitissa Aspra-Bardabakē Mairē. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius, the Virgin Kykkotissa and Saints along the border Stratē Aggelikē. Fourteenth-century Icons in the district of Serres Popova Ol'ga Sigizmundovna (1938- ). The Icon of Christ Pantokrator in the Byzantine Museum, Athens and Byzantine Art of the second quarter of the fourteenth century Tablakēs Giannēs. Dating of two mosaic icons in the Xenophontos Monastery on Mt Athos Maniatēs Giannēs. The mosaic icons in the Xenophontos Monastery, Mt Athos: Technological analysis of the Tesserae Malea Aikaterinē. The mosaic icons in the Xenophontos Monastery, Mt Athos: Technological analysis of the Tesserae Aheimastou-Potamianou Murtalē. The conservation of icons in Byzantium Cormack Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George Tornarē Bibē. The use of holographic methods in the study of the conservation of Byzantine icons Baïnos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons Zafeiropoulos Basilēs. The use of holographic methods in the study of the conservation of Byzantine icons Fantidou Dēmētra. The use of holographic methods in the study of the conservation of Byzantine icons Mponarou Antōnia. The use of holographic methods in the study of the conservation of Byzantine icons Fōtakēs Kōnstantinos. The use of holographic methods in the study of the conservation of Byzantine icons Tourta Anastasia. The Adventures of a Byzantine icon from Thessaloniki: Artistic considerations Papadopoulou Amalia. The Adventures of a Byzantine Icon from Thessaloniki: Conservational considerations Basilakē Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research Gordon Dillian. The icon of the Virgin Glykophilousa in the Benaki Museum, Athens (inv. no 2972): The Verres Églomisés Milanou Kalupsō. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): A Technical analysis Kouzelē Kellē. The icon of the Virgin Glykophilousa (inv. no 2972) in the Benaki Museum: Contribution to the study of the Icon with Optical microscopy, scanning elector microscopy and X-Ray microanalysis Rokofullou Elsa. Capabilities and prospects of radiography for the study of icons Moutzourēs Kuriakos. Capabilities and prospects of radiography for the study of icons Haritos Apostolos. Capabilities and prospects of radiography for the study of icons Doulgeridēs Mihalēs. Capabilities and prospects of radiography for the study of icons Doulgeridēs Mihalēs. Identification of the binding media of a Postbyzantine icon, using gas-chromatography Mahaōn-Doulgeridē Aggelikē. Capabilities and prospects of radiography for the study of icons Bilalē Marietta. Capabilities and prospects of radiography for the study of icons Sōtēropoulou Sofia. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century) Mpikiarēs Dēmētrēs. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century) Hrusoulakēs Giannēs. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century) Alexopoulou-Agoranou Athēna. The contribution of digital image-processing to the identification of pigments Bourbopoulou Hrusa. The contribution of digital image-processing to the identification of pigments Perdikarē Elenē. The contribution of digital image-processing to the identification of pigments Terlixē Agnē-Basileia. Identification of the binding media of a Postbyzantine icon, using gas-chromatography Iōakeimoglou Elenē. Identification of the binding media of a Postbyzantine icon, using gas-chromatography Pâtnickij Ûrij A. Two icons of the Virgin Eleousa attributed to Nicolaos Lamboudis of Sparta Maguire Henry (1943- ). Observations on the icons of the west facade of San Marco in Venice Buckton David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries Cutler Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos Kalavrezou Ioli. Interpreting carving techniques and styles in Steatite icons
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Bibliogr. s. 17-18 i przy niektórych ref. Indeksy.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 23530 sygn. III 23530 (1 egz.)
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(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 sygn. III 24321 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: sygn. III 19700 sygn. III 19700 (1 egz.)
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