Adamowicz Jarosław. Techniki malarskie w ołtarzu mariackim Wita Stwosza w świetle dawnych i nowych badań
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Aheimastou-Potamianou Murtale. The conservation of icons in Byzantium
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Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
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Alexopoulou-Agoranou Athena. The contribution of digital image-processing to the identification of pigments
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Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Aspra-Bardabake Maire. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius the Virgin Kykkotissa and Saints along the border
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Baatz Wolfgang. Studying the artistic process
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Bainos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
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Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Barański Marek (1943- ). Architectural monument researcher and his workshop
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Barański Marek (1943- ). Badacz zabytków architektury i jego warsztat
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Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
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Barrett Sylvana. An integrated approach for the study of painting techniques
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Basilake Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France
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Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Bilale Marietta. Capabilities and prospects of radiography for the study of icons
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
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Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects
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Bobak Simon. A flexible unattached auxiliary support
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Bomford David. Introduction: keynote address
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Borchert Till-Holger (1967- )
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Borowska Dorota. We see what we know. The meaning of geomatry in the creation of the composition of Jan van Eyck's painting The Arnolfini portrait
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Borowska Dorota. Widzimy to co wiemy. Znaczenie geometrii w tworzeniu kompozycji obrazu Jana van Eycka Małżeństwo Arnolfinich
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Bourbopoulou Hrusa. The contribution of digital image-processing to the identification of pigments
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Boust Clotilde. To acquire a good name
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Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
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Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
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Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
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Brewer Al. Practical aspects of the structural conservation of large panel paintings
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Brewer Al. Some rejoining methods for panel paintings
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Brookes Anna. De/re-constructing Turner for research projects at Tate
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Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
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Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Bucklow Spike. Impossible recipes
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Bucklow Spike. The state of research into retouching resins
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Buckton David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries
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Burgio Lucia. To acquire a good name
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Casanova Conseicao. Study of Portugese 18th-century manuscript
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Caspers Charlotte. De/re-constructing Turner for research projects at Tate
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Castelli Ciro. The restoration of panel painting supports. Some case histories
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Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków
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Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie
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Chodyński Antoni Romuald (1945- ). Tools techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution
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Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciatti Marco (1955- ). An unusual case of integration and its solution
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Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
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Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
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Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
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Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
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Cormack Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George
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Corzo Miguel Angel (1942- ). Foreword
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Cove Sarah. Retouching with a PVA resin medium
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Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Cross Maureen. Retouching media for acrylic paintings
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Cutler Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos
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Daniel Vinod. Modified atmosphere treatments of insect infestations
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Dardes Kathleen (1952- )
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Dardes Kathleen (1952- ). Preface
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Darrah Josephine A. Connections and coincidences: three pigments
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De Angelis Roberta. Tracing the history of wall paintings through visual documents
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Doherty Tiarna. Oudry's painted menagerie
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Doleżyńska-Sewerniak Ewa (1977- ). Badania stosunków izotopowych ołowiu w próbkach bieli ołowiowej z obrazów Szymona Czechowicza (1689–1775)
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Doleżyńska-Sewerniak Ewa (1977- ). Isotopic realtions of lead white samples of Szymon Czechowicz's paintings
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Doleżyńska-Sewerniak Ewa (1977- ). Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research
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Doleżyńska-Sewerniak Ewa (1977- ). The painting workshop of Szymon Czechowicz (1689-1775) - selected issues
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Doleżyńska-Sewerniak Ewa (1977- ). Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych
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Doleżyńska-Sewerniak Ewa (1977- ). Warsztat Szymona Czechowicza (1689–1775) – wybrane zagadnienia
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Doulgerides Mihales. Capabilities and prospects of radiography for the study of icons
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Doulgerides Mihales. Identification of the binding media of a Postbyzantine icon using gas-chromatography
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Dubois Helene. Master's own hand?
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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