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Abdel-Wahab Mohammed. Automatic fusion of digital images and laser scanner data for heritage preservation
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Abdel-Wahab Mohammed. Photogrammetric point cloud collection with multi-camera systems
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Abey-Koch Madelaine. History of housekeeping
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Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
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Adam-Veleni Polyxene. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
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Agapiou Athos. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
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Agapiou Athos. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
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Agosti Maristella (1950- ). CULTURA Project: supporting next generation interaction with digital cultural heritage collections
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Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
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Al-Mukhtar Muzahim (1957- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Alexakis Dimitrios D. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
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Alexakis Dimitrios D. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
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Allotta Benedetto. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Alrawi Osama Mohammad. Model-based user interface design for the Encyclopedia of Islamic Architecture
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Amato Alba. Mobile devices for the visit of Anfiteatro Campano in Santa Maria Capua Vetere
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Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Andrejcikova Nadezda (1966- ). Identifying semantic relationships in digital libraries of cultural heritage
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Andrzejewska Halina (1930-2005)
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Angelini Maria Giuseppa. Process modeling and photogrammetric production for structural investigations concerning to the collapse of Palazzo Edilizia in Salerno (Italy)
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Argyros Antonis A. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
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Aristidou Andreas. Digitization of Cypriot folk dances
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Athanasiou George S. Evolution of the e-museum concept through exploitation of cryptographic algorithms
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Bailey Eoin. CULTURA Project: supporting next generation interaction with digital cultural heritage collections
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Baldi Marialuisa (1952- ). Interaction for a shared knowledge with reperio: the Cardano case
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Balzani Marcello (1962- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti
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Bargagliotti Sergio. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Bartolomucci Carla. Reintegration of urban lacunas at Castelvecchio Calvisio (AQ) after the 2009 earthquake: the use of GIS 3D as a project monitoring tool
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Baschiera Adriano. Micrometer multiresolution laser scanning of a renaissance medallion
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Basso Peressut Luca. Contemporary museums in an age of migrations: the reinterpretation of European cultural heritage
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Baumer Ursula. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France
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Becherini Francesca. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project
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Beck Kevin (1978- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Beil Cedric. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Bein Matthias. Completing digital cultural heritage objects by sketching subdivision surfaces toward restoration planning
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Beltinger Karoline. Cuno Amiet und die Temperamalerei in der Schweiz um 1900
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Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
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Bendix Caroline. Books
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Berg Evy. Use of GIS in the National System for Cultural Heritage Management and Dissemination to the general public in Norway: case study: the heritage management database Askeladden and the system for dissemination to the public Kulturminnesok
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Berg Klaas Jan van den (1964- ). Breitner's paint box and the colours of Standage
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Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
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Bernardi Adriana (1957- ). Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project
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Berndt Rene. Enhanced distributed repository for working with 3D assets in cultural heritage
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Bernikola Eirini. Mapping of defect structural micro-morphology in the documentation of conservation approaches
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Betts Jonathan (1955- ). Clocks and watches
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Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
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Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
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Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects
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Blasko Miroslav (1983- ). Monument damage ontology
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Blumenroth Diana Sabine. Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Bobak Simon. A flexible unattached auxiliary support
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Bodnar Jean Luc. Mapping of defect structural micro-morphology in the documentation of conservation approaches
(1)
Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
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Boi Jean-Marc (1956- ). Information system for medieval archaeology based on photogrammetry and archaeological database: The Shawbak Castle Project
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Bomford David. Foreword
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Bomford David. Introduction: keynote address
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Bonacini Elisa (1975- ). Catacombs of San Giovanni in Syracuse: surveying digital enhancement and revitalization of an archaeological landmark
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Bonazza Alessandra. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project
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Bonzagni Daniele. Reintegration of urban lacunas at Castelvecchio Calvisio (AQ) after the 2009 earthquake: the use of GIS 3D as a project monitoring tool
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Boochs Frank. COSCH - colour and space in cultural heritage a new COST action starts
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Bools Anita. Photographs
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Bordt Nele. Observations on Rudolf Swoboda’s painting technique
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Botarelli Lucia. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Bourrillon Raphaelle (1979- ). 3D multi-sacle scanning of the archaeological cave Les Fraux in Dordogne (France)
(1)
Braghiroli Andrea. Ancient fragment collection at the Museo Archeologico in Florence Italy a digital proposal to allow its access
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Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
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Brewer Al. Practical aspects of the structural conservation of large panel paintings
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Brewer Stephen. EGI: an open e-infrastructure ecosystem for the digital European research area and the humanities
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Brumana Raffaella. Three-dimensional virtual models for better comprehension of architectural heritage construction techniques and its maintenance over time
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Brunetaud Xavier (1978- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Bruzda Jan (1930- )
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Bucklow Spike. The state of research into retouching resins
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Bughi Carlo. Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti
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Bullock Linda. Chemical agents of deterioration
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Bunsch Eryk (1973- ). Automated view integration techniques for numerous 3D clouds of points
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Burens Albane. 3D multi-sacle scanning of the archaeological cave Les Fraux in Dordogne (France)
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Bush Andrew. Glazed framework paper and other materials
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37 wyników Filtruj
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Są egzemplarze dostępne do wypożyczenia: III 21527 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: II 14872 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 19196 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: II 14212 (1 egz.)
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Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: II 324 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: II 11323 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: II 11498 (1 egz.)
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Polymers in painting = Polimery w malarstwie. - Cracow : A-7, 1993. - 24, [3] s., 33 tabl. kolor. ; 21 cm.
Indeks R0: BMNK
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Są egzemplarze dostępne do wypożyczenia: II 13105 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: II 18984 (1 egz.)
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(Rozprawy / Uniwersytet Mikołaja Kopernika)
Bibliogr. przy rozdz.
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Są egzemplarze dostępne do wypożyczenia: II 13501 (1 egz.)
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Autor
Chui Sue Ann. Phenix Alan. Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton, Parish Church of Priessnitz/Saxony Bezùr Anikò. Structural treatment of a seventeenth-century Flemish panel painting Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Bisacca George. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Boevé-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936 Bomford David. Foreword Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Carvalho Salomé Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Chui Sue Ann. Preface Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Duin Paul van (1956- ). Panels in furniture: observations and conservation issues Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings Fuente Martinez José de la. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar, portugal Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections Grøntoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Hamm James. Structural treatment of a seventeenth-century Flemish panel painting Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967 Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Łukomski Michał. Allowable microclimatic variations for painted wood: direct tracing of damage development Marchant Ray. Alleviating stress in the framing of panel paintings Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Ormond Devi. Alleviating stress in the framing of panel paintings Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Phenix Alan. Preface Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings Roeders Jessica. The history of cradling in the Frans Hals Museum, Haarlem Rogala Dawn V. Structural treatment of a seventeenth-century Flemish panel painting Rubino Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display Ryhl-Svendsen Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Saccuman Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display Salgueiro Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c Scharff Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Scharff Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation Schreuder Kees. Developments in education in the Netherlands for the conservation of panel paintings Seymour Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings Soavi Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display Sozzani Laurent. Microclimate vitrines for panel paintings: an update Thickett David. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Thornton Jonathan. Structural treatment of a seventeenth-century Flemish panel painting Wadum Jørgen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Wadum Jørgen. Interim results of a needs assessment survey for the field of panel paintings conservation Weinstein Joan. Foreword Whalen Timothy P. Foreword Williams Donald C. (konserwatorstwo). Some experiences with flexible gap-fillingaAdhesives for the conservation of wood objects Woolston Jonathan. Restoration - a sound practice Young Christina. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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Bibliogr. przy ref.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26405 (1 egz.)
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Autor
Gabler Wolfram (1954- ). Krekel Christoph (1966- ). Schaible Volker. Baumer Ursula. Ernst Ludwig Kirchner's binding media - material, surface and colour perception Beil Cedric. Ernst Ludwig Kirchner's binding media - material, surface and colour perception Beltinger Karoline. Cuno Amiet und die Temperamalerei in der Schweiz um 1900 Berg Klaas Jan van den (1964- ). Breitner's paint box and the colours of Standage Blumenroth Diana Sabine. Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Diependaal Hannie. Breitner's paint box and the colours of Standage Dietemann Patrick. Ernst Ludwig Kirchner's binding media - material, surface and colour perception Fiedler Irene (1948- ). Ernst Ludwig Kirchner's binding media - material, surface and colour perception Fücker Beate. Geschichte, Herstellung und Verwendung von Glasaugen an barocker, polychromer Grossplastik im deutschsprachigen Raum Griesebach Lucius (1942- ). Vorderseite? Rűckseite? ober beides? Über den Umgang mit Ernst Ludwig Kirchners doppelseitig bemalten Leinwänden Groot Suzan de (1972- ). Breitner's paint box and the colours of Standage Haidvogl Martina. Audiokunstwerke von Dieter Roth. Problematiken und mögliche Lōsungsansätze zur Erhaltung Keijzer Matthijs de. Breitner's paint box and the colours of Standage Keulen Henk van. Breitner's paint box and the colours of Standage Krekel Christoph (1966- ). "Der Reichtum der Palette". Kirchners Pigmente Megens Luc (1970- ). Breitner's paint box and the colours of Standage Müller Wolfgang (chemia). Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Pfenninger Martina. Audiokunstwerke von Dieter Roth. Problematiken und mögliche Lōsungsansätze zur Erhaltung Pohlmann Albrecht (1961- ). "Der Künstler schaffe bewusst!". Wilhelm Ostwalds "Malerbriefe" (1904) und andere Schriften als kunsttechnologisches Paradigma einer kommenden Kunst Richter Mark. Indanthrenblau, Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy Saint-George Caroline von (1971- ). Die Ästhetik der Oberfläche. Vom Umgang mit Firnis inderdeutschen Malerei um1900 mit abschliessendem Blick auf die "Brücke" Scherrer Nadim C. Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Schick Karin (1968- ). Farbe in Schwarz-Weiss: Kompositionen bei Kirchner Skowranek Heide (1973- ). Unmittelbar und expressiv? Zur technischen Genese der Malerei Ernst Ludwig Kirchners Skowranek Heide (1973- ). "Der Reichtum der Palette". Kirchners Pigmente Soika Aya (1975- ). Die Originalität der "Brücke" Stege Heike (1970- ). Indanthrenblau, Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy Steuer Christoph. Indanthrenblau, Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy Zumbühl Stefan. Lösemittelsensitivität moderner Ölfarben. Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts
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Z. monogr.: "Zeitschrift für Kunsttechnologie und Konservierung". Jg. 27 (2013), H. 1.
Tyt. wg nagł.
Bibliogr.w przypisach do ref.
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Magazyn
Zapytaj bibliotekarza: Czas. III 2217/27/1 (1 egz.)
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(Arte e Restauro / ed. Andrea Galeazzi)
Tyt. oryg.: La chimica nel restauro, 1989.
Bibliogr. przy rozdz. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
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Są egzemplarze dostępne do wypożyczenia: II 31670 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 15206 (1 egz.)
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Autor
Dardes Kathleen (1952- ). Rothe Andrea (1936- ). Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France Bergeon Ségolène (1942- ). The restoration of wooden painting supports. Two hundred years of history in France Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects Bobak Simon. A flexible unattached auxiliary support Bomford David. Introduction: keynote address Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Brewer Al. Practical aspects of the structural conservation of large panel paintings Brewer Al. Some rejoining methods for panel paintings Castelli Ciro. The restoration of panel painting supports. Some case histories Corzo Miguel Angel (1942- ). Foreword Daniel Vinod. Modified atmosphere treatments of insect infestations Dardes Kathleen (1952- ). Preface Emile-Mâle Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France Glatigny Jean-Albert. Backings of painted panels. Reinforcement and constraint Hanlon Gordon. Modified atmosphere treatments of insect infestations Hoadley R. Bruce (1933-2019). Chemical and physical properties of wood Hoadley R. Bruce (1933-2019). Identification of wood in painting panels Horns James S. Richard Buck. The development and use of the balsa backing for panel paintings Huot Claude. The restoration of wooden painting supports. Two hundred years of history in France Jaunard Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Klein Peter. Dendrochronological analyses of panel paintings Lebas Frédéric J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner Mandron Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Marchant Raymond. The development of a flexible attached auxiliary support Marussich Giovanni. Florentine structural stabilization techniques McClure Ian. History of structural conservation of panel paintings in Great Britain McClure Ian. The framing of wooden panels Mecklenburg Marion F. Technical considerations for the transport of panel paintings Reeve Anthony M. Structural conservation of panel paintings at the National Gallery, London Richard Mervin. Technical considerations for the transport of panel paintings Rothe Andrea (1936- ). Critical history of panel painting restoration in Italy Rothe Andrea (1936- ). Florentine structural stabilization techniques Rothe Andrea (1936- ). Preface Schiessl Ulrich (1948-2011). History of structural panel painting conservation in Austria, Germany and Switzerland Schniewind Arno P. (1929- ). Consolidation of wooden panels Tumosa Charles S. Technical considerations for the transport of panel paintings Uzielli Luca. Historical overview of panel-making techniques in central Italy Véliz Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain Wadum Jørgen. Historical overview of panel-making techniques in the northern countries Wadum Jørgen. Microclimate boxes for panel paintings Walker Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques Walsh John (1937- ). Foreword Williams Donald C. (konserwatorstwo). A survey of adhesives for wood conservation Wilmering Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
Indeks R0: BMNK
Bibliogr. przy ref.
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Wszystkie egzemplarze są obecnie wypożyczone: III 26440 (1 egz.)
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Autor
Ellison Rebecca. Smithen Patricia. Turnbull Rachel. Ackroyd Paul. Retouching media used at the National Gallery, London, since the nineteenth century Bucklow Spike. The state of research into retouching resins Ciatti Marco (1955- ). An unusual case of integration and its solution Cove Sarah. Retouching with a PVA resin medium Cross Maureen. Retouching media for acrylic paintings Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching Folkes Simon. Texturing fills using a silicone mould Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching Kempski Mary. The art of tempera retouching Koneczny Peter. An introduction to B72 Retouching Gels Koneczny Peter. Properties of pigments, retouching media and their use Lowry Kate. Retouching with Paraloid B-72 Massing Ann. The history of egg tempera as a retouching medium Phenix Alan. The composition and chemistry of eggs and egg tempera Reddington Sophie. Texturing fills using a silicone mould Roma Paolo. An unusual case of integration and its solution Sartiani Oriana (1960- ). An unusual case of integration and its solution Severini Leonardo. An unusual case of integration and its solution Sims Shelley. Retouching media for acrylic paintings Smithen Patricia. Retouching media for acrylic paintings Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Indeks R0: BMNK
Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 31514 (1 egz.)
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1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
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Zapytaj bibliotekarza: Czas. III 531/B/11 (1 egz.)
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1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
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Są egzemplarze dostępne do wypożyczenia: Czas. III 531/B/27 (1 egz.)
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