SOWA OPAC : Catalogue of the National Museum in Krakow Library

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Książki

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available

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unavailable

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Magazyn

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Author

Wright Adele

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Balch Pippa

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Bordt Nele. Observations on Rudolf Swoboda’s painting technique

(1)

Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings

(1)

Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests

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Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions

(1)

Christensen Marie. Bulging in wax-resin impregnated canvas paintings

(1)

Clarricoates Rhiannon

(1)

Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings

(1)

Costaras Nicola

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Costaras Nicola. These pitchy pigments from their very nature never harden: a nineteenth-century perspective on premature cracking in oil paintings

(1)

Dowding Helen

(1)

Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests

(1)

Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions

(1)

Glanville Helen

(1)

Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings

(1)

Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century

(1)

Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney

(1)

Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings

(1)

Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists

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Higgs Sally. Paintings affected by mould at the Palace of Westminster

(1)

Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses

(1)

Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century

(1)

Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings

(1)

Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Lowry Kate

(1)

Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists

(1)

Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study

(1)

Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection

(1)

Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century

(1)

Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings

(1)

Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney

(1)

Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions

(1)

Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses

(1)

Saltmarsh Polly

(1)

Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the The last supper by Giorgio Vasari

(1)

Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique

(1)

Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Scott Rachel. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney

(1)

Seed Alison. Paintings affected by mould at the Palace of Westminster

(1)

Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century

(1)

Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings

(1)

Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris

(1)

Sperber Roxanne. The retouching practices of John Linnell: technique patronage and practice from two works in the Yale Center for British Art

(1)

Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions

(1)

Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions

(1)

Straub Michaela. The conservation and research of two paintings by Alfred East RA

(1)

Sucević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling

(1)

Sutcliffe Victoria

(1)

Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses

(1)

Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists

(1)

Veldink Suzanne. George Hendrik Breitner at work: new insights

(1)

Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses

(1)

Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate

(1)

Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century

(1)

Woltman Nienke. George Hendrik Breitner at work: new insights

(1)

Woodcock Sally. Alteration restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen

(1)

Wright Adele. Method cannot govern everything. Delacroix: mid-century modern master

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Year

2010 - 2019

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Country

United Kingdom

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Language

English

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Subject

Konserwatorstwo

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Malarstwo (szt.plast.)

(1)

Malarstwo europejskie

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Ochrona zabytków

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Subject: time

1801-

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1901-

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2001-0

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Materiały konferencyjne

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Authority data

Wright Adèle (hasło formalne)

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In basket

This item is available in one branch. Expand information to see details.

Magazyn

All copies are currently on loan: sygn. sygn. II 31515 (1 egz.)

Book

In basket

This item is available in one branch. Expand information to see details.

Magazyn

There are copies available to loan: sygn. sygn. II 33820 (1 egz.)