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Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
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Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Baija Hubert (1953- )
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Bleyerveld Yvonne (1967- )
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Bleyerveld Yvonne (1967- ). Amsterdam street life
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Bleyerveld Yvonne (1967- ). Special by-catch
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Borchert Till-Holger (1967- )
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Buvelot Quentin (1969- ). The library of Frits Lugt
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Coppes Wietse (1978- ). Mondrian as toreador
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Couvert Jacqueline
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Craft-Giepmans Sabine (1971- ). The filing cards of the Great Bear
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Dubois Anne
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Duijn Esther Emmy van (1973- )
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Fife Gwendoline R
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Filedt Kok Jan Piet (1943- )
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Filedt Kok Jan Piet (1943- ). A pair of singing goldfinches
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Franken Michiel (1955- ). A masterpiece?
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Garthoff Nadja. Art-historical gold
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Geerts Ton (1963- )
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Geerts Ton (1963- ). Baldessari's parables
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Geerts Ton (1963- ). Van Meegeren's glasses
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Geudeker Eva (1968- )
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Geudeker Eva (1968- ). Seen from behind
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Geudeker Eva (1968- ). Three 'gallant decent boys' in Rome
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Grasman Edward (1953- ). RKD 1946
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Hopmans Anita (1956- ). 'Avant' and 'Apres'
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Iperen Jolanda van
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Ippel Iris. Enigmatic retables
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Jonkman Mayken (1969- ). Virtual browsing
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Kapelle Jeroen (1972- ). A little dance in the back garden
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Kapelle Jeroen (1972- ). Flames of mood
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Kapelle Jeroen (1972- ). Photoshopping avant la lettre
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Keune Katrien
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Kneepkens Indra (1979- )
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Kolfin Elmer Eduard Peter (1969- ). Gambling with a moral
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Kolfin Elmer Eduard Peter (1969- ). The green box
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Laemers Suzanne (1969- ). Friedlander en route
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Laemers Suzanne (1969- ). The hardware of a restorer
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
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Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Meyjes Irene (1957- ). A book full of silverware
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Natris Marieke de
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Natris Marieke de. Annette in front of House Appeltern
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Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Och Jos van
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Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
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Rhijn Lynne van. Byars' 7
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Rhijn Lynne van. The king as king
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Ridder Willem de
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Rijdt Robert Jan A. te (1955- ). Auction catalogues Frits Lugt's passion
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Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Schoemaker Laurens (1965- ). Through the eyes of Jaboc van Ruisdael
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Sozzani Laurent
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Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Stolwijk Chris (1966- )
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Stolwijk Chris (1966- ). The art world in a ledger
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Stolwijk Chris (1966- ). The image of Rembrandt
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Stolwijk Chris (1966- ). Van Gogh for everybody
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Tauber Gwen
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Ubl Matthias
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Vakar Kriszti. Goliath next to David
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Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Vandivere Abbie (1979- )
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Vaz Pedroso Joana
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Veen Jaap van der (1955- ). Pieter Staverenes' notebook
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Verslype Ige (1974- )
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Visser Evelien de (1988- )
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Visser Evelien de (1988- ). For Dina
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Wallert Arie (1950- )
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Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Whitaker Lucy. Who is the man in red and who painted him?
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Wijgergangs Hans. 'A delightful big child'
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2020 - 2024
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2010 - 2019
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Van Schoute, Roger (1930-2017)
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3 wyniki Filtruj
Książka
W koszyku
Autor
Bleyerveld Yvonne (1967- ). Geerts Ton (1963- ). Geudeker Eva (1968- ). Natris Marieke de. Stolwijk Chris (1966- ). Visser Evelien de (1988- ). Bleyerveld Yvonne (1967- ). Amsterdam street life Bleyerveld Yvonne (1967- ). Special by-catch Buvelot Quentin (1969- ). The library of Frits Lugt Coppes Wietse (1978- ). Mondrian as toreador Craft-Giepmans Sabine (1971- ). The filing cards of the Great Bear Filedt Kok Jan Piet (1943- ). A pair of singing goldfinches Franken Michiel (1955- ). A masterpiece? Garthoff Nadja. Art-historical gold Geerts Ton (1963- ). Baldessari's parables Geerts Ton (1963- ). Van Meegeren's glasses Geudeker Eva (1968- ). Seen from behind Geudeker Eva (1968- ). Three 'gallant, decent boys' in Rome Grasman Edward (1953- ). RKD 1946 Hopmans Anita (1956- ). 'Avant' and 'Après' Ippel Iris. Enigmatic retables Jonkman Mayken (1969- ). Virtual browsing Kapelle Jeroen (1972- ). A little dance in the back garden Kapelle Jeroen (1972- ). Flames of mood Kapelle Jeroen (1972- ). Photoshopping avant la lettre Kolfin Elmer Eduard Peter (1969- ). Gambling with a moral Kolfin Elmer Eduard Peter (1969- ). The green box Laemers Suzanne (1969- ). Friedländer en route Laemers Suzanne (1969- ). The hardware of a restorer Meyjes Irene (1957- ). A book full of silverware Natris Marieke de. Annette in front of House Appeltern Rhijn Lynne van. Byars' 7 Rhijn Lynne van. The king as king Rijdt Robert Jan A. te (1955- ). Auction catalogues, Frits Lugt's passion Schoemaker Laurens (1965- ). Through the eyes of Jaboc van Ruisdael Stolwijk Chris (1966- ). The art world in a ledger Stolwijk Chris (1966- ). The image of Rembrandt Stolwijk Chris (1966- ). Van Gogh for everybody Vákár Kriszti. Goliath next to David Veen Jaap van der (1955- ). Pieter Staverenes' notebook Visser Evelien de (1988- ). For Dina Wijgergangs Hans. 'A delightful big child' Wijgergangs Hans. The unexpected ability of Cornelis Veth Wolters Margreet (1958- ). Innovative research in a nighty sacristy Zelfde Reinier van 't (1967- ). Olivetti M24
Indeks R0: BMNK
Bibliogr. s. 154-155. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 32707 sygn. II 32707 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 sygn. III 24321 (1 egz.)
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