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Bredekamp Horst (1947- )
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Didi-Huberman Georges (1953- )
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Dietemann Patrick
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Emmerling Erwin (1952- )
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Kemp Wolfgang (1946- )
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Kuhlenthal Michael. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
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Mach Martin
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Moser-Seiberl Lukas. Die Altare von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
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Moser-Seiberl Lukas. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
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Richter Mark. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
(1)
Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
(1)
Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
(1)
Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddaus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
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Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
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Richter Mark. Coloured glazes on metal leaf: definition and terminology
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Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Richter Mark. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
(1)
Richter Mark. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
(1)
Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773)
(1)
Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany Austria and Switzerland (c. 1600-1780)
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Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
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Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomunster
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Richter Mark. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
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Richter Mark. The red glazed drapes in the Cuivillies-Theatre: results of the scientific examination
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Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Ryll Julia
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Schafer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections
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Schellewald Barbara Maria (1952- )
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Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl Bad Wiessee
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Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sunching
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Kostbarkeiten flamischer Buchmalerei / Horst Wolf. - Berlin : Evangelische Verlagsanstalt, cop. 1985. - 43, [1] s., [48] s. tabl. ; 24 cm.
Bibliogr. s. 41. Indeks.
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Die Meister des Breviarium Grimani / Horst Wolf. - Berlin : Evangelische Verlagsanstalt, cop. 1982. - 65 s., 48 s. tabl. : il. (w tym kolor.) ; 24 cm.
Autor
Indeks R0: BMNK
Bibliogr. s. 62-[63]. Indeks.
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(Studien aus dem Institut für Baugeschichte, Kunstgeschichte, Kunst und Design, Restaurierung mit Architekturmuseum Technische Universität München, Fakultät für Architektur)
Autor
Emmerling Erwin (1952- ). Kühlenthal Michael. Richter Mark. Baumer Ursula. Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Boon Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Dietemann Patrick. Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history Dodinet Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Gruber Christian (1939- ). Grundmann Günther. Horst Jerre van der. Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Keune Katrien. Küffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts Kühlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Kühlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Kühlenthal Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko Kühlenthal Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft Mach Martin. Moser-Seiberl Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee Moser-Seiberl Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Pelludat Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Pelludat Inga. Das Cuivilliés-Theater in München Rapp Klaus. Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria) Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland) Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Richter Mark. Coloured glazes on metal leaf: definition and terminology Richter Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Richter Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Richter Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773) Richter Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780) Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Schäfer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773) Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee Stege Heike (1970- ). Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Tucic Vojislav. Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching Wolf Stefan. Das Cuivilliés-Theater in München
Indeks R0: BMNK
Bibliogr. przy art.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24782 (1 egz.)
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