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Affron Matthew. Contrasts of colours contrasts of words
(1)
Affron Matthew. Decoration and abstraction in Bloomsbury
(1)
Affron Matthew. Fernand Leger: metallic sensations
(1)
Ahn Sang Doo. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
Alexandridis Annetta (1968- )
(1)
Alexandridis Annetta (1968- ). 'Classical' plaster casts in enlightenment and colonialist discourse on race
(1)
Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan
(1)
Arik Ruchan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
(1)
Baker Malcolm (1945- ). Considering replication. Social functions and sculptural practices
(1)
Baker Malcolm (1945- ). Mise-en-scene. Displaying and curating the bust
(1)
Baker Malcolm (1945- ). Thorvaldsen and three - dimensional portraiture
(1)
Baker Malcolm (1945- ). Thorvaldsen the portrait bust and Europe
(1)
Baldwin Melinda (1981- ). The successors to the X Club? Late Victorian naturalists and nature 1869-1900
(1)
Bang Peter Fibiger. The selfie. Portraits in the digital present and future
(1)
Barton Ruth (1959- ). Sunday Lecture Societies: naturalistic scientists unitarians and Secularists Unite against Sabbatarian legislation
(1)
Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute
(1)
Bencard Ernst Jonas (1961- ). Why are there portrait busts at Thorvaldsens Museum?
(1)
Bevivino Michael Ann. A rampage by vandals: the history and destruction of the plaster casts of the National College of Art and Design of Ireland
(1)
Boggild Johannsen Birgitte (1948- )
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Boggild Johannsen Kristine. Thorvaldsen and three - dimensional portraiture
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Bois Yve-Alain (1952- ). 3 De Stijl models
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Bois Yve-Alain (1952- ). Pablo Picasso: the cadaques experiment
(1)
Bois Yve-Alain (1952- ). Piet Mondrian: toward the abolition of form
(1)
Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva
(1)
Bowler Peter J. (1944- ). From agnosticism to rationalism: evolutionary biologists the Rationalist Press Association and early twentieth-century scientific naturalism
(1)
Braverman Laura. Chronology
(1)
Brodder Line
(1)
Brodder Line. From marble to human being
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Broeng Gitte (1973- ). A realm of possibility. The portraits of Trine Sondergaard
(1)
Brouwer Wendy
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Busk-Jepsen Karen Benedicte. A token of friendship and esteem
(1)
Busk-Jepsen Karen Benedicte. On Thorvaldsen's women sculptor colleagues
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Chay Visuddh. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01
(1)
Cheng Qian. The latest archaeological discoveries of Tang Sancai in China and the study of provenance
(1)
Chhay Rachna. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01
(1)
Chlenova Masha. 0.10
(1)
Chlenova Masha. Early Russian abstraction as such
(1)
Choo Carolyn Kyongshin Koh (1946- ). Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
Choo Woong Kil. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
Coen Ester. Giacomo Balla: the most luminous abstraction
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Cort Louis Allison
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Cox Christoph (1965- ). Music noise and abstraction
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Damisch Hubert (1928-2017). On the movie
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Danbolt Mathias (1983- ). In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah
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Davis Whitney (1958- ). Beheaded
(1)
Dawson Gowan
(1)
Dawson Gowan. Introduction
(1)
Dawson Gowan. The Great O. versus the Jermyn St. Pet: Huxley Falconer and Owen on paleontological method
(1)
DeLue Rachael Ziady. Against the circle
(1)
DeLue Rachael Ziady. With color
(1)
DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution
(1)
Dickerman Leah (1964- )
(1)
Dickerman Leah (1964- ). Abstraction in 1936: cubism and abstract art at the Museum of Modern Art
(1)
Dickerman Leah (1964- ). Inventing abstraction
(1)
Dickerman Leah (1964- ). Object mask abstraction: the heads
(1)
Dickerman Leah (1964- ). Vasily Kandinsky without words
(1)
Douglas Janet G
(1)
Dussubieux Laure (1975- ). The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange ca. 1200-1700
(1)
Ea Darith. New data in the distribution of Khmer Ceramic Kilns and the study of ceramics
(1)
Ehlers Jeannette (1973- ). Ancestors. Forever connected in time and space
(1)
Elwick James Matthew (1973- ). Economies of scales: evolutionary naturalists and the Victorian examination system
(1)
Endersby Jim. Odd man out: was Joseph Hooker an evolutionary naturalist?
(1)
Esbjorn Line. Encounters with portrait busts
(1)
Esbjorn Line. From marble to human being
(1)
Esbjorn Line. New paths to portrait
(1)
Esbjorn Line. Thorvaldsen and three - dimensional portraiture
(1)
Fejfer Jane
(1)
Fejfer Jane. Faces in 3D. Thorvaldsen and ancient Romans in dialogue
(1)
Fejfer Jane. Thorvaldsen and three - dimensional portraiture
(1)
Fendt Astrid (1951- ). 'My below Thorwaldsen' - or the busts of crown prince Ludwig
(1)
Fendt Astrid (1951- ). Alter ego. Diomedes Włodzimierz Potocki and the portrait historie in antiquity and the neoclassical period
(1)
Fendt Astrid (1951- ). Conventions in portraiture. The choice between classical and contemporary costume
(1)
Fendt Astrid (1951- ). The art of making ideal portraiture. The Victoria Caldoni cas
(1)
Fer Briony (1956- ). Balancing act
(1)
Foster Hal (1955- ). Sense and non-sense
(1)
Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value
(1)
Franko Mark. Danced abstraction: Mary Wigman
(1)
Franko Mark. Danced abstraction: Rudolf von Laban
(1)
Franko Mark. The choreographic imaginary: between expressionist dance and visual abstraction
(1)
Freestone Ian C. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
(1)
Furihata Junko. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis
(1)
Gale Matthew. Vorticism: planetary abstracion
(1)
Galison Peter (1955- ). Concrete abstraction
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Garrett Paul Russell
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Gliwitzky Christian. Size matters
(1)
Gogte Vishwas D. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange ca. 1200-1700
(1)
Gough Maria (1961- ). Abstract environment
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Gough Maria (1961- ). Language of revolution
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Gough Maria (1961- ). Spatial object
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Gough Maria. Sophie Taeuber-Arp's camera peripatetica
(1)
Grave Peter. Characterizing Asian stoneware jar production at the transition to the early modern period 1550-1650
(1)
Gregersen Anne. Contemporary developments and artistic collaboration at Thorvaldsens Museum
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Guo Qinghua. Mingqi pottery buildings of Han Dynasty China: production methods and techniques
(1)
Han Nyunt. The study of Pyu ceramics from ancient Pyu Cities in Myanmar (Burma)
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Harlev Lise (1973- ). Cold hard and monochrome
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Hauptman Jodi (1964- ). Drawing without end
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Hauptman Jodi (1964- ). Leopold Survage's paper cinema
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Hauptman Jodi (1964- ). Parole in liberta
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Healy Charlotte
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Healy Charlotte. Checklist of the exhibition
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Taeuber-Arp, Sophie (1889-1943)
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Thorvaldsen, Bertel (1770-1844)
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7 wyników Filtruj
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 18120 (1 egz.)
Książka
W koszyku
Autor
Healy Charlotte. Krupp Walburga (1959- ). Umland Anne. Braverman Laura. Chronology Dickerman Leah (1964- ). Object, mask, abstraction: the heads Fer Briony (1956- ). Balancing act Franko Mark. The choreographic imaginary: between expressionist dance and visual abstraction Gough Maria. Sophie Taeuber-Arp's camera peripatetica Hauptman Jodi (1964- ). Drawing without end Healy Charlotte. Checklist of the exhibition Healy Charlotte. Selected bibliography Helfenstein Josef (1957- ). Directors' foreword Hoch Medea (1970- ). Interplay of the arts on stage: the "King Stag" marionettes and stage sets Kinchin Juliet. The art of modern living: architecture and interiors from Clamart to Berlin Krupp Walburga (1959- ). Acknowledgments Krupp Walburga (1959- ). Beautiful, perfect things: Sophie Taeuber-Arp's early applied-arts career Krupp Walburga (1959- ). Checklist of the exhibition Krupp Walburga (1959- ). Chronology Krupp Walburga (1959- ). Sophie Taeuber-Arp: an introduction Lowry Glenn D. (1954- ). Directors' foreword Morris Frances. Directors' foreword Reifert Eva. Acknowledgments Reifert Eva. Abstraction in two and three dimensions Sidlina Natal'â Zinov'evna. Acknowledgments Sidlina Natal'â Zinov'evna. Activating form: the ball costumes Smith T'ai Lin (1975- ). The many dimensions of Sophie Taeuber-Arp's beaded bags Sudhalter Adrian. Safeguarding abstraction: the journal "Plastique" Teuscher Jana. Between portfolio and archive: the "Presentation album" Umland Anne. Acknowledgments Umland Anne. Sophie Taeuber-Arp: an introduction White Michael (1969- ). Color as material: the Strasbourg interiors Wilker Annie. Checklist of the exhibition Wilker Annie. Planning and precision: Sophie Taeuber-Arp's working methods
Indeks R0: BMNK
Publ. związ. z wystawami: Kunstmuseum Basel (19 marca - 20 czerwca 2021), Tate Modern London (13 lipca - 17 października 2021), The Museum of Modern Art, New York (21 listopada 2021 - 12 marca 2022).
Bibliogr. a. 340-344. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Zapytaj bibliotekarza: III 25659, III 25658 (2 egz.)
Książka
W koszyku
Autor
Cort Louis Allison. Douglas Janet G. Jett Paul. McCarthy Blythe Ellen. Salzman Chase Ellen. Ahn Sang Doo. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Arık Rüçhan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Chāy Visuddh. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Cheng Qian. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Chhay Rachna. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Choo Carolyn Kyongshin Koh (1946- ). Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Choo Woong Kil. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Dussubieux Laure (1975- ). The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Ea Darith. New data in the distribution of Khmer Ceramic Kilns and the study of ceramics Freestone Ian C. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Furihata Junko. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Gogte Vishwas D. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Grave Peter. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Guo Qinghua. Mingqi pottery buildings of Han Dynasty China: production, methods and techniques Han Nyunt. The study of Pyu ceramics from ancient Pyu Cities in Myanmar (Burma) Kawamura Yoshio. The spread of pottery miniatures in Han Dynasty China Kim Gyu Ho. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Koss Kerith. Analysis of Persian painted Minai Ware Kusimba Chapurukha Makokha. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Lee Young Eun. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Lei Yong. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Li Jiazhi. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Li Wei Dong. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Luo Hongjie. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Ma Qinglin. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Maccheroni Michael. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Mao Zhenwei. Technological innovation in the manufacture of white porcelain in North China Maske Andrew L. Defining a new type of Japanese "Folk" ceramic: Nishi Sarayama Ware McCarthy Blythe Ellen. Analysis of Persian painted Minai Ware Oka Rahul. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Pan Weibin (1969- ). Technological innovation in the manufacture of white porcelain in North China Pollard A. M. Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Pomper Linda Rosenfeld. Research on the question of dating Chinese Famille Noire Porcelain Salzman Chase Ellen. Analysis of Persian painted Minai Ware San Kosal. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sasaki Tatsuo. Mutual influence and imitation of Mesopotamian and Chinese ceramics in the Ninth Tenth centuries Smith Dylan. Analysis of Persian painted Minai Ware Sok Hun Ly. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sok Keo Sovannara. Rethinking Khmer ceramics and metal vessels through ancient inscriptions and Bas-Reliefs: Khmer ceramic typology through ancient words Song Yan. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Stamen Jeffrey P. Research on the question of dating Chinese Famille Noire Porcelain Tabata Yukitsugu (1972- ). Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Tatsumi Junitiro. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Wang Changsui. Technological innovation in the manufacture of white porcelain in North China Wang Changsui. The provenance of ancient Chinese proto-celadon Weiss Norman R. Research on the question of dating Chinese Famille Noire Porcelain Wen Rui (1980- ). Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Xue Bin. Technological innovation in the manufacture of white porcelain in North China Yao Zhengquan. Technological innovation in the manufacture of white porcelain in North China Yegingil Zehra. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Zhu Jian. The provenance of ancient Chinese proto-celadon Zhu Tiequan. Technological innovation in the manufacture of white porcelain in North China
Indeks R0: BMNK
Materiały konferencji zorg. w Freer Gallery of Art w Waszyngtonie, 27-29 września 2007 r.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24878 (1 egz.)
Książka
W koszyku
Bibliogr. s. 329-334. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Dział
Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: Dział Nowoczesnego Polskiego M alarstwa i Rzeźby (Sukiennice) sygn. II 35743 (1 egz.)
Książka
W koszyku
Autor
Bøggild Johannsen Birgitte (1948- ). Brædder Line. Brouwer Wendy. Fejfer Jane. Garrett Paul Russell. Herholdt Silver Dorte. Rowley Jane. Søndergaard Trine (1972- ). Baker Malcolm (1945- ). Considering replication. Social functions and sculptural practices Baker Malcolm (1945- ). Mise-en-scène. Displaying and curating the bust Baker Malcolm (1945- ). Thorvaldsen and three - dimensional portraiture Baker Malcolm (1945- ). Thorvaldsen, the portrait bust and Europe Bang Peter Fibiger. The selfie. Portraits in the digital present and future Bencard Ernst Jonas (1961- ). Why are there portrait busts at Thorvaldsens Museum? Bøggild Johannsen Kristine. Thorvaldsen and three - dimensional portraiture Brædder Line. From marble to human being Broeng Gitte (1973- ). A realm of possibility. The portraits of Trine Søndergaard Busk-Jepsen Karen Benedicte. A token of friendship and esteem Busk-Jepsen Karen Benedicte. On Thorvaldsen's women sculptor colleagues Danbolt Mathias (1983- ). In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah Davis Whitney (1958- ). Beheaded Ehlers Jeannette (1973- ). Ancestors. Forever connected in time and space Esbjørn Line. Encounters with portrait busts Esbjørn Line. From marble to human being Esbjørn Line. New paths to portrait Esbjørn Line. Thorvaldsen and three - dimensional portraiture Fejfer Jane. Faces in 3D. Thorvaldsen and ancient Romans in dialogue Fejfer Jane. Thorvaldsen and three - dimensional portraiture Fendt Astrid (1951- ). Alter ego. Diomedes, Włodzimierz Potocki and the portrait historié in antiquity and the neoclassical period Fendt Astrid (1951- ). Conventions in portraiture. The choice between classical and contemporary costume Fendt Astrid (1951- ). 'My below Thorwaldsen' - or the busts of crown prince Ludwig Fendt Astrid (1951- ). The art of making ideal portraiture. The Victoria Caldoni cas Gliwitzky Christian. Size matters Gregersen Anne. Contemporary developments and artistic collaboration at Thorvaldsens Museum Harlev Lise (1973- ). Cold, hard and monochrome Heiberg Plovdrup Sofie. Consuming faces. Looking at the other/self Helle Merete Pryds (1965- ). Portraits in words Kofoed Kira. Idealized and equalized humanity. On Thorvaldsen's bust of Thomas Maitland Kohl Jeanette. Before a bust Macsotay Bunt Tomas. The thingness of the herm. The chimney-top herm of Henry Philip Hope Møller Jes Fabricius (1966- ). Identity and portraiture. The problem of the individual around 1800 Mrgan Lejla. Antiquity actualized. Caroline and Wilhelm von Humboldt Mrgan Lejla. The ancient ideal as a protection against affect. Caroline and Wilhelm von Humboldt's reception of their portrait busts Mrgan Lejla. The portrait as proxy Mrgan Lejla. Thorvaldsen and three - dimensional portraiture Myssok Johannes. The Thorvaldsen Napoleon Parker Grant. Nelson Mandela behind bars Pfanner Michael (1955- ). How long does an artist need for a portrait in marble? Pfisterer Ulrich (1968- ). Thorvaldsen and three - dimensional portraiture Pfisterer Ulrich (1968- ). Workshop cult and workshop knowledge. Production and portraits in Thorvaldsen's Studio Rasmussen Sara Marie. Encounters with portrait busts Recke Nikolaj. Ancestors. Forever connected in time and space Schindler Tabea (1982- ). Mythicizing Thorvaldsen, depicting a superstar. Some thoughts on his self-portrait statue Schneider Rolf Michael. Faces in 3D. Thorvaldsen and ancient Romans in dialogue Schneider Rolf Michael. Thorvaldsen and three - dimensional portraiture Schram Vejlby Anna (1979- ). On beauty Skjøthaug Laila. Open borders in Thorvaldsen's workshop Skovmøller Amalie. In the colonial contact zone. Thorvaldsen's portrait bust of Ghazi-ud-Din Haidar Shah Skovmøller Amalie. The portrait as proxy Skovmøller Amalie. Thorvaldsen and three - dimensional portraiture Skovmøller Amalie. White marble. Industry, identity and representation Sørensen Tim Flohr. Forgetting Bertel Thorvaldsen to recall Marianna Florenzi Sullivan M. G. The workshop as laboratory Yonan Michael Elia (1970- ). Facial expressions and first impressions Yuan Elaine J. (1974- ). The selfie. Portraits in the digital present and future Zacher Sørensen Mette-Marie. The future of the 3D portrait. Algorithms made tangible
Indeks R0: BMNK
Publikacja związana z wystawą: Thorvaldsens Museum, 8 marca - 18 października 2020 r.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25297, III 25298 (2 egz.)
Książka
W koszyku
Autor
Dickerman Leah (1964- ). Dickerman Leah (1964- ). Inventing abstraction Dickerman Leah (1964- ). Vasily Kandinsky, without words Dickerman Leah (1964- ). Abstraction in 1936: cubism and abstract art at the Museum of Modern Art Affron Matthew. Contrasts of colours, contrasts of words Affron Matthew. Fernand Léger: metallic sensations Affron Matthew. Decoration and abstraction in Bloomsbury Bois Yve-Alain (1952- ). Pablo Picasso: the cadaqués experiment Bois Yve-Alain (1952- ). Piet Mondrian: toward the abolition of form Bois Yve-Alain (1952- ). 3 De Stijl models Chlenova Masha. Early Russian abstraction, as such Chlenova Masha. 0.10 Coen Ester. Giacomo Balla: the most luminous abstraction Cox Christoph (1965- ). Music, noise, and abstraction Damisch Hubert (1928-2017). On the movie DeLue Rachael Ziady. With color DeLue Rachael Ziady. Against the circle Foster Hal (1955- ). Sense and non-sense Franko Mark. Danced abstraction: Rudolf von Laban Franko Mark. Danced abstraction: Mary Wigman Gale Matthew. Vorticism: planetary abstracion Galison Peter (1955- ). Concrete abstraction Gough Maria (1961- ). Spatial object Gough Maria (1961- ). Language of revolution Gough Maria (1961- ). Abstract environment Hauptman Jodi (1964- ). Léopold Survage's paper cinema Hauptman Jodi (1964- ). Parole in libertà Hughes Gordon (1965- ). Abstraction chez Delaunay Joselit David. Painting stripped bare Kaes Anton (1945- ). Absolute film Lang David (1957- ). Colors and games: music and abstraction, 1909 to 1912 Laxton Susan. White shadows: photograms around 1922 Lowry Glenn D. (1954- ). Abstraction in 1936: Barr's diagrams Michaud Philippe-Alain (1961- ). Rhythmus 21 and the genesis of filmic abstraction Suchan Jarosław (1966- ). Early abstraction in Poland Tattersall Lanka. Mr. Kupka among verticals Tattersall Lanka. Color grid Taylor Michael R. (1966- ). Francis Picabia: abstraction and sincerity Shore Marguerite. Herman Jeanine. Kemp-Welch Klara.
Indeks R0: BMNK
Katalog wystawy: Museum of Modern Art, Nowy Jork, 23 grudnia 2012 - 15 kwietnia 2013 r.
Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24257 (1 egz.)
Książka
W koszyku
Autor
Alexandridis Annetta (1968- ). Winkler-Horaček Lorenz (1963- ). Alexandridis Annetta (1968- ). 'Classical' plaster casts in enlightenment and colonialist discourse on race Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute Bevivino Michael Ann. "A rampage by vandals": the history and destruction of the plaster casts of the National College of Art and Design of Ireland Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value Holm Henrik (1964- ). The (mis)performance of cast collections Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile Leisner Nadine. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit Morinière Soline (1988- ). The fate of cast collection in French education: between destruction and abandonment Oldewurtel Ulfert. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit Payne Emma M. From pillar to post: calssical casts at the British Museum Pearson Stephanie. Falling between the cracks: UC Berkeley's plaster casts Pinatel Christiane. Destruction of plaster casts in workshops and collections of important French institution in th 19th and 20th centuries Rabe Britta. Verkauft, verschenkt, zerstört. Vergessen? Die Frankfurter Abguss-Sammlung9en): Versuch einer Rekonstruktion Rabinowitz Adam. "Museum od ancient art" or white elephant? The battle collection of plaster casts at the Unievrsity of Texas at Austin Schörner Hadwiga. Von systematischer Vernachlässigung bis absichtlicher Zerstörung: Gipsabgüsse in Jenaer und Wiener Antikensammlungen im 20. Jahrhundert Schreiter Charlotte. Burnt, destroyed, sold, lost: the fate of cast collections in the 18th and 19th centuries Splitter Rüdiger (1967- ). Die Abguss-Sammlungen im Museum Fridericianum und in der Gemäldegalerie Kassel Winkler-Horaček Lorenz (1963- ). Destroy the copy? Destroy the copy! A history of (non-)appreciation Winkler-Horaček Lorenz (1963- ). The fate of the Berlin plaster cast collections: from veneration to dectruction, defacement, and disposal
Indeks R0: BMNK
Materiały konferencyjne: Cornell University, 2010 oraz Freie Universität Berlin, 2015.
Bibliogr. przy art. Indeks.
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Są egzemplarze dostępne do wypożyczenia: II 35941 (1 egz.)
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