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Aurenhammer Hans H. Catalogue
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Aurenhammer Hans H. Venetian painting in the age of Titian
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Barrett Sylvana. An integrated approach for the study of painting techniques
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Bayer Andrea (1957- ). Catalogue
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Bloemacher Anne. Catalogue
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Brown Beverly Louise (1948- ). Catalogue
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Dunkerton Jill (1952- ). Painting techniques in sixteenth-century Venice
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Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Fleischer Martina. Catalogue
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Hermens Erma (1958- )
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
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Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
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Ilchman Frederick. Catalogue
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Kirby Jo. Paul Delaroche: a case study of academic painting
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Krischel Roland (1961- ). Catalogue
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Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
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Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Reinhardt Volker (1954- ). Venice in the renaissance - a social and political profile
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Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
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Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
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Skalova Zuzana. New evidence for the medieval production of icons in the Nile Valley
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Steinbuchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Stulik Dusan (1956- ). An integrated approach for the study of painting techniques
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Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875
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Wadum Jorgen. Johannes Vermeer (1632–1675) and his use of perspective
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Wallert Arie (1950- )
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Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination
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Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Woodcock Sally. The Roberson Archive: content and significance
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4 wyniki Filtruj
Książka
W koszyku
Publ. związ. z wystawą w Asmolean Museum, Oxford od 1 czerwca do 3 września 2017 r.
Bibliogr. s. 251-254 i przy notach katalogowych. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 23926 (1 egz.)
Książka
W koszyku
Publikacja w związku z wystawą: "Raphael", Albertina Museum, Wiedeń, 29 sierpnia 2017 - 7 stycznia 2018.
Bibliogr. s. 434-443.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 23887 (1 egz.)
Książka
W koszyku
Bibliogr. s. 256-269 i przy notach katalogowych.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24222 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Temat
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 26406 (1 egz.)
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