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Bomford David. Foreword
(3)
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Consolidation of flaking paint and ground
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Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
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Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
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Buckley Barbara A. Stretchers tensioning and attachments
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Bucklow Spike. The classification of craquelure patterns
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Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Fuster-López Laura. Filling
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
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Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
(2)
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Koninklijk Kabinet van Schilderijen Mauritshuis (Haga)
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Nelson-Atkins Museum of Art
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Phoenix Art Museum
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Vermeer van Delft, Jan
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Wadum Jørgen (hasło formalne)
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Book
In basket
Tytuł: Johannes Vermeer / [contributors to the catalogue: Ben Bross and Arthur K. Wheelock, Jr. with Albert Blankert and Jørgen Wadum ; editor : Arthur K. Wheelock, Jr. ; translations from the Dutch by Jack Horn].
Adres wydawniczy: Hague : Royal Cabinet of Paintings Mauritshuis ; Washington : National Gallery of Art ; Zwolle : Waanders Publishers, cop. 1995.
Opis fizyczny: 229 s. : il. (gł. kolor.) ; 31 cm.
Uwaga: Bibliogr. s. 210-225. Indeks.
Temat: Vermeer van Delft Jan 1632-1675 - wystawy
Gatunek, rodzaj, forma: Katalogi wystaw
Hasło dodatkowe: Wheelock, Arthur K. (1943-).
Hasło dodatkowe: Blankert, Albert.
Hasło dodatkowe: Bross, Ben (1944-2019).
Hasło dodatkowe: Horn, Jack.
Hasło dodatkowe: Wadum, Jørgen.
Hasło dodatkowe: Koninklijk Kabinet van Schilderijen - Mauritshuis
Hasło dodatkowe: National Gallery of Art (Waszyngton ; 1937- )
Hasło dodatkowe: Waanders Uitgevers (Zwolle)
ISBN:
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Zapytaj bibliotekarza: sygn. sygn. III 26655
Book
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Tytuł: Copper as canvas : two centuries of masterpiece paintings on copper 1575-1775 / [introduction by Michael K. Komanecky].
Wariant tytułu: Two centuries of masterpiece paintings on copper 1575-1775
Adres wydawniczy: [Phoenix] ; New York : Phoenix Art Museum ; Oxford : Oxford University Press, 1999.
Opis fizyczny: XX, 346 s. : il. (gł. kolor.) ; 28 cm.
Uwaga: Publikacja towarzysząca wystawie: Phoenix Art Museum, 19 grudnia 1998 - 28 lutego 1999 ; the Nelson-Atkins Museum of Art, 28 marca - 14 czerwca 1999 ; the Royal Cabinet Paintings Mauritshuis, 26 czerwca - 22 sierpnia 1999.
Uwaga: Indeks.
Temat: Koninklijk Kabinet van Schilderijen Mauritshuis Haga - wystawy - 1999
Temat: Nelson-Atkins Museum of Art - wystawy - 1999
Temat: Phoenix Art Museum - wystawy - 1998-1999
Temat: Malarstwo europejskie - wystawy - 16-18 w
Temat: Miedź - stosowanie - sztuka - wystawy - Europa - 16-18 w
Gatunek, rodzaj, forma: Katalogi wystaw
Hasło dodatkowe: Komanecky, Michael K.
Hasło dodatkowe: Bowron, Edgar Peters (1943- ). Brief history of European oil paintings on copper, 1560-1775
Hasło dodatkowe: Bargellini, Clara. Painting on copper in Spanish America
Hasło dodatkowe: Komanecky, Michael K. Artists' views of the miner's world
Hasło dodatkowe: Horovitz, Isabel. Materials and techniques of European paintings on copper supports
Hasło dodatkowe: Wadum, Jørgen. Antwerp copper plates
Hasło dodatkowe: Westermann, Ekkehard (1940- ). Copper production, trade and use in Europe from the end of the fifteenth century to the end of the eighteenth century
Hasło dodatkowe: Phoenix Art Museum
Hasło dodatkowe: Oxford University Press
ISBN: 0-19-512397-2
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23502 (1 egz.)
Book
In basket
Tytuł: The structural conservation of panel paintings : proceedings of a symposium at the J. Paul Getty Museum : 24-28 April 1995 / edited by Kathleen Dardes and Andrea Rothe.
Wariant tytułu: Proceedings of a symposium at the J. Paul Getty Museum : 24-28 April 1995
Adres wydawniczy: Los Angeles : The Getty Conservation Institute, cop. 1998.
Opis fizyczny: XXII, 565 s. : il. (w tym kolor.) ; 30 cm.
Uwaga: Bibliogr. przy ref.
Temat: Malarstwo szt.plast. - ochrona i konserwacja - materiały konferencyjne
Temat: Malarstwo szt.plast. - technika - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Dardes, Kathleen (1952- ).
Hasło dodatkowe: Rothe, Andrea (1936- ).
Hasło dodatkowe: Baÿ, Odile. The restoration of wooden painting supports. Two hundred years of history in France
Hasło dodatkowe: Bergeon, Ségolène (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
Hasło dodatkowe: Bisacca, George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
Hasło dodatkowe: Blanchette, R. A. A guide to wood deterioration caused by microorganisms and insects
Hasło dodatkowe: Bobak, Simon. A flexible unattached auxiliary support
Hasło dodatkowe: Bomford, David. Introduction: keynote address
Hasło dodatkowe: Bret, Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France
Hasło dodatkowe: Brewer, Al. Practical aspects of the structural conservation of large panel paintings
Hasło dodatkowe: Brewer, Al. Some rejoining methods for panel paintings
Hasło dodatkowe: Castelli, Ciro. The restoration of panel painting supports. Some case histories
Hasło dodatkowe: Corzo, Miguel Angel (1942- ). Foreword
Hasło dodatkowe: Daniel, Vinod. Modified atmosphere treatments of insect infestations
Hasło dodatkowe: Dardes, Kathleen (1952- ). Preface
Hasło dodatkowe: Emile-Mâle, Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France
Hasło dodatkowe: Glatigny, Jean-Albert. Backings of painted panels. Reinforcement and constraint
Hasło dodatkowe: Hanlon, Gordon. Modified atmosphere treatments of insect infestations
Hasło dodatkowe: Hoadley, R. Bruce (1933-2019). Chemical and physical properties of wood
Hasło dodatkowe: Hoadley, R. Bruce (1933-2019). Identification of wood in painting panels
Hasło dodatkowe: Horns, James S. Richard Buck. The development and use of the balsa backing for panel paintings
Hasło dodatkowe: Huot, Claude. The restoration of wooden painting supports. Two hundred years of history in France
Hasło dodatkowe: Jaunard, Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France
Hasło dodatkowe: Klein, Peter. Dendrochronological analyses of panel paintings
Hasło dodatkowe: Lebas, Frédéric J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner
Hasło dodatkowe: Mandron, Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France
Hasło dodatkowe: Marchant, Raymond. The development of a flexible attached auxiliary support
Hasło dodatkowe: Marussich, Giovanni. Florentine structural stabilization techniques
Hasło dodatkowe: McClure, Ian. History of structural conservation of panel paintings in Great Britain
Hasło dodatkowe: McClure, Ian. The framing of wooden panels
Hasło dodatkowe: Mecklenburg, Marion F. Technical considerations for the transport of panel paintings
Hasło dodatkowe: Reeve, Anthony M. Structural conservation of panel paintings at the National Gallery, London
Hasło dodatkowe: Richard, Mervin. Technical considerations for the transport of panel paintings
Hasło dodatkowe: Rothe, Andrea (1936- ). Critical history of panel painting restoration in Italy
Hasło dodatkowe: Rothe, Andrea (1936- ). Florentine structural stabilization techniques
Hasło dodatkowe: Rothe, Andrea (1936- ). Preface
Hasło dodatkowe: Schiessl, Ulrich (1948-2011). History of structural panel painting conservation in Austria, Germany and Switzerland
Hasło dodatkowe: Schniewind, Arno P. (1929- ). Consolidation of wooden panels
Hasło dodatkowe: Tumosa, Charles S. Technical considerations for the transport of panel paintings
Hasło dodatkowe: Uzielli, Luca. Historical overview of panel-making techniques in central Italy
Hasło dodatkowe: Véliz, Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain
Hasło dodatkowe: Wadum, Jørgen. Historical overview of panel-making techniques in the northern countries
Hasło dodatkowe: Wadum, Jørgen. Microclimate boxes for panel paintings
Hasło dodatkowe: Walker, Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques
Hasło dodatkowe: Walsh, John (1937- ). Foreword
Hasło dodatkowe: Williams, Donald C. (konserwatorstwo). A survey of adhesives for wood conservation
Hasło dodatkowe: Wilmering, Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
Hasło dodatkowe: Getty Conservation Institute
ISBN: 0-89236-384-3
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Magazyn
All copies are currently on loan: sygn. sygn. III 26440 (1 egz.)
No cover
Book
In basket
Tytuł: Facing the challenges of panel paintings conservation : trends, treatments, and training : proceedings from the symposium Facing the challenges of panel paintings conservation - trends, treatments, and training organized by the Getty Conservation Institute, the Getty Foundation, and the J. Paul Getty Museum : The Getty Center, Los Angeles, May 17-18, 2009 / edited by Alan Phenix and Sue Ann Chui.
Wariant tytułu: Proceedings from the symposium Facing the challenges of panel paintings conservation - trends, treatments and training
Adres wydawniczy: Los Angeles : The Getty Conservation Institute, 2011.
Opis fizyczny: XIII, 221 s. : il. (gł. kolor.) ; 30 cm.
Uwaga: Bibliogr. przy ref.
Temat: Konserwatorstwo - metody - materiały konferencyjne
Temat: Malarstwo - konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Chui, Sue Ann.
Hasło dodatkowe: Phenix, Alan.
Hasło dodatkowe: Ainsworth, Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
Hasło dodatkowe: Andrade, Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Baker, Wendy. Search for a dimension-neutral effect in the solvent treatment of wood
Hasło dodatkowe: Bendfeldt, Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton, Parish Church of Priessnitz/Saxony
Hasło dodatkowe: Bezùr, Anikò. Structural treatment of a seventeenth-century Flemish panel painting
Hasło dodatkowe: Bisacca, George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
Hasło dodatkowe: Bisacca, George. The treatment of Dürer’s Adam and Eve panels at the Prado Museum
Hasło dodatkowe: Boevé-Jones, Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bonaduce, Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Bratasz, Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
Hasło dodatkowe: Carvalho, Salomé Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
Hasło dodatkowe: Castelli, Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
Hasło dodatkowe: Chui, Sue Ann. Preface
Hasło dodatkowe: Ciatti, Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
Hasło dodatkowe: Colombini, Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Czop, Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Dahlin, Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Duin, Paul van (1956- ). Panels in furniture: observations and conservation issues
Hasło dodatkowe: Fife, Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings
Hasło dodatkowe: Fuente Martinez, José de la. The treatment of Dürer’s Adam and Eve panels at the Prado Museum
Hasło dodatkowe: Galitzine, George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
Hasło dodatkowe: Garcia, Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar, portugal
Hasło dodatkowe: Giani, Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display
Hasło dodatkowe: Grattan, David W. Search for a dimension-neutral effect in the solvent treatment of wood
Hasło dodatkowe: Griesbach, Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections
Hasło dodatkowe: Grøntoft, Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Haack Christensen, Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation
Hasło dodatkowe: Hackney, Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Hamm, James. Structural treatment of a seventeenth-century Flemish panel painting
Hasło dodatkowe: Harrison, Lynne. Finding solutions for mounting ancient Egyptian funerary portraits
Hasło dodatkowe: Hola, Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków
Hasło dodatkowe: Hopfner, Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges
Hasło dodatkowe: Kelberlau, Sandra. Structural treatment of a seventeenth-century Flemish panel painting
Hasło dodatkowe: Kostecki, Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków
Hasło dodatkowe: Kozłowski, Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development
Hasło dodatkowe: Lasyk, Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
Hasło dodatkowe: Lemus, Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967
Hasło dodatkowe: Lopez-Aparicio, Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Łukomski, Michał. Allowable microclimatic variations for painted wood: direct tracing of damage development
Hasło dodatkowe: Marchant, Ray. Alleviating stress in the framing of panel paintings
Hasło dodatkowe: Marchant, Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings
Hasło dodatkowe: Marchant, Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques
Hasło dodatkowe: Monfardini, PierPaolo. Structural and climate control systems for thinned panel paintings
Hasło dodatkowe: Mora, Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display
Hasło dodatkowe: Myers, Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art
Hasło dodatkowe: Myers, Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
Hasło dodatkowe: New, Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings
Hasło dodatkowe: New, Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques
Hasło dodatkowe: Newman, Nicola. Finding solutions for mounting ancient Egyptian funerary portraits
Hasło dodatkowe: Obarzanowski, Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Odlyha, Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Ormond, Devi. Alleviating stress in the framing of panel paintings
Hasło dodatkowe: Ortega, Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Perla, Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Phenix, Alan. Preface
Hasło dodatkowe: Provinciali, Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display
Hasło dodatkowe: Richard, Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings
Hasło dodatkowe: Roeders, Jessica. The history of cradling in the Frans Hals Museum, Haarlem
Hasło dodatkowe: Rogala, Dawn V. Structural treatment of a seventeenth-century Flemish panel painting
Hasło dodatkowe: Rubino, Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display
Hasło dodatkowe: Ryhl-Svendsen, Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Saccuman, Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display
Hasło dodatkowe: Salgueiro, Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c
Hasło dodatkowe: Scharff, Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Scharff, Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation
Hasło dodatkowe: Schreuder, Kees. Developments in education in the Netherlands for the conservation of panel paintings
Hasło dodatkowe: Seymour, Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings
Hasło dodatkowe: Soavi, Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display
Hasło dodatkowe: Sozzani, Laurent. Microclimate vitrines for panel paintings: an update
Hasło dodatkowe: Thickett, David. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Thornton, Jonathan. Structural treatment of a seventeenth-century Flemish panel painting
Hasło dodatkowe: Wadum, Jørgen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
Hasło dodatkowe: Wadum, Jørgen. Interim results of a needs assessment survey for the field of panel paintings conservation
Hasło dodatkowe: Weinstein, Joan. Foreword
Hasło dodatkowe: Whalen, Timothy P. Foreword
Hasło dodatkowe: Williams, Donald C. (konserwatorstwo). Some experiences with flexible gap-fillingaAdhesives for the conservation of wood objects
Hasło dodatkowe: Woolston, Jonathan. Restoration - a sound practice
Hasło dodatkowe: Young, Christina. Experimental evaluation of adhesive-filler combinations for joining panel paintings
Hasło dodatkowe: Getty Conservation Institute
ISBN: 978-0-9834922-2-1
Wersja elektroniczna: https://primastoria.files.wordpress.com/2014/10/panel-paintings-conservation.pdf (The Getty Conservation Institute)
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Tytuł: Colour change in paintings / edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent.
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group, 2016.
Opis fizyczny: IX, 130 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Uwaga: Bibliogr. przy ref.
Temat: Barwy - a malarstwo szt.plast. - materiały konferencyjne
Temat: Malarstwo szt.plast. - ochrona i konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Clarricoates, Rhiannon.
Hasło dodatkowe: Dowding, Helen.
Hasło dodatkowe: Gent, Alexandra.
Hasło dodatkowe: Buti, David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Cuellar, Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Eikema Hommes, Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Ferrer, Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Filtenborg, Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Gschwind, Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Haswell, Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hendriks, Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
Hasło dodatkowe: Hoekstra, Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hoffmeister, Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Hull, Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Keith, Larry. Colour change and restoration
Hasło dodatkowe: Khandekar, Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Lee, Judith. Colour change and modern paints; an overview
Hasło dodatkowe: Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Meloni, Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Mohan, Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Ormsby, Bronwyn. Colour change and modern paints; an overview
Hasło dodatkowe: Padfield, Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
Hasło dodatkowe: Pottasch, Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Rae, Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Raskar, Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Schneider Enriquez, Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Sheldon, Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Speleers, Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Spring, Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings
Hasło dodatkowe: Stenger, Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Syversen, Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Townsend, Joyce H. Microfading: a useful tool for paintings conservators?
Hasło dodatkowe: Verhave, Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Vila, Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Wadum, Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
ISBN: 978-1-909492-43-1
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Tytuł: Historical painting techniques : materials and studio practice : preprints of a symposium - University of Leiden, the Netherlands, 26-29 June 1995 / edited by by Arie Wallert, Erma Hermens and Marja Peek.
Wydanie: Second printing.
Adres wydawniczy: [Marina Del Rey, CA] : The Getty Conservation Institute, 1996.
Opis fizyczny: IX, [23], 204 s. : il. (gł. kolor.) ; 30 cm.
Uwaga: Bibliogr. przy ref. Indeks.
Temat: Malarstwo - materiały - materiały konferencyjne
Temat: Malarstwo - technika - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Hermens, Erma (1958- ).
Hasło dodatkowe: Peek, Marja F. J. (1961- ).
Hasło dodatkowe: Wallert, Arie (1950- ).
Hasło dodatkowe: Asperen de Boer, Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
Hasło dodatkowe: Barrett, Sylvana. An integrated approach for the study of painting techniques
Hasło dodatkowe: Berrie, Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
Hasło dodatkowe: Birkmaier, Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
Hasło dodatkowe: Carlyle, Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
Hasło dodatkowe: Choldere, Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
Hasło dodatkowe: Darrah, Josephine A. Connections and coincidences: three pigments
Hasło dodatkowe: Duffy, Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
Hasło dodatkowe: Elgar, Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
Hasło dodatkowe: Faries, Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
Hasło dodatkowe: Federspiel, Beate Knuth. Questions about medieval gesso grounds
Hasło dodatkowe: Gayer, John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
Hasło dodatkowe: Gifford, E. Melanie. Style and technique in Dutch landscape painting in the 1620s
Hasło dodatkowe: Glanville, Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique
Hasło dodatkowe: Hackney, Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
Hasło dodatkowe: Hermens, Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
Hasło dodatkowe: Howard, Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral
Hasło dodatkowe: Katz, Melissa R. William Holman Hunt and the "Pre-Raphaelite technique"
Hasło dodatkowe: Kirby, Jo. Paul Delaroche: a case study of academic painting
Hasło dodatkowe: Massing, Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
Hasło dodatkowe: Metzger, Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
Hasło dodatkowe: Poriete, Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
Hasło dodatkowe: Rothe, Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
Hasło dodatkowe: Rothe, Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
Hasło dodatkowe: Roy, Ashok. Paul Delaroche: a case study of academic painting
Hasło dodatkowe: Sinclair, Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
Hasło dodatkowe: Skalová, Zuzana. New evidence for the medieval production of icons in the Nile Valley
Hasło dodatkowe: Steinbüchel, Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
Hasło dodatkowe: Stulik, Dusan (1956- ). An integrated approach for the study of painting techniques
Hasło dodatkowe: Townsend, Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875
Hasło dodatkowe: Wadum, Jørgen. Johannes Vermeer (1632–1675) and his use of perspective
Hasło dodatkowe: Wallert, Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination
Hasło dodatkowe: Wallert, Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
Hasło dodatkowe: Wetering, Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter
Hasło dodatkowe: Woodcock, Sally. The Roberson Archive: content and significance
Hasło dodatkowe: Woudhuysen-Keller, Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Hasło dodatkowe: Getty Conservation Institute
ISBN: 0-89236-322-3
Wersja elektroniczna: https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/historical_paintings.pdf (The Getty Conservation Institute)
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Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
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All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
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Tytuł: Science and art : the painted surface / edited by Antonio Sgamellotti, Brunetto Giovanni Brunetti, Costanza Miliani.
Wariant tytułu: Painted surface
Adres wydawniczy: Cambridge : Royal Society of Chemistry, cop. 2014.
Opis fizyczny: XXIV, 620 s. : il. (w tym kolor.) ; 24 cm.
Uwaga: Bibliogr. przy rozdz. Indeks.
Temat: Malarstwo szt.plast. - technika
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Temat: Konserwatorstwo - metody
Hasło dodatkowe: Brunetti, Brunetto Giovanni.
Hasło dodatkowe: Miliani, Costanza.
Hasło dodatkowe: Sgamellotti, Antonio.
Hasło dodatkowe: Ernst, Richard R. Science and art - my two passions
Hasło dodatkowe: Siano, S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Fratini, F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mascalchi, M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Patrizi, G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mazzei, B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mazzeo, Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Sciutto, Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Prati, Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Bonacini, Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Ling, He. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Baglioni, P. Maya mural paintings in Calakmul
Hasło dodatkowe: Carrasco Vargas, R. Maya mural paintings in Calakmul
Hasło dodatkowe: Cordeiro Baqueiro, M. Maya mural paintings in Calakmul
Hasło dodatkowe: Chelazzi, David. Maya mural paintings in Calakmul
Hasło dodatkowe: Domenici, Davide (1968- ). Colours of indigenous memory
Hasło dodatkowe: Buti, David. Colours of indigenous memory
Hasło dodatkowe: Miliani, Costanza. Colours of indigenous memory
Hasło dodatkowe: Brunetti, Brunetto Giovanni. Colours of indigenous memory
Hasło dodatkowe: Sgamellotti, Antonio. Colours of indigenous memory
Hasło dodatkowe: Zetina, Sandra. Material study of the Codex Colombino
Hasło dodatkowe: Ruvalcaba, José Louis. Material study of the Codex Colombino
Hasło dodatkowe: Falcón, Tatiana. Material study of the Codex Colombino
Hasło dodatkowe: Arenas Alatorre, Jesús. Material study of the Codex Colombino
Hasło dodatkowe: Yanagisawa, Saeko. Material study of the Codex Colombino
Hasło dodatkowe: Álvarez Icaza Longoria, Marisa. Material study of the Codex Colombino
Hasło dodatkowe: Hernández, Eumelia. Material study of the Codex Colombino
Hasło dodatkowe: Giorgi, R. Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Chelazzi, David. Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Magaloni Kerpel, Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Melo, Maria João. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Castro, Rita. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Miranda, Adelaide. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Andreotti, Alessia. Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Colombini, Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Matteini, Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Paolucci, Antonio. Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Peggie, David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century
Hasło dodatkowe: Szmelter, Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Cartechini, Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Romani, Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Pezzati, Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Ciatti, Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch"
Hasło dodatkowe: Bellucci, Roberto. Underdrawing in paintings
Hasło dodatkowe: Frosinini, Cecilia. Underdrawing in paintings
Hasło dodatkowe: Pouli, Paraskevi. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Melessanaki, Kristalia. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Tornari, V. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Bernikola, Eirini. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Filippini, Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Anglos, D. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Fotakis, Costas. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Glanville, Helen. Mens agitat molem
Hasło dodatkowe: Rousselière, Hélène. Mens agitat molem
Hasło dodatkowe: Viguerie, L. de. Mens agitat molem
Hasło dodatkowe: Walter, Ph. Mens agitat molem
Hasło dodatkowe: Leona, Marco. Designing nature
Hasło dodatkowe: Londero, Pablo S. Designing nature
Hasło dodatkowe: Perry, Jennifer. Designing nature
Hasło dodatkowe: Fukunaga, Kaori. Designing nature
Hasło dodatkowe: Bailey, Gregory H. Designing nature
Hasło dodatkowe: Hale, Charlotte (1959- ). Designing nature
Hasło dodatkowe: Vila, Anna. As time passed by came sunset
Hasło dodatkowe: Monrad, Kasper (1952-2018). As time passed by came sunset
Hasło dodatkowe: Filtenborg, Troels (1951- ). As time passed by came sunset
Hasło dodatkowe: Wadum, Jørgen. As time passed by came sunset
Hasło dodatkowe: Janssens, Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Alfeld, Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Snickt, Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: De Nolf, Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Vanmeert, Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Monico, Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Legrand, Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Dik, Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Cotte, Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Falkenberg, Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Struick van der Loeff, Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Leeuwestein, Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Hendriks, Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Berrie, Barbara Hepburn. Vibrant surface
Hasło dodatkowe: Casadio, Francesca. Vibrant surface
Hasło dodatkowe: Dahm, K. Vibrant surface
Hasło dodatkowe: Strumfels, Y. Vibrant surface
Hasło dodatkowe: Tedeschi, M. Vibrant surface
Hasło dodatkowe: Walsh, John (1937- ). Vibrant surface
Hasło dodatkowe: Bommel, Maarten R. van. After the fact
Hasło dodatkowe: Janssen, Hans (1954- ). After the fact
Hasło dodatkowe: Spronk, Ron (1957- ). After the fact
Hasło dodatkowe: Marte, Fernando. Argentinean murals
Hasło dodatkowe: Gallegos, Damasia. Argentinean murals
Hasło dodatkowe: Rosado, Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Mendes, Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Motta, Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Teixeira, Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Souza, Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Patti, Mattia. Modern painted palimpsests
Hasło dodatkowe: Anselmi, C. Modern painted palimpsests
Hasło dodatkowe: Doherty, Brenda. Modern painted palimpsests
Hasło dodatkowe: Daffara, Claudia. Modern painted palimpsests
Hasło dodatkowe: Fontana, Raffaella. Modern painted palimpsests
Hasło dodatkowe: Rosi, Francesca (1977- ). Burri project
Hasło dodatkowe: De Cesare, G. Burri project
Hasło dodatkowe: Iazurlo, Paola. Burri project
Hasło dodatkowe: Daveri, Alessia. Burri project
Hasło dodatkowe: Vagnini, Manuela. Burri project
Hasło dodatkowe: Valentini, F. Burri project
Hasło dodatkowe: Basile, Giuseppe (1942-2013). Burri project
Hasło dodatkowe: Ormsby, Bronwyn. John Hoyland
Hasło dodatkowe: Learner, Thomas J. S. John Hoyland
Hasło dodatkowe: Crook, Jo (1963- ). John Hoyland
Hasło dodatkowe: Smithen, Patricia. John Hoyland
Hasło dodatkowe: Rava, Antonio. Outdoor painted surfaces in contemporary art
Hasło dodatkowe: Chiantore, Oscar. Outdoor painted surfaces in contemporary art
Hasło dodatkowe: Mirabile, Antonio. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Moretti, Patrizia. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Presciutti, Federica. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Royal Society of Chemistry
ISBN: 978-1-84973-818-7
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There are copies available to loan: sygn. sygn. II 31075 (1 egz.)
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Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Wydanie: 2nd ed.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2022.
Opis fizyczny: XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 792-890. Indeks.
Temat: Konserwatorstwo - 20-21 w
Temat: Malarstwo szt.plast. - ochrona i konserwacja
Temat: Ochrona zabytków - metody
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Bartoletti, Angelica. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Baade, Brian. Recommending materials to artists
Hasło dodatkowe: Berg, Klaas Jan van den (1964- ). Modern oil paints
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Breare, Caitlin. The technical examination and documentation of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Cushman, Matthew. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: DeGhetaldi, Kristin. Recommending materials to artists
Hasło dodatkowe: Digney-Peer, Shawn. The imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Finn, Clare. Written documentation for paintings conservation
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. The imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hummelen, IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Hutchings, Jeremy. The sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Keune, Katrien. Research into and analysis of the materials of easel paintings
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Lee, Judith. Modern oil paints
Hasło dodatkowe: Lee, Judith. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Emergency preparedness and recovery
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: Ludvigsen, Loa. Image documentation for paintings conservation
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Modern oil paints
Hasło dodatkowe: Ormsby, Bronwyn. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. The imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. The imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. The imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Removal of varnish: organic solvents as cleanings agents
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Zumbühl, Stefan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0367-54764-6
This item is available in one branch. Expand information to see details.
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All copies are currently on loan: sygn. sygn. II 35746 (1 egz.)
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