Form of Work
Książki
(4)
Status
unavailable
(3)
available
(1)
Branch
Magazyn
(4)
Author
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(1)
Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
(1)
Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
(1)
Anglos D. Integrated approach to the study and preservation of painting using laser light technology
(1)
Anselmi C. Modern painted palimpsests
(1)
Arenas Alatorre Jesus. Material study of the Codex Colombino
(1)
Baglioni P. Maya mural paintings in Calakmul
(1)
Bailey Gregory H. Designing nature
(1)
Bargellini Clara. Painting on copper in Spanish America
(1)
Basile Giuseppe. Burri project
(1)
Bellucci Roberto. Underdrawing in paintings
(1)
Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
(1)
Berrie Barbara Hepburn. Vibrant surface
(1)
Birkenbeul Ina. Consolidation of flaking paint and ground
(1)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Consolidation of flaking paint and ground
(1)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(1)
Bomford David. Foreword
(1)
Bomford David. Picture cleaning: positivism and metaphysics
(1)
Bommel Maarten R. van. After the fact
(1)
Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
(1)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(1)
Bowron Edgar Peters (1943- ). Brief history of European oil paintings on copper 1560-1775
(1)
Brunetti Brunetto Giovanni
(1)
Brunetti Brunetto Giovanni. Colours of indigenous memory
(1)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(1)
Buckley Barbara A. Stretchers tensioning and attachments
(1)
Bucklow Spike. The classification of craquelure patterns
(1)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(1)
Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Buti David. Colours of indigenous memory
(1)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(1)
Carrasco Vargas R. Maya mural paintings in Calakmul
(1)
Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement" attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
(1)
Casadio Francesca. Vibrant surface
(1)
Castelli Ciro
(1)
Castro Rita. Colour in medieval Portuguese manuscripts
(1)
Chelazzi David. Maya mural paintings in Calakmul
(1)
Chelazzi David. Unveiling the artistic technique of the Florentine Codex
(1)
Chiantore Oscar. Outdoor painted surfaces in contemporary art
(1)
Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch"
(1)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Clarricoates Rhiannon
(1)
Colombini Maria Perla. Wall paintings of the monumental cemetery of Pisa
(1)
Cordeiro Baqueiro M. Maya mural paintings in Calakmul
(1)
Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Crook Jo (1963- ). John Hoyland
(1)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(1)
Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Daffara Claudia. Modern painted palimpsests
(1)
Dahm K. Vibrant surface
(1)
Daveri Alessia. Burri project
(1)
De Cesare G. Burri project
(1)
De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Digney-Peer Shawn. Imitative retouching of easel paintings
(1)
Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(1)
Dixon Thomas. Storage of easel paintings
(1)
Doherty Brenda. Modern painted palimpsests
(1)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(1)
Domenici Davide (1968- ). Colours of indigenous memory
(1)
Dowding Helen
(1)
Druzik James. The lighting of easel paintings
(1)
Eastaugh Nicholas. Optical microscopy
(1)
Eastaugh Nicholas. Pigments in Western easel painting
(1)
Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Ernst Richard R. Science and art - my two passions
(1)
Falcón Tatiana. Material study of the Codex Colombino
(1)
Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
(1)
Filtenborg Troels (1951- ). As time passed by came sunset
(1)
Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Fontana Raffaella. Modern painted palimpsests
(1)
Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology
(1)
Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
(1)
Frosinini Cecilia. Underdrawing in paintings
(1)
Fukunaga Kaori. Designing nature
(1)
Fuster-López Laura. Filling
(1)
Gallegos Damasia. Argentinean murals
(1)
Gent Alexandra
(1)
Giorgi R. Unveiling the artistic technique of the Florentine Codex
(1)
Glanville Helen. Mens agitat molem
(1)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(1)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(1)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(1)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(1)
Gottsegen Mark D. Recommending materials to artists
(1)
Gottsegen Mark D. Twentieth-century grounds
(1)
Gritt Stephen. Imitative retouching of easel paintings
(1)
Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Hackney Stephen. Lining easel paintings
(1)
Hale Charlotte (1959- ). Designing nature
(1)
Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
(1)
Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Year
2010 - 2019
(3)
1990 - 1999
(1)
Country
United Kingdom
(4)
United States
(2)
Language
English
(4)
Subject
Malarstwo (szt.plast.)
(3)
Barwy
(1)
Koninklijk Kabinet van Schilderijen Mauritshuis (Haga)
(1)
Konserwatorstwo
(1)
Malarstwo europejskie
(1)
Miedź
(1)
Nelson-Atkins Museum of Art
(1)
Phoenix Art Museum
(1)
Subject: time
1501-
(1)
1601-
(1)
1701-
(1)
1901-
(1)
Genre/Form
Katalogi wystaw
(1)
Materiały konferencyjne
(1)
5 results Filter
Authority data
Wadum Jørgen (hasło formalne)
Book
In basket
Tytuł: Copper as canvas : two centuries of masterpiece paintings on copper 1575-1775 / [introduction by Michael K. Komanecky].
Wariant tytułu: Two centuries of masterpiece paintings on copper 1575-1775
Adres wydawniczy: [Phoenix] ; New York : Phoenix Art Museum ; Oxford : Oxford University Press, 1999.
Opis fizyczny: XX, 346 s. : il. (gł. kolor.) ; 28 cm.
Uwaga: Publikacja towarzysząca wystawie: Phoenix Art Museum, 19 grudnia 1998 - 28 lutego 1999 ; the Nelson-Atkins Museum of Art, 28 marca - 14 czerwca 1999 ; the Royal Cabinet Paintings Mauritshuis, 26 czerwca - 22 sierpnia 1999.
Uwaga: Indeks.
Temat: Koninklijk Kabinet van Schilderijen Mauritshuis (Haga) - wystawy - 1999
Temat: Nelson-Atkins Museum of Art - wystawy - 1999
Temat: Phoenix Art Museum - wystawy - 1998-1999
Temat: Malarstwo europejskie - wystawy - 16-18 w
Temat: Miedź - stosowanie - sztuka - wystawy - Europa - 16-18 w
Gatunek, rodzaj, forma: Katalogi wystaw
Hasło dodatkowe: Komanecky, Michael K.
Hasło dodatkowe: Bowron, Edgar Peters (1943- ). Brief history of European oil paintings on copper, 1560-1775
Hasło dodatkowe: Bargellini, Clara. Painting on copper in Spanish America
Hasło dodatkowe: Komanecky, Michael K. Artists' views of the miner's world
Hasło dodatkowe: Horovitz, Isabel. Materials and techniques of European paintings on copper supports
Hasło dodatkowe: Wadum, Jørgen. Antwerp copper plates
Hasło dodatkowe: Westermann, Ekkehard (1940- ). Copper production, trade and use in Europe from the end of the fifteenth century to the end of the eighteenth century
Hasło dodatkowe: Phoenix Art Museum
Hasło dodatkowe: Oxford University Press
ISBN: 0-19-512397-2
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23502 (1 egz.)
Book
In basket
Tytuł: Colour change in paintings / edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent.
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group, 2016.
Opis fizyczny: IX, 130 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Uwaga: Bibliogr. przy ref.
Temat: Barwy - a malarstwo (szt.plast.) - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Clarricoates, Rhiannon.
Hasło dodatkowe: Dowding, Helen.
Hasło dodatkowe: Gent, Alexandra.
Hasło dodatkowe: Buti, David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Cuellar, Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Eikema Hommes, Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Ferrer, Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Filtenborg, Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Gschwind, Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Haswell, Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hendriks, Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
Hasło dodatkowe: Hoekstra, Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hoffmeister, Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Hull, Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Keith, Larry. Colour change and restoration
Hasło dodatkowe: Khandekar, Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Lee, Judith. Colour change and modern paints; an overview
Hasło dodatkowe: Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Meloni, Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Mohan, Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Ormsby, Bronwyn. Colour change and modern paints; an overview
Hasło dodatkowe: Padfield, Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
Hasło dodatkowe: Pottasch, Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Rae, Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Raskar, Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Schneider Enriquez, Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Sheldon, Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Speleers, Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Spring, Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings
Hasło dodatkowe: Stenger, Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Syversen, Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Townsend, Joyce H. Microfading: a useful tool for paintings conservators?
Hasło dodatkowe: Verhave, Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Vila, Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Wadum, Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
ISBN: 978-1-909492-43-1
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31511 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
Book
In basket
Tytuł: Science and art : the painted surface / edited by Antonio Sgamellotti, Brunetto Giovanni Brunetti, Costanza Miliani.
Wariant tytułu: Painted surface
Adres wydawniczy: Cambridge : Royal Society of Chemistry, cop. 2014.
Opis fizyczny: XXIV, 620 s. : il. (w tym kolor.) ; 24 cm.
Uwaga: Bibliogr. przy rozdz. Indeks.
Temat: Malarstwo (szt.plast.) - technika
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Temat: Konserwatorstwo - metody
Hasło dodatkowe: Brunetti, Brunetto Giovanni.
Hasło dodatkowe: Miliani, Costanza.
Hasło dodatkowe: Sgamellotti, Antonio.
Hasło dodatkowe: Ernst, Richard R. Science and art - my two passions
Hasło dodatkowe: Siano, S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Fratini, F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mascalchi, M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Patrizi, G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mazzei, B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
Hasło dodatkowe: Mazzeo, Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Sciutto, Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Prati, Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Bonacini, Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Ling, He. Scientific examination for the investigation and conservation for Far East Asian mural paintings
Hasło dodatkowe: Baglioni, P. Maya mural paintings in Calakmul
Hasło dodatkowe: Carrasco Vargas, R. Maya mural paintings in Calakmul
Hasło dodatkowe: Cordeiro Baqueiro, M. Maya mural paintings in Calakmul
Hasło dodatkowe: Chelazzi, David. Maya mural paintings in Calakmul
Hasło dodatkowe: Domenici, Davide (1968- ). Colours of indigenous memory
Hasło dodatkowe: Buti, David. Colours of indigenous memory
Hasło dodatkowe: Miliani, Costanza. Colours of indigenous memory
Hasło dodatkowe: Brunetti, Brunetto Giovanni. Colours of indigenous memory
Hasło dodatkowe: Sgamellotti, Antonio. Colours of indigenous memory
Hasło dodatkowe: Zetina, Sandra. Material study of the Codex Colombino
Hasło dodatkowe: Ruvalcaba, José Louis. Material study of the Codex Colombino
Hasło dodatkowe: Falcón, Tatiana. Material study of the Codex Colombino
Hasło dodatkowe: Arenas Alatorre, Jesús. Material study of the Codex Colombino
Hasło dodatkowe: Yanagisawa, Saeko. Material study of the Codex Colombino
Hasło dodatkowe: Álvarez Icaza Longoria, Marisa. Material study of the Codex Colombino
Hasło dodatkowe: Hernández, Eumelia. Material study of the Codex Colombino
Hasło dodatkowe: Giorgi, R. Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Chelazzi, David. Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Magaloni Kerpel, Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex
Hasło dodatkowe: Melo, Maria João. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Castro, Rita. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Miranda, Adelaide. Colour in medieval Portuguese manuscripts
Hasło dodatkowe: Andreotti, Alessia. Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Colombini, Maria Perla. Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Matteini, Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Paolucci, Antonio. Wall paintings of the monumental cemetery of Pisa
Hasło dodatkowe: Peggie, David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century
Hasło dodatkowe: Szmelter, Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Cartechini, Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Romani, Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Pezzati, Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013)
Hasło dodatkowe: Ciatti, Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch"
Hasło dodatkowe: Bellucci, Roberto. Underdrawing in paintings
Hasło dodatkowe: Frosinini, Cecilia. Underdrawing in paintings
Hasło dodatkowe: Pouli, Paraskevi. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Melessanaki, Kristalia. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Tornari, V. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Bernikola, Eirini. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Filippini, Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Anglos, D. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Fotakis, Costas. Integrated approach to the study and preservation of painting using laser light technology
Hasło dodatkowe: Glanville, Helen. Mens agitat molem
Hasło dodatkowe: Rousselière, Hélène. Mens agitat molem
Hasło dodatkowe: Viguerie, L. de. Mens agitat molem
Hasło dodatkowe: Walter, Ph. Mens agitat molem
Hasło dodatkowe: Leona, Marco. Designing nature
Hasło dodatkowe: Londero, Pablo S. Designing nature
Hasło dodatkowe: Perry, Jennifer. Designing nature
Hasło dodatkowe: Fukunaga, Kaori. Designing nature
Hasło dodatkowe: Bailey, Gregory H. Designing nature
Hasło dodatkowe: Hale, Charlotte (1959- ). Designing nature
Hasło dodatkowe: Vila, Anna. As time passed by came sunset
Hasło dodatkowe: Monrad, Kaspar. As time passed by came sunset
Hasło dodatkowe: Filtenborg, Troels (1951- ). As time passed by came sunset
Hasło dodatkowe: Wadum, Jørgen. As time passed by came sunset
Hasło dodatkowe: Janssens, Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Alfeld, Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Snickt, Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: De Nolf, Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Vanmeert, Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Monico, Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Legrand, Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Dik, Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Cotte, Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Falkenberg, Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Struick van der Loeff, Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Leeuwestein, Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Hendriks, Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
Hasło dodatkowe: Berrie, Barbara Hepburn. Vibrant surface
Hasło dodatkowe: Casadio, Francesca. Vibrant surface
Hasło dodatkowe: Dahm, K. Vibrant surface
Hasło dodatkowe: Strumfels, Y. Vibrant surface
Hasło dodatkowe: Tedeschi, M. Vibrant surface
Hasło dodatkowe: Walsh, John (1937- ). Vibrant surface
Hasło dodatkowe: Bommel, Maarten R. van. After the fact
Hasło dodatkowe: Janssen, Hans (1954- ). After the fact
Hasło dodatkowe: Spronk, Ron (1957- ). After the fact
Hasło dodatkowe: Marte, Fernando. Argentinean murals
Hasło dodatkowe: Gallegos, Damasia. Argentinean murals
Hasło dodatkowe: Rosado, Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Mendes, Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Motta, Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Teixeira, Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Souza, Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter
Hasło dodatkowe: Patti, Mattia. Modern painted palimpsests
Hasło dodatkowe: Anselmi, C. Modern painted palimpsests
Hasło dodatkowe: Doherty, Brenda. Modern painted palimpsests
Hasło dodatkowe: Daffara, Claudia. Modern painted palimpsests
Hasło dodatkowe: Fontana, Raffaella. Modern painted palimpsests
Hasło dodatkowe: Rosi, Francesca (1977- ). Burri project
Hasło dodatkowe: De Cesare, G. Burri project
Hasło dodatkowe: Iazurlo, Paola. Burri project
Hasło dodatkowe: Daveri, Alessia. Burri project
Hasło dodatkowe: Vagnini, Manuela. Burri project
Hasło dodatkowe: Valentini, F. Burri project
Hasło dodatkowe: Basile, Giuseppe. Burri project
Hasło dodatkowe: Ormsby, Bronwyn. John Hoyland
Hasło dodatkowe: Learner, Thomas J. S. John Hoyland
Hasło dodatkowe: Crook, Jo (1963- ). John Hoyland
Hasło dodatkowe: Smithen, Patricia. John Hoyland
Hasło dodatkowe: Rava, Antonio. Outdoor painted surfaces in contemporary art
Hasło dodatkowe: Chiantore, Oscar. Outdoor painted surfaces in contemporary art
Hasło dodatkowe: Mirabile, Antonio. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Moretti, Patrizia. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Presciutti, Federica. Elusive nd transitory materials in contemporary drawings
Hasło dodatkowe: Royal Society of Chemistry
ISBN: 978-1-84973-818-7
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There are copies available to loan: sygn. sygn. II 31075 (1 egz.)
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