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The Rijksmuseum Bulletin. - Amsterdam : Rijksmuseum Publications Department ; Zwolle : Waanders Publishers, 2009-. - il. (gł. kolor.) ; 24 cm.
Kwart.
Vol. 57 (2009), no 1-.
Stanowi kontynuację: Bulletin van het Rijksmuseum.
Od Vol. 1 (1953) do 56 (2008) pt.: Bulletin van het Rijksmuseum.
Od Vol. 57 (2009), no 3 red.: Jan de Hond, Marijn Schappelhouman, Frits Scholten.
Od Vol. 58 (2010), no 4 red.: Jan de Hond, Jenny Reynaerts, Marijn Schappelhouman.
Od Vol. 61 (2013) red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman.
Od Vol. 64 (2016), no 2 red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman i Suzanne Veldink.
Od Vol. 65 (2017), no 2 red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman.
Od Vol. 66 (2018), no 1 red.: Jan van Campen, Erik Hinterding, Jan de Hond, Jenny Reynaerts.
Od Vol. 67 (2019), no 1 red.: Jan van Campen, Erik Hinterding, Jan de Hond, Jenny Reynaerts, Ige Verslype.
Od Vol. 68 (2020), no 1 red.: Ludo van Halem, Erik Hinterding, Jan de Hond, Ige Verslype.
W Vol. 69 (2021), no 2 red.: Ludo van Halem, Erma Hermens, Erik Hinterding, Maria Holtrop.
W Vol. 71 (2023), no 1 red.: Esther van Duijn, Ludo van Halem, Erik Hinterding, Maria Holtrop.
Zawartość zasobu KR 239 Czas. II 419
Vol. 57 (2009), no 1-4
Vol. 58 (2010), no 1-4
Vol. 59 (2011), no 1-3
Vol. 60 (2012), no 1-3
Vol. 61 (2013), no 1-4
Vol. 62 (2014), no 1-4
Vol. 63 (2015), no 1-4
Vol. 64 (2016), no 1-4
Vol. 65 (2017), no 1-4
Vol. 66 (2018), no 1-4
Vol. 67 (2019), no 1-4
Vol. 68 (2020), no 1-4
Vol. 69 (2021), no 1-4
Vol. 70 (2022), no 1-4
Vol. 71 (2023), no 1-4
Vol. 72 (2024), no 1
Książka
W koszyku
Autor
Balch Pippa. Costaras Nicola. Glanville Helen. Lowry Kate. Saltmarsh Polly. Sutcliffe Victoria. Bordt Nele. Observations on Rudolf Swoboda’s painting technique Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists Macaro Gabriella. The Barbizon paintings at the National Gallery, London: a technical study Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris Sperber Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study Straub Michaela. The conservation and research of two paintings by Alfred East RA Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists Veldink Suzanne. George Hendrik Breitner at work: new insights Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate Woltman Nienke. George Hendrik Breitner at work: new insights Woodcock Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen Wright Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Indeks R0: BMNK
Bibliogr. przy art.
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