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Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
(1)
Anglos D. Integrated approach to the study and preservation of painting using laser light technology
(1)
Anselmi C. Modern painted palimpsests
(1)
Arenas Alatorre Jesus. Material study of the Codex Colombino
(1)
Baglioni P. Maya mural paintings in Calakmul
(1)
Bailey Gregory H. Designing nature
(1)
Basile Giuseppe (1942-2013). Burri project
(1)
Bellucci Roberto. Underdrawing in paintings
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
(1)
Berrie Barbara Hepburn. Vibrant surface
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Bommel Maarten R. van. After the fact
(1)
Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Brunetti Brunetto Giovanni
(1)
Brunetti Brunetto Giovanni. Colours of indigenous memory
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Buti David. Colours of indigenous memory
(1)
Carrasco Vargas R. Maya mural paintings in Calakmul
(1)
Cartechini Laura. Multi-criterial studies of the masterpieces The Last Judgement attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
(1)
Casadio Francesca. Vibrant surface
(1)
Castro Rita. Colour in medieval Portuguese manuscripts
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Chelazzi David. Maya mural paintings in Calakmul
(1)
Chelazzi David. Unveiling the artistic technique of the Florentine Codex
(1)
Chiantore Oscar. Outdoor painted surfaces in contemporary art
(1)
Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's Madonna of the Goldfinch
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
(1)
Cordeiro Baqueiro M. Maya mural paintings in Calakmul
(1)
Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Crook Jo (1963- ). John Hoyland
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Daffara Claudia. Modern painted palimpsests
(1)
Dahm K. Vibrant surface
(1)
Daveri Alessia. Burri project
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Cesare G. Burri project
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Doherty Brenda. Modern painted palimpsests
(1)
Domenici Davide (1968- ). Colours of indigenous memory
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Ernst Richard R. Science and art - my two passions
(1)
Falcón Tatiana. Material study of the Codex Colombino
(1)
Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
(1)
Filtenborg Troels (1951- ). As time passed by came sunset
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Fontana Raffaella. Modern painted palimpsests
(1)
Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology
(1)
Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
(1)
Frosinini Cecilia. Underdrawing in paintings
(1)
Fukunaga Kaori. Designing nature
(1)
Gallegos Damasia. Argentinean murals
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Giorgi R. Unveiling the artistic technique of the Florentine Codex
(1)
Glanville Helen. Mens agitat molem
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Hajdas Irena. Dating of artwork by radiocarbon
(1)
Hale Charlotte (1959- ). Designing nature
(1)
Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Hernandez Eumelia. Material study of the Codex Colombino
(1)
Iazurlo Paola. Burri project
(1)
Janssen Hans (1954- ). After the fact
(1)
Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Learner Thomas J. S. John Hoyland
(1)
Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Leona Marco. Designing nature
(1)
Rok wydania
2020 - 2024
(1)
2010 - 2019
(1)
Kraj wydania
Szwajcaria
(1)
Wielka Brytania
(1)
Język
angielski
(2)
Temat
Chemia analityczna
(1)
Fałszerstwo
(1)
Konserwatorstwo
(1)
Malarstwo
(1)
Malarstwo (szt.plast.)
(1)
2 wyniki Filtruj
Książka
W koszyku
Autor
Brunetti Brunetto Giovanni. Miliani Costanza. Sgamellotti Antonio. Ernst Richard R. Science and art - my two passions Siano S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Patrizi G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings Sciutto Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Prati Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings Baglioni P. Maya mural paintings in Calakmul Carrasco Vargas R. Maya mural paintings in Calakmul Cordeiro Baqueiro M. Maya mural paintings in Calakmul Chelazzi David. Maya mural paintings in Calakmul Domenici Davide (1968- ). Colours of indigenous memory Buti David. Colours of indigenous memory Miliani Costanza. Colours of indigenous memory Brunetti Brunetto Giovanni. Colours of indigenous memory Sgamellotti Antonio. Colours of indigenous memory Zetina Sandra. Material study of the Codex Colombino Ruvalcaba José Louis. Material study of the Codex Colombino Falcón Tatiana. Material study of the Codex Colombino Arenas Alatorre Jesús. Material study of the Codex Colombino Yanagisawa Saeko. Material study of the Codex Colombino Álvarez Icaza Longoria Marisa. Material study of the Codex Colombino Hernández Eumelia. Material study of the Codex Colombino Giorgi R. Unveiling the artistic technique of the Florentine Codex Chelazzi David. Unveiling the artistic technique of the Florentine Codex Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex Melo Maria João. Colour in medieval Portuguese manuscripts Castro Rita. Colour in medieval Portuguese manuscripts Miranda Adelaide. Colour in medieval Portuguese manuscripts Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa Paolucci Antonio. Wall paintings of the monumental cemetery of Pisa Peggie David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century Szmelter Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Romani Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Pezzati Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch" Bellucci Roberto. Underdrawing in paintings Frosinini Cecilia. Underdrawing in paintings Pouli Paraskevi. Integrated approach to the study and preservation of painting using laser light technology Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology Tornari V. Integrated approach to the study and preservation of painting using laser light technology Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology Anglos D. Integrated approach to the study and preservation of painting using laser light technology Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology Glanville Helen. Mens agitat molem Rousselière Hélène. Mens agitat molem Viguerie L. de. Mens agitat molem Walter Ph. Mens agitat molem Leona Marco. Designing nature Londero Pablo S. Designing nature Perry Jennifer. Designing nature Fukunaga Kaori. Designing nature Bailey Gregory H. Designing nature Hale Charlotte (1959- ). Designing nature Vila Anna. As time passed by came sunset Monrad Kasper (1952-2018). As time passed by came sunset Filtenborg Troels (1951- ). As time passed by came sunset Wadum Jørgen. As time passed by came sunset Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Snickt Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Vanmeert Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Struick van der Loeff Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Berrie Barbara Hepburn. Vibrant surface Casadio Francesca. Vibrant surface Dahm K. Vibrant surface Strumfels Y. Vibrant surface Tedeschi M. Vibrant surface Walsh John (1937- ). Vibrant surface Bommel Maarten R. van. After the fact Janssen Hans (1954- ). After the fact Spronk Ron (1957- ). After the fact Marte Fernando. Argentinean murals Gallegos Damasia. Argentinean murals Rosado Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Mendes Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Motta Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Teixeira Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Souza Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Patti Mattia. Modern painted palimpsests Anselmi C. Modern painted palimpsests Doherty Brenda. Modern painted palimpsests Daffara Claudia. Modern painted palimpsests Fontana Raffaella. Modern painted palimpsests Rosi Francesca (1977- ). Burri project De Cesare G. Burri project Iazurlo Paola. Burri project Daveri Alessia. Burri project Vagnini Manuela. Burri project Valentini F. Burri project Basile Giuseppe (1942-2013). Burri project Ormsby Bronwyn. John Hoyland Learner Thomas J. S. John Hoyland Crook Jo (1963- ). John Hoyland Smithen Patricia. John Hoyland Rava Antonio. Outdoor painted surfaces in contemporary art Chiantore Oscar. Outdoor painted surfaces in contemporary art Mirabile Antonio. Elusive nd transitory materials in contemporary drawings Moretti Patrizia. Elusive nd transitory materials in contemporary drawings Presciutti Federica. Elusive nd transitory materials in contemporary drawings
Indeks R0: BMNK
Bibliogr. przy rozdz. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31075 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
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