Form of Work
Książki
(5)
Status
unavailable
(3)
available
(2)
Branch
Magazyn
(5)
Author
Townsend Joyce H
(4)
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(1)
Angelova Lora V
(1)
Baatz Wolfgang. Studying the artistic process
(1)
Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
(1)
Bertasa Moira. A study of commercial agar gels as cleaning materials
(1)
Birkenbeul Ina. Consolidation of flaking paint and ground
(1)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Consolidation of flaking paint and ground
(1)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(1)
Bomford David. Foreword
(1)
Bomford David. Picture cleaning: positivism and metaphysics
(1)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(1)
Boust Clotilde. "To acquire a good name"
(1)
Brookes Anna. De/re-constructing Turner for research projects at Tate
(1)
Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(1)
Buckley Barbara A. Stretchers tensioning and attachments
(1)
Bucklow Spike. Impossible recipes
(1)
Bucklow Spike. The classification of craquelure patterns
(1)
Burgio Lucia. "To acquire a good name"
(1)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(1)
Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(1)
Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Casanova Conseicao. Study of Portugese 18th-century manuscript
(1)
Caspers Charlotte. De/re-constructing Turner for research projects at Tate
(1)
Castelli Ciro
(1)
Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
(1)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
(1)
Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
(1)
Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
(1)
Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
(1)
Clarricoates Rhiannon
(1)
Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(1)
Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
De Angelis Roberta. Tracing the history of wall paintings through visual documents
(1)
Digney-Peer Shawn. Imitative retouching of easel paintings
(1)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(1)
Dixon Thomas. Storage of easel paintings
(1)
Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Doherty Tiarna. Oudry's painted menagerie
(1)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(1)
Dowding Helen
(1)
Druzik James. The lighting of easel paintings
(1)
Dubois Helene. Master's own hand?
(1)
Eastaugh Nicholas. Optical microscopy
(1)
Eastaugh Nicholas. Pigments in Western easel painting
(1)
Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Eyb-Green Sigrid. Studying the artistic process
(1)
Fardi Theodora. Tracing the history of wall paintings through visual documents
(1)
Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
(1)
Freitas Ana. Study of Portugese 18th-century manuscript
(1)
Fuster-López Laura. Filling
(1)
Gent Alexandra
(1)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(1)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(1)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(1)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(1)
Gottsegen Mark D. Recommending materials to artists
(1)
Gottsegen Mark D. Twentieth-century grounds
(1)
Gritt Stephen. Imitative retouching of easel paintings
(1)
Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Hackney Stephen. De/re-constructing Turner for research projects at Tate
(1)
Hackney Stephen. Lining easel paintings
(1)
Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
(1)
Hermens Erma (1958- )
(1)
Hermens Erma (1958- ). "En plein soleil"
(1)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Hermens Erma (1958- ). Binding media
(1)
Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(1)
Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(1)
Horovitz Isabel. Consolidation of flaking paint and ground
(1)
Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Hutchings Jeremy. Sustainable conservation management of exhibitions
(1)
Katlan Alexander. History of fabric supports
(1)
Keith Larry. Colour change and restoration
(1)
Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Kitlitschka Werner (1938- ). Studying the artistic process
(1)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(1)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(1)
Kroustallis Stefanos. Art for war
(1)
Kutzke Hartmut. A la recherche du pigment perdu
(1)
Kyllonen-Kunnas Paivi. Challenging the material
(1)
Lautenschlager Manfred. Virtues and vices in late medieval art productions
(1)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(1)
Learner Thomas J. S. Modern paints
(1)
Lee Judith. Colour change and modern paints; an overview
(1)
Lerwill Andrew. De/re-constructing Turner for research projects at Tate
(1)
Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions
(1)
Year
2010 - 2019
(3)
2000 - 2009
(1)
1990 - 1999
(1)
Country
United Kingdom
(5)
United States
(1)
Language
English
(5)
Subject
Malarstwo (szt.plast.)
(2)
Barwy
(1)
Konserwatorstwo
(1)
Malarstwo
(1)
Malarstwo angielskie
(1)
Tate Gallery (Londyn)
(1)
Turner Joseph Mallord William (1775-1851)
(1)
Zbiory muzealne
(1)
Subject: time
1801-
(1)
Genre/Form
Materiały konferencyjne
(3)
6 results Filter
Authority data
Townsend Joyce H (hasło formalne)
Nieużywane formy hasła: Townsend J. H ; Townsend Joyce
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Autor: Townsend Joyce H
Tytuł: Turner's painting techniques : [exhibition at the Tate Gallery, 22 June - 10 October 1993] / Joyce Townsend.
Adres wydawniczy: London : Tate Gallery, 1993.
Opis fizyczny: 84 s. : il. (w tym kolor.) ; 27 cm.
Temat: Turner Joseph Mallord William (1775-1851) - wystawy
Temat: Tate Gallery (Londyn) - wystawy - 1993
Temat: Malarstwo angielskie - wystawy - 19 w
Hasło dodatkowe: Tate Gallery (Londyn)
ISBN: 1 85437 125 8
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 7147 (1 egz.)
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Tytuł: Gels in the conservation of art / edited by Lora V. Angelova, Bronwyn Ormsby, Joyce H. Townsend and Richard Wolbers.
Adres wydawniczy: London : Archetype Publications, 2017.
Opis fizyczny: XI, [1], 400 s. : il. kolor. ; 30 cm.
Uwaga: Materiały konferencji zorg. przez International Academic Projects and Tate, październik 2017.
Uwaga: Bibliogr. przy ref. Indeks.
Temat: Konserwatorstwo - materiały - materiały konferencyjne
Temat: Konserwatorstwo - metody - materiały konferencyjne
Temat: Zbiory muzealne - ochrona i konserwacja - metody - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Angelova, Lora V.
Hasło dodatkowe: Bertasa, Moira. A study of commercial agar gels as cleaning materials
Hasło dodatkowe: Ormsby, Bronwyn.
Hasło dodatkowe: Townsend, Joyce H.
Hasło dodatkowe: Wolbers, Richard (1949- ).
Hasło dodatkowe: Wolbers, Richard (1949- ). Gels, green chemistry, gurus and guides
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-909492-50-9
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 24877 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
Book
In basket
Tytuł: Sources and serendipity : testimonies of artists' practice : proceedings of the third symposim of the Art Technological Source Research Working Group, [New Delhi, India 22-26 September 2008] / ed. by Emma Hermens and Joyce H. Townsend.
Adres wydawniczy: London : Archetype Publications, 2009.
Opis fizyczny: IX, [1], 164 s. : il. (w tym kolor.) ; 30 cm.
Uwaga: Bibliogr. po art.
Temat: Malarstwo - technika - materiały konferencyjne
Temat: Malarstwo - materiały - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Hermens, Erma (1958- ).
Hasło dodatkowe: Townsend, Joyce H.
Hasło dodatkowe: Lautenschlager, Manfred. Virtues and vices in late medieval art productions
Hasło dodatkowe: Clarke, Mark (1962- ). Codicological indicators of practical medieval artists' recipes
Hasło dodatkowe: Bucklow, Spike. Impossible recipes
Hasło dodatkowe: Ursescu, Marta. Romanian handbooks on manuscript illumination in the 18th century
Hasło dodatkowe: Ciovica, Sorin. Romanian handbooks on manuscript illumination in the 18th century
Hasło dodatkowe: Kroustallis, Stefanos. Art for war
Hasło dodatkowe: Miguel, Catarina. Copper pigments in medieval times
Hasło dodatkowe: Claro, Ana Luísa do Vale Fonseca. Copper pigments in medieval times
Hasło dodatkowe: Lopes, João A. Copper pigments in medieval times
Hasło dodatkowe: Melo, Maria João. Copper pigments in medieval times
Hasło dodatkowe: Nadolny, Jilleen. Documentary sources for the use of moulds in the production of tin relief
Hasło dodatkowe: Clarke, Mark (1962- ). Writing recipes for non-specialists c. 1300
Hasło dodatkowe: Neven, Sylvie. Comparative analysis of painting recipes
Hasło dodatkowe: Stijnman, Ad. Images of copper engravers and plate printers in their workshops 1545-1645
Hasło dodatkowe: Wagner, Lisa. Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge
Hasło dodatkowe: Dubois, Hélène. Master's own hand?
Hasło dodatkowe: Phenix, Alan. Oudry's painted menagerie
Hasło dodatkowe: Doherty, Tiarna. Oudry's painted menagerie
Hasło dodatkowe: Schönemann, Anna. Oudry's painted menagerie
Hasło dodatkowe: Rizzo, Adriana. Oudry's painted menagerie
Hasło dodatkowe: Eyb-Green, Sigrid. Studying the artistic process
Hasło dodatkowe: Baatz, Wolfgang. Studying the artistic process
Hasło dodatkowe: Kitlitschka, Werner (1938- ). Studying the artistic process
Hasło dodatkowe: Hermens, Erma (1958- ). "En plein soleil"
Hasło dodatkowe: MacDonald, Margaret F. (1944- ). "En plein soleil"
Hasło dodatkowe: Troalen, Lore. "To acquire a good name"
Hasło dodatkowe: Reiche, Ina. "To acquire a good name"
Hasło dodatkowe: Röhrs, Stefan. "To acquire a good name"
Hasło dodatkowe: Pretzel, Boris (1961- ). "To acquire a good name"
Hasło dodatkowe: Burgio, Lucia. "To acquire a good name"
Hasło dodatkowe: Shah, Bhavesh. "To acquire a good name"
Hasło dodatkowe: Peschard, Stéphane. "To acquire a good name"
Hasło dodatkowe: Boust, Clotilde. "To acquire a good name"
Hasło dodatkowe: Tate, Jim. "To acquire a good name"
Hasło dodatkowe: Martin, Graham (1952- ). "To acquire a good name"
Hasło dodatkowe: Voigt, Friederike. "To acquire a good name"
Hasło dodatkowe: Kutzke, Hartmut. À la recherche du pigment perdu
Hasło dodatkowe: Oltrogge, Doris (1959- ). À la recherche du pigment perdu
Hasło dodatkowe: Mulholland, Richard. Technique and process in the papers of David Smith
Hasło dodatkowe: Kyllonen-Kunnas, Paivi. Challenging the material
Hasło dodatkowe: Balta, Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Niculescu, Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Petroviciu, Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Brunetti, Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Cartechini, Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Rosi, Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Doherty, Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Sassolini, Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Lupu, Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Cretu, Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
Hasło dodatkowe: Fardi, Theodora. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: De Angelis, Roberta. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: Scicluna, Bernadine. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: Vella, Daniel. Tracing the history of wall paintings through visual documents
Hasło dodatkowe: Freitas, Ana. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Claro, Ana Luísa do Vale Fonseca. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Melo, Maria João. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Casanova, Conseição. Study of Portugese 18th-century manuscript
Hasło dodatkowe: Moura, Laura Filipe (1983- ). Study of Portugese 18th-century manuscript
Hasło dodatkowe: Townsend, Joyce H. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Thomas, Jacob. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Caspers, Charlotte. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Marcos, Monserrat Pis. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Brookes, Anna. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Ormsby, Bronwyn. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Hackney, Stephen. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Lerwill, Andrew. De/re-constructing Turner for research projects at Tate
Hasło dodatkowe: Barrett, Brian D. (1951- ). Archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-904982-52-4
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There are copies available to loan: sygn. sygn. III 22104 (1 egz.)
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Tytuł: Colour change in paintings / edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent.
Adres wydawniczy: London : Archetype Publications : in association with the Icon Paintings Group, 2016.
Opis fizyczny: IX, 130 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Uwaga: Bibliogr. przy ref.
Temat: Barwy - a malarstwo (szt.plast.) - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Clarricoates, Rhiannon.
Hasło dodatkowe: Dowding, Helen.
Hasło dodatkowe: Gent, Alexandra.
Hasło dodatkowe: Buti, David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Cuellar, Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Eikema Hommes, Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Ferrer, Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Filtenborg, Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Gschwind, Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Haswell, Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hendriks, Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh
Hasło dodatkowe: Hoekstra, Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Hoffmeister, Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Hull, Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Keith, Larry. Colour change and restoration
Hasło dodatkowe: Khandekar, Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Lee, Judith. Colour change and modern paints; an overview
Hasło dodatkowe: Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Meloni, Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Mohan, Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Ormsby, Bronwyn. Colour change and modern paints; an overview
Hasło dodatkowe: Padfield, Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
Hasło dodatkowe: Pottasch, Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
Hasło dodatkowe: Rae, Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Raskar, Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Schneider Enriquez, Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Sheldon, Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
Hasło dodatkowe: Speleers, Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Spring, Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings
Hasło dodatkowe: Stenger, Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
Hasło dodatkowe: Syversen, Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials
Hasło dodatkowe: Townsend, Joyce H. Microfading: a useful tool for paintings conservators?
Hasło dodatkowe: Verhave, Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
Hasło dodatkowe: Vila, Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Wadum, Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
ISBN: 978-1-909492-43-1
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. II 31511 (1 egz.)
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