Berner Margit. Lost moulds
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Berner Margit. Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Bevivino Michael Ann. Embracing historical replicas through a digital medium: the Irish context
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Blass-Simmen Brigit. Foreword
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Bogdanski Lothar. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Braunig Theresa (1985- ). New paths for plaster conservation and restoration. On the conservation and restoration of the princess group
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Braunig Theresa (1985- ). The sisters as digital twins. Observations and findings from the 3D analysis of the princess group in plaster and marble
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Burg Fabian. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Burg Fabian. Glossary: technology and craftsmanship at the Gipsformerei
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Burgel Jan. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Caglioti Francesco (1964- ). Working on Donatello
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Cavazzini Laura. Donatello in Florence Donatello and his public
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Chair Desiree de. Sings of mutual awareness. Johann Gottfried Schadow and Britain
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Chapuis Julien. Dreidimensionales Gedachtnis. Gipsabgusse in der Restaurierungs- und Prasentationspraxis der Skulpturensammlung der Staatlichen Museen zu Berlin
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Cooper Donal (1974- )
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Czarnecki Alexandra (1980- ). New paths for plaster conservation and restoration. On the conservation and restoration of the princess group
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Czarnecki Alexandra (1980- ). The sisters as digital twins. Observations and findings from the 3D analysis of the princess group in plaster and marble
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Czarnecki Alexandra (1980- ). The transformation from model to exhibit reflected in the restoration history
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Dapper Moritz. Insel der Gipse. Die Rolle der Gipsabguss-Sammlung im Muzeumsinselwettbewerb von 1883/84
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Deseyve Yvette. Goddesses of the public. An art historical review of Schadow's conception of form as exemplified by his princess group
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Deseyve Yvette. The princess group copyright case. On the historical practice of replicating the princess busts and the double statue through licit and illicit casting and replicas
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Didi-Huberman Georges (1953- ). Torsion pathos dis-grace. A critical reconsideration of the bust of Niccolo da Uzzano
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Dlugaiczyk Martina (1968- ). Serien-Star Nofretete. Neue Quellen zur 3D-Rezeption der Buste vor der Amarna-Ausstellung von 1924
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Falser Michael S. (1973- ). Die Berliner Gipsabgusse von Angkor Wat. Ihre kulturpolitischen Zusammenhange um 1900 und ihre aktuelle Bedeutung als transkulturelles Erbe
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Fehrenbach Frank. Rilievo schiacciato. Donatello and the forces of sculpture
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Flecker Manuel (1978- ). Terra incognita: lifecasts in antiquity
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Gaehtgens Thomas W. (1940- ). Wilhelm von Bode and the Renaissance in the German Empire
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Galli Aldo (1967- ). Donatello in Florence Donatello and his public
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Gassmann Johanna. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Getaldić Magdalena. New tasks and challanges. The plaster cast collections of the Glyptotheque of the Croatian Academy of Sciences and Arts in Zagreb and their Digitisation
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Gleis Ralph (1973- ). Foreword and acknowledgements
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Gottlich Fanet (1983- ). The sisters as digital twins. Observations and findings from the 3D analysis of the princess group in plaster and marble
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Graepler Daniel (1959- ). Die Berliner Gipsformerei und die universitaren Abguss-Sammlungen: Historischer Ruckblick und Perspektiven zukunftiger Zusammenarbeit
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Grimm Susanne. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Groting Asta (1961- ). Casting as art. A conversation with Asta Groting
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Guericke Sintje. Popular princesses. The dissemination of Johann Gottfried Schadow's princess group in porcelain graphic work and plaster
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Hiller von Gaertringen Hans Georg (1972- ). 'Berlin supplies the World with Gods': the history of the Gipsformerei Staatliche Museen zu Berlin 1819-2019
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Hirschfelder Dagmar (1973- ). At last: Donatello in Berlin
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Hoernes Martin (1965- ). Introductory remarks
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Hofereiter Rita. The path to becoming court sculptor. Schadow and Tassaert's sculpture atelier in Berlin
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Hoffmann Sabine (1975- )
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Hofmann Paul. At last: Donatello in Berlin
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Hoppe Cornelia. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Huth Andreas (1959- )
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Jerichow Samuel. Polar Bear.STL
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John-Schoubye Peter. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Kanowski Claudia. Digi.an.ALOG. Der Dialog von digitalen und analogen Techniken in der aktuellen Porzellangestaltung
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Kerr-Lewis Whitney. Donatello in London: a South Kensington story
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Kiesant Silke. Prussiano! Prussiano!. Johann Gottfried Schadow and Italy
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Kloppel Timo (1981- ). Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Kloppel Timo (1981- ). Glossary: technology and craftsmanship at the Gipsformerei
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Konig Hanne. Transformation as a concept: notes on the exhibition architecture
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Kramer Stefan. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Labahn Friederike (1982- ). New paths for plaster conservation and restoration. On the conservation and restoration of the princess group
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Lange Britta (1973- ). Lost moulds
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Lange Britta (1973- ). Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Mendonca Ricardo. Plaster cast workshops. Their importance for the emergence of an international network for the exchange of reproductions of art
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Meyer Daniel. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Michele Sandro di. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Miniers Marc. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Nikolai Angela (1985- ). After nature near nature? The plant casts from Moritz Meurer's Collection of teaching aids
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Palau Rainer. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Payne Emma M. Comparative 3D-scanning of historical casts: the Parthenon casts at the British Museum
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Quandt Gabriele. Introductory remarks
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Rastorguev Vasilij Alekseevic
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Rauch Nicolas. Transformation as a concept: notes on the exhibition architecture
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Roth Lynette. Old World art on the soil of the new: plaster casts and the Germanic Museum at Harvard University
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Rowley Neville (1978- )
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Rowley Neville (1978- ). Donatello inventor of the Renaissance. A visit to the exhibition
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Schelper Thomas. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Schelper Thomas. Glossary: technology and craftsmanship at the Gipsformerei
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Schelper Thomas. Lost moulds
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Schelper Thomas. Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Schipka Andreas. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Schreiter Charlotte. Europa und der Gips. Formereien Museen and Abgusse
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Schroder Nele (1981- ). Berlin und Bonn. Strategien von Aufbau und Aufstellung der Abguss-Sammlungen
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Schulz Robin. Conservation and restoration at the Gipsformerei: mission challanges and prospects
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Seidel Anna (1975- ). He is our greatest. The blossoming of Schadow's reception in the early twentieth century
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Seyfried Friederike (1960- ). Meeting at the workshop of Thutmose: two casts from Tell el-Amarna
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Shaw Robert. Embracing historical replicas through a digital medium: the Irish context
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Siebert Moritz (1983- ). Can that still be called art? Death masks as tools for sculptors
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Stoll Kerstin. Lost moulds
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Stoll Kerstin. Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Stoye Martina. Der Berliner Abguss des Sanchi-Tores: Entstehung Bedeutung Zukunftsperspektive
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Thieme Nadine. Meeting at the workshop of Thutmose: two casts from Tell el-Amarna
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