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Berger Friederike. The art of clothing oneself must be popularized: the artistic reform dress as an ideal an aesthetic and consumer culture
(1)
Berthod Bernard (1952- ). L'apparition de la dentelle ecclesiastique l'exemple des rochets de Saint Francois de Sales
(1)
Bickley Anthea. The Bal Blanc held at Cliffe Castle on December 19th 1884
(1)
Bogaerts Ilse. Uniforms and beyond
(1)
Brandstatter Christian (1943- ). The Wiener Werkstatte and the fashion reform
(1)
Cockx Romy. Introduction: Fashion Museum of Hasselt - MMH
(1)
Coppens Marguerite. Les meandres d'une reconversion. La dentelle d'Alencon 1830-1850
(1)
Dahren Lena. Folklore bobbin made borders compared to bobbin made borders and edgings of gold and silver in the Fashion of Early Modern Time
(1)
Demoen Eve. Introduction: Fashion Museum of Hasselt - MMH
(1)
Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated
(1)
Esgain Caroline. Dentelles anciennes dentelles mecaniques et tulle Robes habillees des annees 1950 et 1960 au Musee du Costume et de la Dentelle
(1)
Ewers-Schultz Ines
(1)
Ewers-Schultz Ines. Antineutral clothing for men: the artistic reform of men's wear
(1)
Ewers-Schultz Ines. The dress as a work of art beauty as a weapon and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900
(1)
Ewers-Schultz Ines. The essential thing is the individual adaptation to the wearer: Anna Muthesius's Das Eigenkleid der Frau
(1)
Ewers-Schultz Ines. The highest intelligence in the freest body!: modern dance as a symbiosis of body and costume
(1)
Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900
(1)
Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and new style in women's clothing around 1900
(1)
Gandin Alice (1973- ). Les Lefebure artistes et industriels de la dentelle - 1829-1932
(1)
Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network
(1)
Gauthier Catherine (1979- ). Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musee de la Ville de Bruxelles
(1)
Hackspiel-Mikosch Elisabeth. Politics of lace: the trousseau of Archduches Maria Josepha (1719)
(1)
Hahn Juliane. Skirt and rib: bodies in the gaze
(1)
Heffernan Sandra. Capturing and promoting transparency in lace
(1)
Heiser Christiane (1970- ). A miracle how preciously the people here understand their work in silk: Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk
(1)
Henwood-Nivet Sophie. Creer la dentelle: l'exemple d'Henry Ball esquisseur en dentelle a Calais dans les annees 1920
(1)
Hlavackova Konstantina. La dentelle en Republique tcheque: etat des lieux et bref apercu historique
(1)
Holzhey Magdalena
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Holzhey Magdalena. Since not all women even if they have taste are able to invent suitable ornaments: women and their clothes between decoration and emancipation
(1)
Holzhey Magdalena. The artistic elevation of women's dress: Krefeld 1900 and its consequences
(1)
Ivo Sigrid (1961- ). Lace fashion and transparency: it is all in the bag. A stroll through the collection of the Museum of Bags and Purses (Tassenmuseum Hendrikje)
(1)
Joosten Andrea (1968- ). The art of lace: a 17-th century Italian pattern book in the library of the Hamburger Kunsthalle
(1)
Karbacher Ursula (1955- ). Les produits semi-finis comme Trend-Setter de la mode
(1)
Kim Alexandra. Luminous lace - lighting up a palace's stories
(1)
Kjellberg Anne (1945- ). Lace in the wardrobe of queen Maud of Norway
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Kowalska Joanna Regina. Lace inspired by the folk art of Podhale. The National School of Lace-Making in Zakopane and its influence on fashion in the first fifty years of its existence
(1)
Laveleye Berengere de. Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musee de la Ville de Bruxelles
(1)
Lindberg Steven
(1)
Menković Mirjana (1957- ). Lace as a fashion detail in Mirjana Marić's Collections. A note on Yugoslav fashion between 1970s and 1990s
(1)
Neumann Antje (1974- ). The fairies have strewn flowers along the way: the textile designer and Gesamtkunstler Henry van de Velde and his Weimar circle
(1)
Nicolai Dorothea. Le tutu romantique. La transparence des spectres
(1)
Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform
(1)
Pantouvaki Sofia. Technology-inspired experimental new transparencies
(1)
Politou Xenia. Transparence et dentelle dans le costume de cour de la reine Olga (1867-1913): deux elements empruntes aux costumes regionaux grecs
(1)
Ramnefalk Birgitta (1943- ). Lace and legislation in Norway 1600-1799
(1)
Saunders Bronwen
(1)
Schad Beate. Tradition and innovation od plauen lace
(1)
Scheer Thorsten (1961- ). Deeds not words: on the political iconography of women's dress
(1)
Swann June. Seventeenth century shoe roses
(1)
Ter Assatouroff Corinne
(1)
Ter Assatouroff Corinne. Presentations du Musee du Costume et de la dentelle de la Ville de Bruxelles
(1)
Thonnissen Karin (1951- ). The Omega Workshops: painting in space
(1)
Thonnissen Karin (1951- ). The hat veil
(1)
Uchalova Eva (1944- ). Prague fashion houses 1900-48
(1)
Wolter Gundula (1951- ). Pants with lace or: when trousers became female
(1)
Wynne Christopher
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2010 - 2019
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Belgia
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angielski
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Kaiser Wilhelm Museum
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2 wyniki Filtruj
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Autor
Ewers-Schultz Ines. Holzhey Magdalena. Lindberg Steven. Saunders Bronwen. Wynne Christopher. Berger Friederike. "The art of clothing oneself must be popularized": the artistic reform dress as an ideal, an aesthetic, and consumer culture Brandstätter Christian (1943- ). The Wiener Werkstätte and the fashion reform Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated Ewers-Schultz Ines. "Antineutral clothing for men": the artistic reform of men's wear Ewers-Schultz Ines. The dress as a work of art, beauty as a weapon, and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900 Ewers-Schultz Ines. "The essential thing is the individual adaptation to the wearer": Anna Muthesius's Das Eigenkleid der Frau Ewers-Schultz Ines. "The highest intelligence in the freest body!": modern dance as a symbiosis of body and costume Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900 Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and "new style" in women's clothing around 1900 Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network Hahn Juliane. Skirt and rib: bodies in the gaze Heiser Christiane (1970- ). "A miracle how preciously the people here understand their work in silk": Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk Holzhey Magdalena. "Since not all women, even if they have taste, are able to invent suitable ornaments": women and their clothes between decoration and emancipation Holzhey Magdalena. "The artistic elevation of women's dress": Krefeld 1900 and its consequences Neumann Antje (1974- ). "The fairies have strewn flowers along the way": the textile designer and Gesamtkünstler Henry van de Velde and his Weimar circle Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform Scheer Thorsten (1961- ). "Deeds not words": on the political iconography of women's dress Thönnissen Karin (1951- ). The Omega Workshops: painting in space
Indeks R0: BMNK
Publ. tow. wystawie: "Tailored for freedom : the artistic dress around 1900 in fashion, art and society", Kunstmuseen Krefeld, Kaiser Wilhelm Museum, October 12, 2018-February 24, 2019.
Bibliogr. w przypisach.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24027 (1 egz.)
Książka
W koszyku
Autor
Ter Assatouroff Corinne. Berthod Bernard (1952- ). L'apparition de la dentelle ecclésiastique l'exemple des rochets de Saint François de Sales Bickley Anthea. The "Bal Blanc" held at Cliffe Castle on December 19th 1884 Bogaerts Ilse. Uniforms and beyond Cockx Romy. Introduction: Fashion Museum of Hasselt - MMH Coppens Marguerite. Les méandres d'une reconversion. La dentelle d'Alençon 1830-1850 Dahrén Lena. Folklore bobbin made borders compared to bobbin made borders and edgings of gold and silver in the Fashion of Early Modern Time Demoen Eve. Introduction: Fashion Museum of Hasselt - MMH Esgain Caroline. Dentelles anciennes, dentelles mécaniques et tulle Robes habillées des années 1950 et 1960 au Musée du Costume et de la Dentelle Gandin Alice (1973- ). Les Lefébure, artistes et industriels de la dentelle - 1829-1932 Gauthier Catherine (1979- ). Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musée de la Ville de Bruxelles Hackspiel-Mikosch Elisabeth. Politics of lace: the trousseau of Archduches Maria Josepha (1719) Heffernan Sandra. Capturing and promoting transparency in lace Henwood-Nivet Sophie. Créer la dentelle: l'exemple d'Henry Ball, esquisseur en dentelle à Calais dans les années 1920 Hlaváčková Konstantina. La dentelle en République tchèque: état des lieux et bref aperçu historique Ivo Sigrid (1961- ). Lace, fashion and transparency: it is all in the bag. A stroll through the collection of the Museum of Bags and Purses (Tassenmuseum Hendrikje) Joosten Andrea (1968- ). The art of lace: a 17-th century Italian pattern book in the library of the Hamburger Kunsthalle Karbacher Ursula (1955- ). Les produits semi-finis comme "Trend-Setter" de la mode Kim Alexandra. Luminous lace - lighting up a palace's stories Kjellberg Anne (1945- ). Lace in the wardrobe of queen Maud of Norway Kowalska Joanna Regina. Lace inspired by the folk art of Podhale. The National School of Lace-Making in Zakopane and its influence on fashion in the first fifty years of its existence Laveleye Bérengère de. Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musée de la Ville de Bruxelles Menković Mirjana (1957- ). Lace as a fashion detail in Mirjana Marić's Collections. A note on Yugoslav fashion between 1970s and 1990s Nicolai Dorothea. Le tutu romantique. La transparence des spectres Pantouvaki Sofia. Technology-inspired experimental new transparencies Politou Xenia. Transparence et dentelle dans le costume de cour de la reine Olga (1867-1913): deux éléments empruntés aux costumes régionaux grecs Ramnefalk Birgitta (1943- ). Lace and legislation in Norway 1600-1799 Schad Beate. Tradition and innovation od plauen lace Swann June. Seventeenth century shoe roses Ter Assatouroff Corinne. Présentations du Musée du Costume et de la dentelle de la Ville de Bruxelles Thönnissen Karin (1951- ). The hat veil Uchalová Eva (1944- ). Prague fashion houses, 1900-48 Wolter Gundula (1951- ). Pants with lace or: when trousers became female
Indeks R0: BMNK
Bibliogr. przy niektórych art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 34230 (1 egz.)
Pozycja została dodana do koszyka. Jeśli nie wiesz, do czego służy koszyk, kliknij tutaj, aby poznać szczegóły.
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