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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
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Saunders David. Image documentation for paintings conservation
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Scharff Mikkel. Lining easel paintings
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Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
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Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
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Stoner Joyce Hill (1946- ). International public outreach projects
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Stoner Joyce Hill (1946- ). Introduction
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Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
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Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
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Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
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Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
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Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
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3 wyniki Filtruj
Książka
W koszyku
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 23047 sygn. III 23047 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 35746 sygn. II 35746 (1 egz.)
Książka
W koszyku
(Lecture Notes in Computer Science / Gerhard Goos, Juris Hartmanis, Jan van Leeuwen, ISSN 0302-9743 ; 7616)
Autor
Caffo Rosella. Davies Rob. Fritsch Dieter (1950- ). Ioannides Marinos. Leissner Johanna. Remondino Fabio (1974- ). Goos Gerhard (1937- ). Hartmanis Juris (1928- ). Leeuwen Jan van (1946- ). Kersten Thomas P. (1960- ). Image-based low-cost systems for automatic 3D recording and modelling of archaeological finds and objects Lindstaedt Maren. Image-based low-cost systems for automatic 3D recording and modelling of archaeological finds and objects Fritsch Dieter (1950- ). Photogrammetric point cloud collection with multi-camera systems Abdel-Wahab Mohammed. Photogrammetric point cloud collection with multi-camera systems Cefalu Alessandro. Photogrammetric point cloud collection with multi-camera systems Wenzel Konrad (1986- ). Photogrammetric point cloud collection with multi-camera systems Trinks Immo (1972- ). Prospecting archaeological landscapes Neubauer Wolfgang (1963- ). Prospecting archaeological landscapes Doneus Michael (1967- ). Prospecting archaeological landscapes Hollaus Fabian. Multispectral image acquisition of ancient manuscripts Gau Melanie. Multispectral image acquisition of ancient manuscripts Sablatnig Robert. Multispectral image acquisition of ancient manuscripts Remondino Fabio (1974- ). Low-cost and open-source solutions for automated image orientation - a critical overview Del Pizzo Silvio. Low-cost and open-source solutions for automated image orientation - a critical overview Kersten Thomas P. (1960- ). Low-cost and open-source solutions for automated image orientation - a critical overview Troisi Salvatore. Low-cost and open-source solutions for automated image orientation - a critical overview Kersten Thomas P. (1960- ). Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Keller Friedrich (1943- ). Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Saenger Jerome. Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Schiewe Jochen (1965- ). Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Balzani Marcello (1962- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Bughi Carlo. Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Ferrari Federico (1969- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Rossato Luca (1979- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Tursi Alessandra. Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Moussa Wassim (1979- ). Automatic fusion of digital images and laser scanner data for heritage preservation Abdel-Wahab Mohammed. Automatic fusion of digital images and laser scanner data for heritage preservation Fritsch Dieter (1950- ). Automatic fusion of digital images and laser scanner data for heritage preservation Bernikola Eirini. Mapping of defect structural micro-morphology in the documentation of conservation approaches Tsiranidou Elsa. Mapping of defect structural micro-morphology in the documentation of conservation approaches Tornarē Bibē. Mapping of defect structural micro-morphology in the documentation of conservation approaches Detalle Vincent (1969- ). Mapping of defect structural micro-morphology in the documentation of conservation approaches Bodnar Jean Luc. Mapping of defect structural micro-morphology in the documentation of conservation approaches Sidiropoulou-Velidou Dafni. Exploitation of thermal imagery for the detection of pathologies in monuments Georgopoulos Andreas. Exploitation of thermal imagery for the detection of pathologies in monuments Lerma García José Luis. Exploitation of thermal imagery for the detection of pathologies in monuments Doulamis Nikolaos. On-line spectral learning in exploring 3D large scale geo-referred scenes Yiakoumettis Christos (1981- ). On-line spectral learning in exploring 3D large scale geo-referred scenes Miaoulis George. On-line spectral learning in exploring 3D large scale geo-referred scenes Drap Pierre. Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Merad Djamal. Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Seinturier Julien (1979- ). Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Boï Jean-Marc (1956- ). Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Peloso Daniela. Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Vannini Guido (1949- ). Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Nucciotti Michele. Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Pruno Elisa. Information system for medieval archaeology based on photogrammetry and archaeological database: "The Shawbak Castle Project" Agapiou Athos. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains Hadjimitsis Diofantos G. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains Georgopoulos Andreas. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains Sarris Apostolos. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains Alexakis Dimitrios D. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains Gigliarelli Elena. Historical social housing: smart analysis and design for conservation and energy regeneration Carlea Donato (1953- ). Historical social housing: smart analysis and design for conservation and energy regeneration Corcella Angela. Historical social housing: smart analysis and design for conservation and energy regeneration Porfyriou Heleni (1956- ). 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Virtual reconstruction of the ancient state of a ruined church Valle Melón José Manuel. Virtual reconstruction of the ancient state of a ruined church Miranda Álvaro Rodríguez. Virtual reconstruction of the ancient state of a ruined church Charalambous Panayiotis. Reconstruction of everyday life in 19th century Nicosia Iliadou Hesperia. Reconstruction of everyday life in 19th century Nicosia Apostolou Charalambos. Reconstruction of everyday life in 19th century Nicosia Chrysanthou Yiorgos. Reconstruction of everyday life in 19th century Nicosia Berg Evy. Use of GIS in the National System for Cultural Heritage Management and Dissemination to the general public in Norway: case study: the heritage management database "Askeladden" and the system for dissemination to the public, "Kulturminnesøk" Bartolomucci Carla. Reintegration of urban lacunas at Castelvecchio Calvisio (AQ) after the 2009 earthquake: the use of GIS 3D as a project monitoring tool Trizio Ilaria. 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Interaction for a shared knowledge with reperio: the Cardano case Baldi Marialuisa (1952- ). Interaction for a shared knowledge with reperio: the Cardano case Cerise Remi. Natural lighting and medieval glass - scientific data acquisition, methodology and physically based rendering Graça Fernando da. Natural lighting and medieval glass - scientific data acquisition, methodology and physically based rendering Magoulès Frédéric. Natural lighting and medieval glass - scientific data acquisition, methodology and physically based rendering Callet Patrick. Natural lighting and medieval glass - scientific data acquisition, methodology and physically based rendering Crable Charles. Venus: a unique fast, effective and safe publishing system for high-resolution 3D digital models Pekárek Aleš. Europeana Newspapers - a gateway to European newspapers online Willems Marieke. Europeana Newspapers - a gateway to European newspapers online Coralini Antonella. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories Guidazzoli Antonella. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories Lenzi Fiamma. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories Spigarolo Micaela. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories Baglivo Antonio. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories Liguori Maria Chiara. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories Hampson Cormac. CULTURA Project: supporting next generation interaction with digital cultural heritage collections Agosti Maristella (1950- ). CULTURA Project: supporting next generation interaction with digital cultural heritage collections Orio Nicola. CULTURA Project: supporting next generation interaction with digital cultural heritage collections Bailey Eoin. CULTURA Project: supporting next generation interaction with digital cultural heritage collections Lawless Seamus. CULTURA Project: supporting next generation interaction with digital cultural heritage collections Conlan Owen. CULTURA Project: supporting next generation interaction with digital cultural heritage collections Wade Vincent. CULTURA Project: supporting next generation interaction with digital cultural heritage collections Artese Maria Teresa. Cataloging intangible cultural heritage on the web Gagliardi Isabella. Cataloging intangible cultural heritage on the web Paneva-Marinova Desislava. Two integrated digital libraries for knowledge and iconography of orthodox saints Pavlov Radoslav. Two integrated digital libraries for knowledge and iconography of orthodox saints Goynov Maxim. Two integrated digital libraries for knowledge and iconography of orthodox saints Parcero-Oubiña César (1969- ). Heritage-oriented spatial data infrastructures in Spain: waiting on the World to change Pantazis George (1965- ). Preserving monuments' astronomical orientation by using different databases Lobovikov-Katz Anna. EUROMED 4 Project "ELAICH": e-tools for a teaching environment on EU mediterranean cultural heritage Konstanti Agoritsa. EUROMED 4 Project "ELAICH": e-tools for a teaching environment on EU mediterranean cultural heritage Labropoulos Kyriakos. EUROMED 4 Project "ELAICH": e-tools for a teaching environment on EU mediterranean cultural heritage Moropoúlou Antōnía (1952- ). EUROMED 4 Project "ELAICH": e-tools for a teaching environment on EU mediterranean cultural heritage Cassar JoAnn. 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MEMORI Technology - an innovative tools for the protection of movable cultural assets Bernardi Adriana (1957- ). Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project Becherini Francesca. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project Bonazza Alessandra. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project Krupińska Barbara. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project Pockelè Luc. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project Grieken René E. van (1945- ). Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project De Grandi Sandro. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project Ozga Izabela. 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IMAT Project: from innovative nanotechnology to best practices in art conservation Olsson Nina. IMAT Project: from innovative nanotechnology to best practices in art conservation Carfagni Monica. IMAT Project: from innovative nanotechnology to best practices in art conservation Furferi Rocco. IMAT Project: from innovative nanotechnology to best practices in art conservation Governi Lapo. IMAT Project: from innovative nanotechnology to best practices in art conservation Puggelli Luca. IMAT Project: from innovative nanotechnology to best practices in art conservation Patelli Alessandro. PANNA Project - plasma and nano for new age soft conseravtion Favaro Monica. PANNA Project - plasma and nano for new age soft conseravtion Simon Stefan. PANNA Project - plasma and nano for new age soft conseravtion Storme Patrick. PANNA Project - plasma and nano for new age soft conseravtion Scopece Paolo. PANNA Project - plasma and nano for new age soft conseravtion Kamenova Veska. 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Contemporary museums in an age of migrations: the reinterpretation of European cultural heritage Boochs Frank. COSCH - colour and space in cultural heritage, a new COST action starts Koussiaki Fotini. Science in aid of expert opinion: a tell-tale on disputed artworks Tornarē Bibē. Science in aid of expert opinion: a tell-tale on disputed artworks Kouloumpi Eleni. Science in aid of expert opinion: a tell-tale on disputed artworks Lembessis Alkis. Science in aid of expert opinion: a tell-tale on disputed artworks Juanes David. Computed tomography studies applied to polychromed sculpture: the making process in three different times Ferrazza Livio. Computed tomography studies applied to polychromed sculpture: the making process in three different times
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