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Stulik Dusan (1956- )
(4)
Angelini Ivana
(1)
Artioli Gilberto (1957- )
(1)
Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
(1)
Barrett Sylvana. An integrated approach for the study of painting techniques
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Berna F
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Bicchieri Marina
(1)
Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Brustolon Marina
(1)
Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
(1)
Chiari Giacomo
(1)
Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
(1)
Darrah Josephine A. Connections and coincidences: three pigments
(1)
Derrick Michelle R. (1955- )
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Dorge Valerie (1946- )
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
(1)
Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
(1)
Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Hermens Erma (1958- )
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
(1)
Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
(1)
Kaplan A
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Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
(1)
Kirby Jo. Paul Delaroche: a case study of academic painting
(1)
Landry James M. (1956- )
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Lavedrine Bertrand (1958- )
(1)
Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
(1)
Mazurek J
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Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
(1)
Peek Marja F. J. (1961- )
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Pel L
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Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
(1)
Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
(1)
Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Roy Ashok. Paul Delaroche: a case study of academic painting
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Schilling M
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Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
(1)
Skalova Zuzana. New evidence for the medieval production of icons in the Nile Valley
(1)
Steinbuchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Stulik D
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Stulik Dusan (1956- ). An integrated approach for the study of painting techniques
(1)
Stulik Dusan C
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Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875
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Valluzzi Maria Rosa (1968- )
(1)
Wadum Jorgen. Johannes Vermeer (1632–1675) and his use of perspective
(1)
Wallert Arie (1950- )
(1)
Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination
(1)
Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
(1)
Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter
(1)
Woodcock Sally. The Roberson Archive: content and significance
(1)
Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
(1)
Wouters Jan
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Authority data
Stulik Dusan (1956- ) (hasło formalne)
Nieużywane formy hasła: Stulik Dusan C ; Stulik D
No cover
Book
In basket
Tytuł: Solvent gels for the cleaning of works of art : the residue question / Dusan Stulik [et al.] ; edited by Valerie Dorge.
Adres wydawniczy: Los Angeles : The Getty Conservation Institute, 2004.
Opis fizyczny: XI, 162 s. : il. ; 28 cm.
Seria: Research in Conservation
Uwaga: Bibliogr. s. 145-152. Indeks.
Temat: Aerozole - stosowanie - konserwacja
Temat: Koloidy
Temat: Konserwatorstwo - materiały
Temat: Sztuka - konserwacja - metody
Hasło dodatkowe: Dorge, Valerie (1946- ).
Hasło dodatkowe: Stulik, Dusan (1956- )
ISBN: 0-89236-759-8
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 19057 (1 egz.)
Book
In basket
Autor: Derrick Michelle R. (1955- )
Tytuł: Infrared spectroscopy in conservation science / Michele R. Derrick, Dusan Stulik, James M. Landry.
Adres wydawniczy: Los Angeles : The Getty Conservation Institute, cop. 1999.
Opis fizyczny: X, [1], 235, [1] s. : il. ; 28 cm.
Seria: Scientific Tools for Conservation
Uwaga: Bibliogr. s. 207-229 i przy rozdz. Słownik terminów s. 201-204. Indeks.
Temat: Konserwatorstwo - metody
Temat: Promieniowanie podczerwone - stosowanie - konserwacja
Temat: Spektroskopia IR - stosowanie - konserwacja
Hasło dodatkowe: Stulik, Dusan (1956- ).
Hasło dodatkowe: Landry, James M. (1956- ).
Hasło dodatkowe: Getty Conservation Institute
ISBN: 0-89236-469-6
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 23098 (1 egz.)
No cover
Book
In basket
Autor: Artioli Gilberto (1957- )
Tytuł: Scientific methods and cultural heritage : an introduction to the application of materials science to archaeometry and conservation science / Gilberto Artioli ; with contrib. from I. Angelini, F. Berna, M. Bicchieri, M. Brustolon, G. CHiari, A. Kaplan, B. Lavédrine, J. Mazurek, L. Pel, M. Schilling, D. Stulik, M. R. Valluzzi, J. Wouters.
Wariant tytułu: Introduction to the application of materials science to archaeometry and conservation science
Wydanie: Repr.
Adres wydawniczy: Oxford : Oxford University Press, 2012.
Opis fizyczny: XIV, [2], 536 s., [16] s. tabl. kolor. : il. ; 26 cm.
Uwaga: Bibliogr. s. 438-506. Indeks.
Temat: Konserwatorstwo - technologia
Hasło dodatkowe: Angelini, Ivana.
Hasło dodatkowe: Berna F.
Hasło dodatkowe: Bicchieri, Marina.
Hasło dodatkowe: Brustolon, Marina.
Hasło dodatkowe: Chiari, Giacomo.
Hasło dodatkowe: Kaplan A.
Hasło dodatkowe: Lavédrine, Bertrand (1958- ).
Hasło dodatkowe: Mazurek, J.
Hasło dodatkowe: Pel, L.
Hasło dodatkowe: Schilling, M.
Hasło dodatkowe: Stulik, Dusan (1956- ).
Hasło dodatkowe: Valluzzi, Maria Rosa (1968- ).
Hasło dodatkowe: Wouters, Jan.
Hasło dodatkowe: Oxford University Press
ISBN: 978-0-19-954826-2
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 20586 (1 egz.)
No cover
Book
In basket
Tytuł: Historical painting techniques : materials and studio practice : preprints of a symposium - University of Leiden, the Netherlands, 26-29 June 1995 / edited by by Arie Wallert, Erma Hermens and Marja Peek.
Wydanie: Second printing.
Adres wydawniczy: [Marina Del Rey, CA] : The Getty Conservation Institute, 1996.
Opis fizyczny: IX, [23], 204 s. : il. (gł. kolor.) ; 30 cm.
Uwaga: Bibliogr. przy ref. Indeks.
Temat: Malarstwo - materiały - materiały konferencyjne
Temat: Malarstwo - technika - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Hermens, Erma (1958- ).
Hasło dodatkowe: Peek, Marja F. J. (1961- ).
Hasło dodatkowe: Wallert, Arie (1950- ).
Hasło dodatkowe: Asperen de Boer, Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
Hasło dodatkowe: Barrett, Sylvana. An integrated approach for the study of painting techniques
Hasło dodatkowe: Berrie, Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
Hasło dodatkowe: Birkmaier, Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
Hasło dodatkowe: Carlyle, Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
Hasło dodatkowe: Choldere, Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
Hasło dodatkowe: Darrah, Josephine A. Connections and coincidences: three pigments
Hasło dodatkowe: Duffy, Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
Hasło dodatkowe: Elgar, Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
Hasło dodatkowe: Faries, Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
Hasło dodatkowe: Federspiel, Beate Knuth. Questions about medieval gesso grounds
Hasło dodatkowe: Gayer, John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
Hasło dodatkowe: Gifford, E. Melanie. Style and technique in Dutch landscape painting in the 1620s
Hasło dodatkowe: Glanville, Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique
Hasło dodatkowe: Hackney, Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
Hasło dodatkowe: Hermens, Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
Hasło dodatkowe: Howard, Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral
Hasło dodatkowe: Katz, Melissa R. William Holman Hunt and the "Pre-Raphaelite technique"
Hasło dodatkowe: Kirby, Jo. Paul Delaroche: a case study of academic painting
Hasło dodatkowe: Massing, Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
Hasło dodatkowe: Metzger, Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
Hasło dodatkowe: Poriete, Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
Hasło dodatkowe: Rothe, Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
Hasło dodatkowe: Rothe, Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
Hasło dodatkowe: Roy, Ashok. Paul Delaroche: a case study of academic painting
Hasło dodatkowe: Sinclair, Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
Hasło dodatkowe: Skalová, Zuzana. New evidence for the medieval production of icons in the Nile Valley
Hasło dodatkowe: Steinbüchel, Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
Hasło dodatkowe: Stulik, Dusan (1956- ). An integrated approach for the study of painting techniques
Hasło dodatkowe: Townsend, Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875
Hasło dodatkowe: Wadum, Jørgen. Johannes Vermeer (1632–1675) and his use of perspective
Hasło dodatkowe: Wallert, Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination
Hasło dodatkowe: Wallert, Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
Hasło dodatkowe: Wetering, Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter
Hasło dodatkowe: Woodcock, Sally. The Roberson Archive: content and significance
Hasło dodatkowe: Woudhuysen-Keller, Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Hasło dodatkowe: Getty Conservation Institute
ISBN: 0-89236-322-3
Wersja elektroniczna: https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/historical_paintings.pdf (The Getty Conservation Institute)
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 26406 (1 egz.)
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