Form of Work
Książki
(3)
Status
unavailable
(2)
available
(1)
Branch
Magazyn
(3)
Author
Stols-Witlox Maartje (1972- )
(2)
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(1)
Birkenbeul Ina. Consolidation of flaking paint and ground
(1)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Consolidation of flaking paint and ground
(1)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(1)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(1)
Bomford David. Foreword
(1)
Bomford David. Picture cleaning: positivism and metaphysics
(1)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(1)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(1)
Buckley Barbara A. Stretchers tensioning and attachments
(1)
Bucklow Spike. The classification of craquelure patterns
(1)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(1)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(1)
Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
(1)
Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
(1)
Castelli Ciro
(1)
Christensen Marie. Bulging in wax-resin impregnated canvas paintings
(1)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Clarricoates Rhiannon
(1)
Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
(1)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(1)
Digney-Peer Shawn. Imitative retouching of easel paintings
(1)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(1)
Dixon Thomas. Storage of easel paintings
(1)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(1)
Dowding Helen
(1)
Druzik James. The lighting of easel paintings
(1)
Eastaugh Nicholas. Optical microscopy
(1)
Eastaugh Nicholas. Pigments in Western easel painting
(1)
Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
(1)
Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
(1)
Fuster-López Laura. Filling
(1)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(1)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(1)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(1)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(1)
Gottsegen Mark D. Recommending materials to artists
(1)
Gottsegen Mark D. Twentieth-century grounds
(1)
Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
(1)
Gritt Stephen. Imitative retouching of easel paintings
(1)
Hackney Stephen. Lining easel paintings
(1)
Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
(1)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
(1)
Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
(1)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Hermens Erma (1958- ). Binding media
(1)
Higgs Sally. Paintings affected by mould at the Palace of Westminster
(1)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(1)
Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
(1)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(1)
Horovitz Isabel. Consolidation of flaking paint and ground
(1)
Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
(1)
Hutchings Jeremy. Sustainable conservation management of exhibitions
(1)
Katlan Alexander. History of fabric supports
(1)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(1)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(1)
Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings
(1)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(1)
Learner Thomas J. S. Modern paints
(1)
Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions
(1)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(1)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(1)
Lowengard Sarah. Pigments in Western easel painting
(1)
MacBeth Rhona. The technical examination and documentation of easel paintings
(1)
Marvelde Mireille te. Lining easel paintings
(1)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Mayer Debora D. Identification of textile fibres found in common painting supports
(1)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(1)
McClure Ian. Framing and microclimate enclosures for panel paintings
(1)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(1)
Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
(1)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(1)
Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
(1)
Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings
(1)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(1)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(1)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(1)
Nadolny Jilleen. History of visual compensation for paintings
(1)
Nadolny Jilleen. Pigments in Western easel painting
(1)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(1)
Oddy William Andrew (1942- )
(1)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(1)
Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
(1)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(1)
Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
(1)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(1)
Ormsby Bronwyn. Twentieth-century grounds
(1)
Perry Roy A. Imitative retouching of easel paintings
(1)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(1)
Phenix Alan. A brief survey of historical varnishes
(1)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(1)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(1)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(1)
Reifsnyder Joan. Lining easel paintings
(1)
Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
(1)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(1)
Year
2010 - 2019
(3)
Country
United Kingdom
(3)
United States
(1)
Language
English
(3)
Subject
Malarstwo (szt.plast.)
(3)
Konserwatorstwo
(1)
Malarstwo olejne
(1)
Ochrona zabytków
(1)
Podłoże malarskie
(1)
Subject: time
1501-
(1)
1601-
(1)
1701-
(1)
1801-
(1)
Genre/Form
Materiały konferencyjne
(1)
4 results Filter
Authority data
Stols-Witlox Maartje (1972- ) (hasło formalne)
Nieużywane formy hasła: Stols Maartje ; Witlox M. J. N.‏ ; Witlox Maartje ; Witlox Maartje Stols- ; Witlox Marie-Julie Nicoline
Book
In basket
Autor: Stols-Witlox Maartje (1972- )
Tytuł: A perfect ground : preparatory layers for oil paintings 1550-1900 / Maartje Stols-Witlox.
Wariant tytułu: Preparatory layers for oil paintings 1550-1900
Adres wydawniczy: London : Archetype Publications, 2017.
Opis fizyczny: XVI, 391 s. : il. (gł. kolor.) ; 26 cm.
Uwaga: Bibliogr. s. 371-383. Indeks.
Temat: Malarstwo (szt.plast.) - technika - 16-19 w
Temat: Malarstwo (szt.plast.) - materiały
Temat: Malarstwo olejne - technika
Temat: Podłoże malarskie - 16-19 w
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-909492-35-6
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23221 (1 egz.)
Book
In basket
Tytuł: Interactions between water and paintings / edited by Rhiannon Clarricoates, Helen Dowding and Adèle Wright.
Adres wydawniczy: London : Archetype Publications : ICON Paintings Group, cop. 2019.
Opis fizyczny: IX, 121 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Uwaga: Bibliogr. przy ref.
Temat: Konserwatorstwo - metody - materiały konferencyjne
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja - materiały konferencyjne
Temat: Ochrona zabytków - metody - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Clarricoates, Rhiannon.
Hasło dodatkowe: Dowding, Helen.
Hasło dodatkowe: Wright, Adèle.
Hasło dodatkowe: Carnazza, Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
Hasło dodatkowe: Caruso, Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Cornwell, Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
Hasło dodatkowe: Christensen, Marie. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Francone, Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
Hasło dodatkowe: Frøysaker, Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Gregers-Høegh, Cecilia. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Harrison, Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century
Hasło dodatkowe: Hellen, Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney
Hasło dodatkowe: Henriksen, Karen-Marie. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Higgs, Sally. Paintings affected by mould at the Palace of Westminster
Hasło dodatkowe: Hollis, David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Howard, Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century
Hasło dodatkowe: Krarup Andersen, Cecil. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Meredith, Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
Hasło dodatkowe: Miller, Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century
Hasło dodatkowe: Mortensen, Martin N. Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Ormsby, Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Ormsby, Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney
Hasło dodatkowe: Richardson, Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Santacesaria, Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari
Hasło dodatkowe: Seed, Alison. Paintings affected by mould at the Palace of Westminster
Hasło dodatkowe: Scott, Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney
Hasło dodatkowe: Slottved Kimbriel, Christine (1982- ). Bulging in wax-resin impregnated canvas paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Stoveland, Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
Hasło dodatkowe: Sučević Miklin, Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling
Hasło dodatkowe: Thickett, David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Vilde, Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
Hasło dodatkowe: Wischniowski, Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: Institute of Conservation (Londyn). Paintings Group
ISBN: 978-1-909492-69-1
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 33820 (1 egz.)
Book
In basket
Tytuł: The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield.
Adres wydawniczy: London ; New York : Routledge Taylor & Francis Group, 2012.
Opis fizyczny: XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
Seria: Routledge Series in Conservation and Museology
Uwaga: Bibliogr. s. 765-866. Indeks.
Temat: Malarstwo (szt.plast.) - ochrona i konserwacja
Hasło dodatkowe: Stoner, Joyce Hill (1946- ).
Hasło dodatkowe: Rushfield, Rebecca (1954- ).
Hasło dodatkowe: Oddy, William Andrew (1942- ).
Hasło dodatkowe: Ackroyd, Paul. The structural conservation of paintings on wooden panel supports
Hasło dodatkowe: Birkenbeul, Ina. Consolidation of flaking paint and ground
Hasło dodatkowe: Bisacca, George. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Consolidation of flaking paint and ground
Hasło dodatkowe: Blewett, Morwenna R. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Blewett, Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
Hasło dodatkowe: Bomford, David. Foreword
Hasło dodatkowe: Bomford, David. Picture cleaning: positivism and metaphysics
Hasło dodatkowe: Boon, Jaap J. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Buck, Susan L. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Buckley, Barbara A. Stretchers, tensioning, and attachments
Hasło dodatkowe: Bucklow, Spike. The classification of craquelure patterns
Hasło dodatkowe: Burnstock, Aviva. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Carlyle, Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Carlyle, Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
Hasło dodatkowe: Castelli, Ciro.
Hasło dodatkowe: Clarke, Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Cross, Maureen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Digney-Peer, Shawn. Imitative retouching of easel paintings
Hasło dodatkowe: Dixon, Thomas. Framing, glazing, backing, and hanging of paintings on canvas
Hasło dodatkowe: Dixon, Thomas. Storage of easel paintings
Hasło dodatkowe: Dolgikh, Irina V. (1974- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Druzik, James. The lighting of easel paintings
Hasło dodatkowe: Eastaugh, Nicholas. Optical microscopy
Hasło dodatkowe: Eastaugh, Nicholas. Pigments in Western easel painting
Hasło dodatkowe: Fuster-López, Laura. Filling
Hasło dodatkowe: Golden, Mark (1948- ). Varnishing of acrylic paintings by artists
Hasło dodatkowe: Goltz, Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Goltz, Michael von der (1956- ). Consolidation of flaking paint and ground
Hasło dodatkowe: Goltz, Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Gottsegen, Mark D. Recommending materials to artists
Hasło dodatkowe: Gottsegen, Mark D. Twentieth-century grounds
Hasło dodatkowe: Gritt, Stephen. Imitative retouching of easel paintings
Hasło dodatkowe: Hackney, Stephen. Lining easel paintings
Hasło dodatkowe: Heiber, Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Hermens, Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Hermens, Erma (1958- ). Binding media
Hasło dodatkowe: Hoenigswald, Ann. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Holubec, Inken Maria. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Horovitz, Isabel. Consolidation of flaking paint and ground
Hasło dodatkowe: Hutchings, Jeremy. Sustainable conservation management of exhibitions
Hasło dodatkowe: Katlan, Alexander. History of fabric supports
Hasło dodatkowe: Klein, Peter. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Klocke, Jens. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Learner, Thomas J. S. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Learner, Thomas J. S. Modern paints
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Sustainable conservation management of exhibitions
Hasło dodatkowe: Levenson, Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Loon, Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Lowengard, Sarah. Pigments in Western easel painting
Hasło dodatkowe: MacBeth, Rhona. The technical examination and documentation of easel paintings
Hasło dodatkowe: Marvelde, Mireille te. Lining easel paintings
Hasło dodatkowe: Massing, Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Mayer, Debora D. Identification of textile fibres found in common painting supports
Hasło dodatkowe: Mayer, Lance.Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Myers, Gay. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: McClure, Ian. Framing and microclimate enclosures for panel paintings
Hasło dodatkowe: McGinn, Mary. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Michalski, Stefan (konserwatorstwo). The lighting of easel paintings
Hasło dodatkowe: Nadolny, Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
Hasło dodatkowe: Nadolny, Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII
Hasło dodatkowe: Nadolny, Jilleen. History of visual compensation for paintings
Hasło dodatkowe: Nadolny, Jilleen. Pigments in Western easel painting
Hasło dodatkowe: Noble, Petria. Ageing and deterioration of traditional oil and tempera paints
Hasło dodatkowe: Olley, Peggy A. Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Ormsby, Bronwyn. Cleaning concerns for acrylic emulsion paints
Hasło dodatkowe: Ormsby, Bronwyn. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Ormsby, Bronwyn. Twentieth-century grounds
Hasło dodatkowe: Perry, Roy A. Imitative retouching of easel paintings
Hasło dodatkowe: Petersen, Karin. Understanding the deterioration of paintings by microorganisms and insects
Hasło dodatkowe: Phenix, Alan. A brief survey of historical varnishes
Hasło dodatkowe: Phenix, Alan. Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Proctor, Robert G. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Ramsay, Barbara A. Travelling exhibitions and transporting paintings
Hasło dodatkowe: Reifsnyder, Joan. Lining easel paintings
Hasło dodatkowe: Rossol, Monona. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Rushfield, Rebecca (1954- ). Conservation organizations and professional standards
Hasło dodatkowe: Saunders, David. Image documentation for paintings conservation
Hasło dodatkowe: Scharff, Mikkel. Lining easel paintings
Hasło dodatkowe: Scharff, Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Schmitt, Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
Hasło dodatkowe: Scholte, Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
Hasło dodatkowe: Spaabaek, Lin Rosa. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stassinopoulos, Stergios. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stavroudis, Chris. Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Stols-Witlox, Maartje (1972- ). Grounds, 1400-1900
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). International public outreach projects
Hasło dodatkowe: Stoner, Joyce Hill (1946- ). Introduction
Hasło dodatkowe: Streeton, Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Stringari, Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66
Hasło dodatkowe: Swicklik, Michael. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Thomas, Karen. Imitative retouching of easel paintings
Hasło dodatkowe: Tomkiewicz, Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining
Hasło dodatkowe: Townsend, Joyce H. A brief survey of historical varnishes
Hasło dodatkowe: Townsend, Joyce H. Binding media
Hasło dodatkowe: Townsend, Joyce H. Health and safety concerns in the paintings conservation studio
Hasło dodatkowe: Townsend, Joyce H. Imitative retouching of easel paintings
Hasło dodatkowe: Townsend, Joyce H. Research and instrumental analysis in the materials of easel paintings
Hasło dodatkowe: Wadum, Jørgen. History and use of panels or other rigid supports for easel paintings
Hasło dodatkowe: Walsh, Valentine. Optical microscopy
Hasło dodatkowe: Whitten, Jill. Varnishing as part of the conservation treatment of easel paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Aqueous methods for the cleaning of paintings
Hasło dodatkowe: Wolbers, Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
Hasło dodatkowe: Wolbers, Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
Hasło dodatkowe: Young, Christina. History of fabric supports
Hasło dodatkowe: Taylor & Francis
ISBN: 978-0-7506-8199-5
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 23047 (1 egz.)
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