Bakker Boudewijn (1938- ). Jacobus Vrel in Zwolle
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Baumer Ursula. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Beil Cedric. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Beltinger Karoline. Cuno Amiet und die Temperamalerei in der Schweiz um 1900
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Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Berg Klaas Jan van den (1964- ). Breitner's paint box and the colours of Standage
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Blumenroth Diana Sabine. Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Bommel Maarten R. van
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Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Buvelot Quentin (1969- )
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Buvelot Quentin (1969- ). Prototypes and replicas in the work of Vrel and his contemporaries
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Buvelot Quentin (1969- ). The mystery of Vrel
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Diependaal Hannie. Breitner's paint box and the colours of Standage
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Dietemann Patrick. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
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Ebert Bernd. Narrow alleyways austere rooms and contemplative silence
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Ebert Bernd. The mystery of Vrel
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Emmerling Erwin (1952- )
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Fiedler Irene (1948- ). Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Fucker Beate. Geschichte Herstellung und Verwendung von Glasaugen an barocker polychromer Grossplastik im deutschsprachigen Raum
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Gabler Wolfram (1954- )
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Griesebach Lucius (1942- ). Vorderseite? Ruckseite? ober beides? Uber den Umgang mit Ernst Ludwig Kirchners doppelseitig bemalten Leinwanden
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Groot Suzan de (1972- ). Breitner's paint box and the colours of Standage
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Gruber Christian (1939- )
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Haidvogl Martina. Audiokunstwerke von Dieter Roth. Problematiken und mogliche Losungsansatze zur Erhaltung
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Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Karl Daniela (1981- )
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Keijzer Matthijs de. Breitner's paint box and the colours of Standage
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Keulen Henk van. Breitner's paint box and the colours of Standage
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Klein Pater. The dendrochronological analysis of panel paitings by Jacobus Vrel
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Kranz Annette (1968- )
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Krekel Christoph (1966- )
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Krekel Christoph (1966- ). Der Reichtum der Palette. Kirchners Pigmente
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Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
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Kuhlenthal Michael. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
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Kuhlenthal Michael. Lustrieren lasieren lackieren. Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
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Leonhard Karin (1969- )
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Leonhard Karin (1969- ). Rooms without keys. Jacobus Vrel and modernity
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Megens Luc (1970- ). Breitner's paint box and the colours of Standage
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Moser-Seiberl Lukas. Die Altare von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
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Moser-Seiberl Lukas. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Muller Wolfgang (chemia). Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Musch Irmgard (1967- )
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Pelludat Inga. Das Cuivillies-Theater in Munchen
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Pelludat Inga. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Pfenninger Martina. Audiokunstwerke von Dieter Roth. Problematiken und mogliche Losungsansatze zur Erhaltung
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Pohlmann Albrecht (1961- ). Der Kunstler schaffe bewusst!. Wilhelm Ostwalds Malerbriefe (1904) und andere Schriften als kunsttechnologisches Paradigma einer kommenden Kunst
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Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
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Richter Mark. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
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Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
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Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddaus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
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Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
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Richter Mark. Coloured glazes on metal leaf: definition and terminology
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Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Richter Mark. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Richter Mark. Indanthrenblau Helioechtrot and Pigmentscharlach. Identification of synthetic organic pigments in paintings of Ernst Ludwig Kirchner using Raman microscopy
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Richter Mark. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773)
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Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany Austria and Switzerland (c. 1600-1780)
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Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
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Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomunster
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Richter Mark. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
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Richter Mark. The red glazed drapes in the Cuivillies-Theatre: results of the scientific examination
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Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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