Form of Work
Książki
(1)
Status
unavailable
(1)
Branch
Magazyn
(1)
Author
Balch Pippa
(1)
Bordt Nele. Observations on Rudolf Swoboda’s painting technique
(1)
Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
(1)
Costaras Nicola
(1)
Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
(1)
Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Glanville Helen
(1)
Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists
(1)
Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Lowry Kate
(1)
Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists
(1)
Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study
(1)
Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Saltmarsh Polly
(1)
Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique
(1)
Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
(1)
Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
(1)
Sperber Roxanne. The retouching practices of John Linnell: technique patronage and practice from two works in the Yale Center for British Art
(1)
Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
(1)
Straub Michaela. The conservation and research of two paintings by Alfred East RA
(1)
Sutcliffe Victoria
(1)
Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists
(1)
Veldink Suzanne. George Hendrik Breitner at work: new insights
(1)
Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate
(1)
Woltman Nienke. George Hendrik Breitner at work: new insights
(1)
Woodcock Sally. Alteration restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen
(1)
Wright Adele. "Method cannot govern everything". Delacroix: mid-century modern master
(1)
Year
2010 - 2019
(1)
Country
United Kingdom
(1)
Language
English
(1)
Subject
Konserwatorstwo
(1)
Malarstwo europejskie
(1)
Subject: time
1801-
(1)
1901-
(1)
2001-0
(1)
Genre/Form
Materiały konferencyjne
(1)
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Book
In basket
Tytuł: A changing art : nineteenth-century painting practice and conservation / edited by Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe and Polly Saltmarsh.
Wariant tytułu: Nineteenth-century painting practice and conservation
Adres wydawniczy: London : Archetype Publications : The British Association of Paintings Conservator-Restorers, 2017.
Opis fizyczny: IX, 133 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Bibliogr. przy art.
Temat: Konserwatorstwo - Wielka Brytania - 19-21 w. - materiały konferencyjne
Temat: Malarstwo europejskie - 19 w. - materiały konferencyjne
Temat: Malarstwo europejskie - ochrona i konserwacja - 19-21 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Balch, Pippa.
Hasło dodatkowe: Costaras, Nicola.
Hasło dodatkowe: Glanville, Helen.
Hasło dodatkowe: Lowry, Kate.
Hasło dodatkowe: Saltmarsh, Polly.
Hasło dodatkowe: Sutcliffe, Victoria.
Hasło dodatkowe: Bordt, Nele. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Carlyle, Leslie. Building visual evidence of past practices in the creation of oil paintings
Hasło dodatkowe: Costaras, Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings
Hasło dodatkowe: Frezzato, Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Herring, Sarah. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Lo Russo, Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Macaro, Gabriella. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Macaro, Gabriella. The Barbizon paintings at the National Gallery, London: a technical study
Hasło dodatkowe: Poldi, Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Saunders-Blessley, Katy. Observations on Rudolf Swoboda’s painting technique
Hasło dodatkowe: Savoia, Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Simon, Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century
Hasło dodatkowe: Speleers, Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris
Hasło dodatkowe: Sperber, Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art
Hasło dodatkowe: Splendore, Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study
Hasło dodatkowe: Straub, Michaela. The conservation and research of two paintings by Alfred East RA
Hasło dodatkowe: Tomlinson, Hayley. Ernst-Victor Hareux and the Barbizon Artists
Hasło dodatkowe: Veldink, Suzanne. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Whitehouse, Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate
Hasło dodatkowe: Woltman, Nienke. George Hendrik Breitner at work: new insights
Hasło dodatkowe: Woodcock, Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen
Hasło dodatkowe: Wright, Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Hasło dodatkowe: Archetype Publications
Hasło dodatkowe: British Association of Paintings Conservator-Restorers
ISBN: 978-1-909492-54-7
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Magazyn
All copies are currently on loan: sygn. sygn. II 31515 (1 egz.)
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