Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Boitelle Rene (1962- ). A new look at old definitions: examining notions of finish in Barbizon School Landscapes
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Bok Marten Jan. Utrecht eine libertinische Stadt
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Brown Marilyn R. Barbizon and myths of bohemianism
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Burmester Andreas. Comment ils inventaient ces verts chatoyants? - Blau Gelb Grun und die Landschaftsmalerei von Barbizon
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Darrah Josephine A. Connections and coincidences: three pigments
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Delouche Denise (1933- ). Entre pittoresque et realisme: le paysan des provinces francais vu par les peintres 1800-1863
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Denk Claudia. Comment ils inventaient ces verts chatoyants? - Blau Gelb Grun und die Landschaftsmalerei von Barbizon
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Drost Wolfgang (1930- ). The double-bottomed idyll: contemporary literary views on Barbizon landscape-painting. Thore-Burger - The Goncourts - Flaubert
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Ebert Bernd. Die Utrechter Caravaggisten im Spannungsfeld von Auftraggebern Kunstmarkt und Sammlern
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Einecke Claudia. Beyond seeing: the somatic experience of landscape in the School of 1830
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Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Elst Caroline van der. A new look at old definitions: examining notions of finish in Barbizon School Landscapes
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Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Faunce Sarah. Courbet's concept of realism: the battle for the Earth
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Heilmann Christoph (1936- )
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Heilmann Christoph (1936- ). Barbizon und Munchen
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Heimberg Bruno. Technologische Beobachtungen zur Landschaft bei Auvers
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Helmus Liesbeth M. (1961- )
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Helmus Liesbeth M. (1961- ). Die Utrechter Caravaggisten : eine Frage der Nachfolge des Verbesserns
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Helmus Liesbeth M. (1961- ). Katalog
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Herding Klaus (1939-2018). Beyond reality: truth in Courbet and Millet. A discourse about anti-realism
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Hermens Erma (1958- )
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
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Hoppe Susanne. Die Utrechter Caravaggisten im Spannungsfeld von Auftraggebern Kunstmarkt und Sammlern
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Hoppe Susanne. Katalog
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Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
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Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
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Kelly Simon (1969- ). The landscapes of Theodore Rousseau and their market
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Kirby Jo. Paul Delaroche: a case study of academic painting
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Klein Elyse. An investigation into the painting technique of the two versions of Corot's St. Sebastian succoured by holy women
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Koller Johann. Die Bindemittel der Schule von Barbizon
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Langdon Helen (1943- ). Rom 1600-1630
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Laudenbacher Konrad. Beobachtungen zur Maltechnik an ausgewahlten Bildern der Schule von Barbizon
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Laughton Bruce (1928- ). Marks and meaning: some responses to the forest by Rousseau and Millet
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Levental-Harms Olivia
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Manuth Volker (1956- ). Katalog
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Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
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McWilliam Neil. Mythologising Millet
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Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Michel Regis. L'idiot de la peiture. Essai sur l'homme de Barbizon
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Peek Marja F. J. (1961- )
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Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
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Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Roy Ashok. Barbizon painters: tradition and innovation in artists' materials
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Roy Ashok. Die Utrechter Maler: Caravaggismus Technik und Ausdruck
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Roy Ashok. Paul Delaroche: a case study of academic painting
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Shiff Richard (1943- ). Natural personal pictorial: Corot and the painter's mark
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Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
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Skalova Zuzana. New evidence for the medieval production of icons in the Nile Valley
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Steinbuchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Stulik Dusan (1956- ). An integrated approach for the study of painting techniques
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Thomas Greg M. (1962- ). The practice of naturalisme: the working methods of Theodore Rousseau
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Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875
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Wadum Jorgen. Johannes Vermeer (1632–1675) and his use of perspective
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Wallert Arie (1950- )
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Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination
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Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter
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Woodcock Sally. The Roberson Archive: content and significance
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Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
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Woudhuysen-Keller Renate (1944-2012). Observations concerning Corot's late painting technique
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Zimmermann Michael F. (1958- )
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Zimmermann Michael F. (1958- ). Painting of nature - nature of painting. An essay on landscape and the historical position of Barbizon
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