Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
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Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects
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Bobak Simon. A flexible unattached auxiliary support
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Bomford David. Introduction: keynote address
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Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
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Brewer Al. Practical aspects of the structural conservation of large panel paintings
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Brewer Al. Some rejoining methods for panel paintings
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Castelli Ciro. The restoration of panel painting supports. Some case histories
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Corzo Miguel Angel (1942- ). Foreword
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Daniel Vinod. Modified atmosphere treatments of insect infestations
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Dardes Kathleen (1952- )
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Dardes Kathleen (1952- ). Preface
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Darrah Josephine A. Connections and coincidences: three pigments
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Emile-Male Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France
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Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Glatigny Jean-Albert. Backings of painted panels. Reinforcement and constraint
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Hanlon Gordon. Modified atmosphere treatments of insect infestations
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Hermens Erma (1958- )
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
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Hoadley R. Bruce (1933-2019). Chemical and physical properties of wood
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Hoadley R. Bruce (1933-2019). Identification of wood in painting panels
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Horns James S. Richard Buck. The development and use of the balsa backing for panel paintings
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Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
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Huot Claude. The restoration of wooden painting supports. Two hundred years of history in France
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Jaunard Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
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Kanter Laurence B. (1954- )
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Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
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Kirby Jo. Paul Delaroche: a case study of academic painting
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Klein Peter. Dendrochronological analyses of panel paintings
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Lebas Frederic J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner
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Mandron Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
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Marchant Raymond. The development of a flexible attached auxiliary support
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Marussich Giovanni. Florentine structural stabilization techniques
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Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800
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McClure Ian. History of structural conservation of panel paintings in Great Britain
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McClure Ian. The framing of wooden panels
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Mecklenburg Marion F. Technical considerations for the transport of panel paintings
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Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Peek Marja F. J. (1961- )
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Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Reeve Anthony M. Structural conservation of panel paintings at the National Gallery London
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Richard Mervin. Technical considerations for the transport of panel paintings
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Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi
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Rothe Andrea (1936- ). Critical history of panel painting restoration in Italy
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Rothe Andrea (1936- ). Florentine structural stabilization techniques
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Rothe Andrea (1936- ). Preface
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Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Roy Ashok. Paul Delaroche: a case study of academic painting
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Schiessl Ulrich (1948-2011). History of structural panel painting conservation in Austria Germany and Switzerland
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Schniewind Arno P. (1929- ). Consolidation of wooden panels
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Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison
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Skalova Zuzana. New evidence for the medieval production of icons in the Nile Valley
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Steinbuchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Stulik Dusan (1956- ). An integrated approach for the study of painting techniques
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Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875
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Tumosa Charles S. Technical considerations for the transport of panel paintings
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Uzielli Luca. Historical overview of panel-making techniques in central Italy
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Veliz Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain
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Wadum Jorgen. Historical overview of panel-making techniques in the northern countries
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Wadum Jorgen. Johannes Vermeer (1632–1675) and his use of perspective
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Wadum Jorgen. Microclimate boxes for panel paintings
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Walker Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques
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Wallert Arie (1950- )
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Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination
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Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Walsh John (1937- ). Foreword
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Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter
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Williams Donald C. (konserwatorstwo). A survey of adhesives for wood conservation
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Wilmering Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
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Woodcock Sally. The Roberson Archive: content and significance
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Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
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