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Adkins Helen (1960- ). Erste Internationale Dada-Messe Berlin 1920
(1)
Alix Trueba Josefina. Der Spanische Pavillon auf der Weltausstellung in Paris 1937
(1)
Ashton Dore. Claes Oldenburg The Store New York 1961
(1)
Bach Friedrich Teja (1944- ). Atelier Impasse Ronsin - Brancusi Paris
(1)
Bandura Agnieszka. Politics of replacing in New Romanticism
(1)
Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
(1)
Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Bonito Oliva Achille (1939- ). Contemporanea Rom 1973/74
(1)
Bonito Oliva Achille (1939- ). Pino Pascali Serie degli Armi - die Waffen sind auf die Welt gerichtet 1965/66
(1)
Brandauer Aline. Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
(1)
Brown Milton. Die Armory Show: ein Medienereignis New York/Chicago 1913
(1)
Celant Germano (1940- ). Jannis Kounellis - Ohne Titel - (Dodice Cavalli Vivi) Rom 1969
(1)
Eltz Johanna zu (1875-1957). Der Futurismus stellt sich aus: Wanderausstellung der Futuristen 1912
(1)
Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
(1)
Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
(1)
Friedel Helmut (1946- ). Fernsehgalerie Gerry Schum - Land Art Berlin 1969
(1)
Gradinaru Camelia. Visual tyranny as autopoiesis
(1)
Grasskamp Walter (1950- ). Documenta - Kunst des XX. Jahrhunderts - Internationale Ausstellung im Museum Fridericianum in Kassel 15. Juli bis 18. September 1955
(1)
Grinten Hans van der (1929-2002). Joseph Beuys Stallausstellung Fluxus 1963 in Kranenburg
(1)
Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
(1)
Harten Jurgen (1933- ). Der Adler vom Oligozan bis heute Dusseldorf 1972
(1)
Hegewisch Katarina
(1)
Hegewisch Katarina. Einleitung
(1)
Herzogenrath Wulf (1944- ). Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Kunstler zu Coln 1912
(1)
Hoet Jan (1936-2014). Chambres d'Amis Gent 1986
(1)
Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
(1)
Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
(1)
Jahn Wolf (1955- ). Gilbert & George Living Sculpture 1969/70
(1)
Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
(1)
Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
(1)
Kellein Thomas (1955- ). Walter de Maria 50 m3 (1600 Cubic Feet) Level Dirt Munchen 1968
(1)
Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
(1)
Kluser Bernd
(1)
Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
(1)
Kubala Agata. Damnatio memoriae and Roman imperial art
(1)
Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
(1)
Lissitzky El (1890-1941). Der Raum der Abstrakten fur das Provinzialmuseum Hannover 1927/28
(1)
Mai Ekkehard (1946- ). Wiener Sezession
(1)
Markowska Anna (1962- )
(1)
Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
(1)
Messer Thomas M. (1920-2013). Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
(1)
Metzger Rainer (1961- ). Chambres d'Amis Gent 1986
(1)
Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
(1)
Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
(1)
Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
(1)
Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
(1)
Palęcka Alicja. Visualizing the other: ethnographic film as thick description
(1)
Petersen Ad (1931- ). Dylaby ein dynamisches Labirynth im Stedelijk Museum 1962
(1)
Popa Lucia. Removing Romania: the Western art world colonized by the East
(1)
Restany Pierre (1930-2003). Yves Klein Le Vide. Die Leere von Yves Klein. Paris den 28. April 1958
(1)
Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
(1)
Schmidt-Wulffen Stephan. Die Zukunft aus dem Prufstand: This is Tomorrow London Whitechapel Gallery 1956
(1)
Schulz-Hoffmann Carla (1946- ). Das Ambiente Nero von Lucio Fontana - Prototyp des Environments Mailand 1949
(1)
Selz Peter Howard (1919-2019). Der Erste Deutsche Herbstsalon Berlin 1913
(1)
Sikora Patrycja (1978- ). Erasure. Memory Exercises
(1)
Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
(1)
Sinicka Agnieszka. Wilhem Sasnal’s photophobia
(1)
Smolik Noemi. Letzte futuristische Ausstellung 0 10 Petrograd 1915 - das Ende einer Entwicklung
(1)
Smolik Noemi. Mir Iskusstva - der Beginn der russischen Moderne Petersburg 1899
(1)
Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
(1)
Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
(1)
Stec Anna (1987- ). Anish Kapoor Memory
(1)
Strelow Hans. Leben mit Pop - Demonstration fur den kapitalistischen Realismus von Konrad Lueg und Gerhard Richter Dusseldorf 1963
(1)
Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
(1)
Szeemann Harald (1933-2005). When attitudes become form Bern 1969
(1)
Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
(1)
Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
(1)
Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
(1)
Zawada Michał (1985- ). Imaging iconoclasm
(1)
Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
(1)
Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
Indeks R0: BMNK
Tyt. grzbietowy: Politics of erasure
Bibliogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 23426 sygn. III 23426, III 23601 sygn. III 23601 (2 egz.)
Książka
W koszyku
Autor
Hegewisch Katarina. Klüser Bernd. Adkins Helen (1960- ). "Erste Internationale Dada-Messe", Berlin 1920 Alix Trueba Josefina. Der Spanische Pavillon auf der Weltausstellung in Paris 1937 Ashton Dore. Claes Oldenburg "The Store", New York 1961 Bach Friedrich Teja (1944- ). Atelier Impasse Ronsin - Brancusi, Paris Bonito Oliva Achille (1939- ). Contemporanea, Rom 1973/74 Bonito Oliva Achille (1939- ). Pino Pascali "Serie degli Armi" - die Waffen sind auf die Welt gerichtet, 1965/66 Brandauer Aline. Peggy Guggenheim "Art of this century" - New York, 57th Street, 20. Oktober 1942 bis Mai 1947 Brown Milton. Die Armory Show: ein Medienereignis, New York/Chicago 1913 Celant Germano (1940- ). Jannis Kounellis - Ohne Titel - (Dodice Cavalli Vivi), Rom 1969 Eltz Johanna zu (1875-1957). Der Futurismus stellt sich aus: Wanderausstellung der Futuristen, 1912 Friedel Helmut (1946- ). Fernsehgalerie Gerry Schum - Land Art, Berlin 1969 Grasskamp Walter (1950- ). Documenta - Kunst des XX. Jahrhunderts - Internationale Ausstellung im Museum Fridericianum in Kassel, 15. Juli bis 18. September 1955 Grinten Hans van der (1929-2002). Joseph Beuys "Stallausstellung" Fluxus 1963 in Kranenburg Harten Jürgen (1933- ). "Der Adler vom Oligozän bis heute", Düsseldorf 1972 Hegewisch Katarina. Einleitung Herzogenrath Wulf (1944- ). Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler zu Cöln 1912 Hoet Jan (1936-2014). "Chambres d'Amis", Gent 1986 Kellein Thomas (1955- ). Walter de Maria "50 m3 (1600 Cubic Feet) Level Dirt", München 1968 Lissitzky El (1890-1941). "Der Raum der Abstrakten" für das Provinzialmuseum Hannover 1927/28 Mai Ekkehard (1946- ). Wiener Sezession Messer Thomas M. (1920-2013). Peggy Guggenheim "Art of this century" - New York, 57th Street, 20. Oktober 1942 bis Mai 1947 Metzger Rainer (1961- ). "Chambres d'Amis", Gent 1986 Petersen Ad (1931- ). Dylaby, ein dynamisches Labirynth im Stedelijk Museum 1962 Restany Pierre (1930-2003). Yves Klein "Le Vide". Die Leere von Yves Klein. Paris, den 28. April 1958 Schmidt-Wulffen Stephan. Die Zukunft aus dem Prufstand: "This is Tomorrow", London, Whitechapel Gallery 1956 Schulz-Hoffmann Carla (1946- ). Das "Ambiente Nero" von Lucio Fontana - Prototyp des Environments, Mailand 1949 Selz Peter Howard (1919-2019). Der "Erste Deutsche Herbstsalon", Berlin 1913 Smolik Noemi. Letzte futuristische Ausstellung 0, 10, Petrograd 1915 - das Ende einer Entwicklung Smolik Noemi. Mir Iskusstva - der Beginn der russischen Moderne, Petersburg 1899 Strelow Hans. "Leben mit Pop - Demonstration für den kapitalistischen Realismus" von Konrad Lueg und Gerhard Richter, Düsseldorf 1963 Szeemann Harald (1933-2005). "When attitudes become form", Bern 1969 Jahn Wolf (1955- ). Gilbert & George "Living Sculpture", 1969/70
Temat
Indeks R0: BMNK
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 25746 sygn. III 25746 (1 egz.)
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