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Magazyn
Zapytaj bibliotekarza: sygn. Czas. III 1054/6 sygn. Czas. III 1054/6 (1 egz.)
Książka
W koszyku
Pinacoteca nazionale di Bologna : catalogo generale. 2, Da Raffaello ai Carracci / a cura di Jadranka Bentini, Gian Piero Cammarota, Angelo Mazza, Daniela Scaglietti Kelescian, Anna Stanzani ; [schede di Francesco Abbate, Grazia Agostini, José Alvàrez Lopera, Anna Maria Ambrosini Massari, Grazia Badino, Novella Barbolani di Montauto, Roberta Bartoli, Sylvie Béguin, Lia Bellingeri, Daniele Benati, Jadranka Bentini, Carla Bernardini, Alessandro Brogi, Nora Clerici Bagozzi, Gian Piero Cammarota, Mirella Cavalli, Alessandro Cecchi, Rosa D'Amico, Michele Danieli, Andrea G. De Marchi, Mario di Giampaolo, Franco Faranda, Gail Feidenbaum, Daniela Ferriani, Lorenzo Finocchi Ghersi, Anna Maria Fioravanti Baraldi, Emanuela Fiori, Renzo Fontana, Lucia Fornari Schianchi, Vera Fortunati, Barbara Ghelfi, Angela Ghirardi, Irene Graziani, Fabrizio Lollini, Vincenzo Mancini, Elena Marcato, Sergio Marinelli, Stefania Mason, Angelo Mazza, Antonio Natali, Mariangela Novelli, Oriana Orsi, Elena Parma, Claudia Pedrini, Armanda Pellicciari, Catheline Périer-D'Ieteren, Marinella Pigozzi, Elena Rossoni, Elisabetta Saccomani, Elisabetta Sambo, Giovanni Sassu, Daniela Scaglietti Kelescian, Anna Stanzani, Anna Tambini, Anchise Tempestini, Patrizia Tosini, Simone Twiehaus, Francesca Valli, Giordano Viroli, Alessandro Zacchi, Raffaella Zama, Silla Zamboni ; traduzioni Mirella Napoli, Floriana Pagano, Paolo Vettore]. - Venezia : Marsilio : Ministero per i Beni e le Attività Culturali - Soprintendenza per i Beni Storici, Artistici ed Etnoantropologici per le Provine di Bologna, Ferrara, Forlì-Cesna, Ravenna, Rimini, 2006. - [14], 494 s. : il. kolor. ; 30 cm.
Bibliogr. s. 458-492 i przy notach katalogowych. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24683/2 sygn. III 24683/2 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24321 sygn. III 24321 (1 egz.)
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